哈林姆和迈纳两夫妻在摩洛哥一个小镇上，经营着一间专造卡夫坦老式长袍的工艺店。两人内心都一直对同一个秘密噤若寒蝉。每日因造袍需时，同时面对着顾客无休止的要求与催逼，他们终聘请了年轻学徒约瑟夫分担工作。有心有才的约瑟夫专心致志地向哈林姆讨教造袍技术；然而随着时间流逝，迈纳却渐渐发现约瑟夫和哈林姆之间存在着无声暗涌。影片入围第95届奥斯卡金像奖最佳国际影片奖短名单。

哈林姆和迈纳两夫妻在摩洛哥一个小镇上，经营着一间专造卡夫坦老式长袍的工艺店。两人内心都一直对同一个秘密噤若寒蝉。每日因造袍需时，同时面对着顾客无休止的要求与催逼，他们终聘请了年轻学徒约瑟夫分担工作。有心有才的约瑟夫专心致志地向哈林姆讨教造袍技术；然而随着时间流逝，迈纳却渐渐发现约瑟夫和哈林姆之间存在着无声暗涌。影片入围第95届奥斯卡金像奖最佳国际影片奖短名单。

In Umbracle, an aleatory horror film that paints a critical image of Francoist Spain, Portabella continues his exploration of the language of experimental cinema and develops his aesthetic of combining documentary with reenactment. He worked with Christopher Lee to produce an "ideal and predetermined cliché[d]" image of an actor: "Lee offered to perform my ideas with pleasure. I even managed to get him to do the hardest thing an actor can do: nothing." 　　Low-budget horror-film star Christopher Lee makes a second appearance as the iconic centerpiece of a Portabella film (CUADECUC--VAMPIR was his first), this time as an imposing but ghostly figure wandering the streets of Barcelona. Through film clips that evoke Chaplin and other silent-era comedians, Dadaist poetry, and mysterious melodrama, Portabella makes a bid for unfettered artistic freedom calculated to scramble the brains of Franco-regime censors. 　　Pere Portabella (b. 1929, Barcelona) is a veteran Spanish filmmaker whose narrative features—rich in interludes, plot diversions, atmosphere, and unexpected synchronies between sight and sound—limn the avant-garde and expand the expressive potential of cinema. Portabella, who began his cinematic career as a producer of fiction films implicitly critical of General Francisco Franco, had his passport revoked when Luis Bunuel's Viridiana (1961), which he helped to make, "embarrassed" Spain at the Cannes Film Festival in 1962. When democracy returned to Spain, Portabella served as a senator in the Catalan government. However, throughout his various careers, Portabella continued to make cinema, investigating meaning in the moving image and flexing the notion of genre—particularly for horror films, fantasy films, and thrillers. MoMA first screened a Portabella work—Vampir Cuadecuc (1970)—on January 27 and 28, 1972, in its Cineprobe program. After a thirty-five year absence, the Department of Film is honored to welcome Portabella back to introduce the New York premiere of his recently completed The Silence before Bach (2007). Roundtable discussions will also be held at New York University, September 27–28. All films directed by Portabella. 　　http://www.chicagoreader.com/features/stories/moviereviews/061110/

In Umbracle, an aleatory horror film that paints a critical image of Francoist Spain, Portabella continues his exploration of the language of experimental cinema and develops his aesthetic of combining documentary with reenactment. He worked with Christopher Lee to produce an "ideal and predetermined cliché[d]" image of an actor: "Lee offered to perform my ideas with pleasure. I even managed to get him to do the hardest thing an actor can do: nothing." 　　Low-budget horror-film star Christopher Lee makes a second appearance as the iconic centerpiece of a Portabella film (CUADECUC--VAMPIR was his first), this time as an imposing but ghostly figure wandering the streets of Barcelona. Through film clips that evoke Chaplin and other silent-era comedians, Dadaist poetry, and mysterious melodrama, Portabella makes a bid for unfettered artistic freedom calculated to scramble the brains of Franco-regime censors. 　　Pere Portabella (b. 1929, Barcelona) is a veteran Spanish filmmaker whose narrative features—rich in interludes, plot diversions, atmosphere, and unexpected synchronies between sight and sound—limn the avant-garde and expand the expressive potential of cinema. Portabella, who began his cinematic career as a producer of fiction films implicitly critical of General Francisco Franco, had his passport revoked when Luis Bunuel's Viridiana (1961), which he helped to make, "embarrassed" Spain at the Cannes Film Festival in 1962. When democracy returned to Spain, Portabella served as a senator in the Catalan government. However, throughout his various careers, Portabella continued to make cinema, investigating meaning in the moving image and flexing the notion of genre—particularly for horror films, fantasy films, and thrillers. MoMA first screened a Portabella work—Vampir Cuadecuc (1970)—on January 27 and 28, 1972, in its Cineprobe program. After a thirty-five year absence, the Department of Film is honored to welcome Portabella back to introduce the New York premiere of his recently completed The Silence before Bach (2007). Roundtable discussions will also be held at New York University, September 27–28. All films directed by Portabella. 　　http://www.chicagoreader.com/features/stories/moviereviews/061110/

费尔南多·梅里莱(因《上帝之城》提名奥斯卡最佳导演) 和音乐家Inna Modja带我们沿着非洲的史诗般的旅程上的绿色长城——成长的一个雄心勃勃的设想一个8000公里的树墙横跨整个大陆反击失控的气候变化,增加冲突和大规模移民。

吉田导演自编自导，构想8年的完全原创作品！故事把镜头对准人，松山研一扮演前辈拳击手瓜田，东出昌大则扮演天才年轻拳手小川，木村文乃将扮演小川的婚约者，同时也是瓜田的初恋千佳，而柄本时生扮演为了女儿而奋斗的新人拳手楢崎。

吉田导演自编自导，构想8年的完全原创作品！故事把镜头对准人，松山研一扮演前辈拳击手瓜田，东出昌大则扮演天才年轻拳手小川，木村文乃将扮演小川的婚约者，同时也是瓜田的初恋千佳，而柄本时生扮演为了女儿而奋斗的新人拳手楢崎。

为了培养出能够带领日本获得世界杯第一的前锋，日本足球联合会制定了一项计划，计划名为“BLUE LOCK（蓝色监狱）”。这一计划里集结了300位高中生，并且全员都是前锋。以牺牲掉299个人的前途而诞生的、能够彻底改变日本足球的前锋—— ——如今，有史以来最火爆、最疯狂的足球动画片开幕了。

2018年日本在世界杯又败在16强赛，为了培养出能打破这个僵局的「攻击手」，日本足球联盟决定采用一个大胆的计画：召集300名高中生FW（前锋），放在名叫「蓝色监狱（BLUE LOCK）」的宿舍内练蛊！即使会因此牺牲掉299个人的前途，也要让独一无二的世界级前锋诞生！无名的高中生前锋‧洁世一，也毅然决定参加这场挤掉所有竞争对手的生存战！

不当世界第一的利己主义者，就当不上世界第一的前锋。为了培养出能带领日本队夺得世界杯的前锋，日本足球协会制定了一个计划。其名为「蓝色监狱」计划。300名高中生被召集于此，并且全员都是前锋。以其中299人的足球生涯为代价诞生的，为日本足球掀起革命的前锋究竟是谁？现在，史上最热血、最疯狂的足球动画开幕了。