《蓝衣士兵》是一部1970年的修正主义西部片，取材于印第安人战争期间发生于美国科罗拉多州的沙溪大屠杀事件，被广泛认为是在隐喻美国在越南的战争罪行。影片讲述一名美军士兵与一位通晓印第安人文化的白人女子在大西部的遭遇。二人成为了美军屠杀印第安人事件的目击者与亲历者。

Blue Heelers was one of Australia's longest running weekly television drama series. Blue Heelers is a police drama series set in the fictional country town of Mount Thomas. Under the watchful eye of Tom Croydon (John Wood), the men and women of Mount Thomas Police Station fight crime, resolve disputes and tackle the social issues of the day. We watch their successes and their failures and learn to grow with them and their loved ones as the heart of the series develops.

来自荷兰的空姐Lin在飞行当中接生了一个小孩之后，她坐的车撞了街头小混混、15岁的Nicu，从此开始了两人似母子又似情人的一段情缘。构思巧妙、独具匠心，随着情节的推进，我们一步步走进主人公的真实内心世界，看似不伦的作为背后，有着那么悲惨的经历，让人唏嘘。

来自荷兰的空姐Lin在飞行当中接生了一个小孩之后，她坐的车撞了街头小混混、15岁的Nicu，从此开始了两人似母子又似情人的一段情缘。构思巧妙、独具匠心，随着情节的推进，我们一步步走进主人公的真实内心世界，看似不伦的作为背后，有着那么悲惨的经历，让人唏嘘。

1948年，洛杉矶的经济突趋繁荣，满怀希望的军人伊斯退役后到洛杉矶寻找工作，满怀信心的他，以为像他这样出色的黑人在洛杉矶不难找到合适的位置，怎料好不容易才找到一份在机场内当技工的工作，但不久又被老板解雇，更被房东催收欠租。就在绝望边缘之际，他受聘于神秘男子狄维去找寻一个失踪女子黛芬，而伊斯也因此而堕进狄维的圈套，他也不知不觉间被牵涉到恐吓、谋杀、政治的纠缠之中。

托马斯·冯·韦尔特(恩斯特·霍夫曼饰)是一个贫穷的贵族，他和一个老仆人(卡尔·普拉滕饰)住在他破旧的城堡里。他仅剩的一件贵重物品是一幅祖先的画(类似于托马斯·庚斯博罗的《蓝衣少年》)，画中这位祖先戴着一颗巨大的翡翠。根据家族神话，祖母绿被诅咒了，祖先的儿子把翡翠藏在城堡的某个地方来阻止诅咒。威斯找了好几年了。 　　一天晚上，韦尔特梦见他的祖先从画中走出来，告诉他翡翠在哪里。第二天早上，韦尔特去了那个地方，确实找到了翡翠。仆人恳求他把它扔掉，但他拒绝了。 　　那天晚上，一群流浪的吉普赛人来到了城堡。他们唱歌，跳舞，为冯·韦尔特表演短剧，他立刻爱上了一个金发吉普赛女孩(布兰德恩·埃宾格尔饰)。当她强迫冯·韦尔特跳舞侍从她时，其余的吉普赛人偷走了翡翠和城堡里的所有东西，并放火烧了这座建筑。吉普赛女孩笑着和她的同伴逃离。 　　冯·韦尔特病重。然而，一位年轻的吉普赛女演员(玛姬特·巴娜饰)爱上了冯·韦尔特。现在她回来了，照顾他恢复健康，他们坠入爱河。

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1995, 12 min., colour, BETACAM SP 　　North Foundation 　　camera: Alexander Burov 　　sound: Sergei Moshkov 　　Musical excerpts from W. A. Mozart, L. van Beethoven, O.&nbsolMessiaen, R. Wagner, P. Tchaikovsky, T. Takemitsu. 　　This lyrical small film came out of the material edited for the larger video documentary “Spiritual Voices.” The completed film consisted of fives parts with a total duration of about five hours. “A Soldier's Dreams” became one of its scenes. 　　This smaller film was created as a kind of gift to the film critic and historian Dr. Hans Schlegel, who has done so much for me and for so many other Eastern European cinematographers. 　　The first screening of this film took place in Oberhausen. 　　Alexander Sokurov 　　This film is a “sketch” for the five hour documentary “Spiritual Voices.” The material, shot by Sokurov's crew on the border of Afghanistan as Russian soldiers carry on with their frontier patrol duties, becomes a parable. The young soldiers resting after their duties personify the difficult and grave task which burdens youth: to ensure peace and calm. A young person on the border between life and death is a recurring poetic motif in Alexander Sokurov's feature films. Here the documentary footage is transformed into 　　“a soldier on the border of peace and war.” It is a tragic theme — and a very Russian one.

描写几位参军后对越作战，在老山前线艰苦环境下战斗的年轻士兵，经过几年的老山轮战，最后只有少数几个活到了战后。本片对士兵个体对描写突出，相比八十年代早些的那些主人非常正面的电影，该剧的年轻士兵,有各种各样的缺点，显得更加贴近真实士兵。此片致敬，八十年代的士兵。 　　主题曲演唱：王迪

Two hundred years after Simon Bolívar’s campaign to liberate Colombia, The Soldier’s Lagoon retraces his journey across the high-altitude marshlands, searching for glimpses of his ghost in this historically contested territory. As we navigate the terrain through the dense fog that seems suspended in the air, a lush ecosystem saturated with a myriad of oral narratives emerges—one that provokes timely and timeless questions about colonialism, indigeneity and land dominance. 　　The film assembles striking 16mm landscape footage, a sophisticated soundscape, sourced archival passages read in voice-over, and testimonies from preservationists to unearth a patient study of living and elusive archive, gracefully exploring the complicated intersection of oral narratives, political outcomes, and territory. Documenting a region facing very real and urgent environmental repercussions that are a direct result of its historical narratives, this poetic and atmospheric work holds, above all its revelations, a deep reverence for the sacredness of land and its future.