影片取材自真实历史事件，1969年的纽约“石墙酒吧暴动”。 　　1969年6月28日，纽约警方突击了一家位于曼哈顿东村地区的由黑社会经营的酒吧“石墙”，这里都是一些无家可归的同性恋人士，因为当时主流社会的排斥，纷纷以此为家。这次突袭并没有按照警方预想的那样发展，最终引发一场大规模同性恋抗议暴动，这场暴动所引发的连锁反应和美国六七十年代的黑人民权运动、反战示威等一起改变了美国乃至世界的社会面貌。 　　电影《石墙暴动》由约翰·罗宾·贝茨（John Robin Bates）编剧，故事的主角是一个被父母赶出家门的同性恋男孩，他只身从小乡村来到大纽约 ，被石墙酒吧收留，亲身参加了这场暴动。

Told by those who took part—from drag queens and street hustlers to police detectives, journalists and a former mayor of New York—and featuring a rich trove of archival footage, Stonewall Uprising revisits a time when homosexual acts were illegal throughout America. Hunted and often entrapped by undercover police in their hometowns, gays from around the U.S. began fleeing to New York in search of a sanctuary. Hounded there still by an aggressive police force, they found a semblance of normalcy in a Mafia–run gay bar in Greenwich Village, the Stonewall Inn. When police raided Stonewall on June 28, 1969, gay men and women did something they hadn’t done before: they fought back. As the streets of New York erupted into violent protests and street demonstrations, the collective anger announced that the gay rights movement had arrived.

谁能料想几个易装男子竟会推动一场同性爱者争取平等权利的运动？ 　　60年代，警察经常光顾“石墙酒吧”——这个位于纽约格林威治村的易装秀小酒吧，进行骚扰、撒野和敲诈。在一场与警方的争执中，石墙酒吧的人们终于忍无可忍，进行了反抗。 　　影片在La Miranda（也叫Hector—一个石墙酒吧的常客）的叙述中，迎来了1969年那重大的时刻。 Matty Dean是一个英俊的“愤怒”青年，嫉世如仇，与La Miranda一见钟情。 Bostonia是妈妈级的易装皇后和教导者，他的爱人Vinnie，就是“石墙酒吧”的 老板，一个“藏匿柜中”、不事声张的人，但就是他对压力倍感窒息后，做出的悲惨的反应举动，点燃了这场反抗运动的导火线。

谁能料想几个易装男子竟会推动一场同性爱者争取平等权利的运动？ 　　60年代，警察经常光顾“石墙酒吧”——这个位于纽约格林威治村的易装秀小酒吧，进行骚扰、撒野和敲诈。在一场与警方的争执中，石墙酒吧的人们终于忍无可忍，进行了反抗。 　　影片在La Miranda（也叫Hector—一个石墙酒吧的常客）的叙述中，迎来了1969年那重大的时刻。 Matty Dean是一个英俊的“愤怒”青年，嫉世如仇，与La Miranda一见钟情。 Bostonia是妈妈级的易装皇后和教导者，他的爱人Vinnie，就是“石墙酒吧”的 老板，一个“藏匿柜中”、不事声张的人，但就是他对压力倍感窒息后，做出的悲惨的反应举动，点燃了这场反抗运动的导火线。

In 1969, the police raided the Stonewall Inn, a gay bar in New York City's Greenwich Village - leading to three nights of rioting by the city's gay community. With this outpouring of courage and unity, the Gay Liberation Movement had begun. 　　Before Stonewall pries open the closet door - setting free the dramatic story of the sometimes horrifying public and private existences experienced by gay and lesbian Americans since the 1920s. Revealing and often humorous, this widely acclaimed film relives the emotionally-charged sparking of today's gay rights movement - from the events that led to the fevered 1969 riots to many other milestones in the brave fight for acceptance. 　　Experience the unforgettable, decade-by-decade history of homosexuality in America through eye-opening historical footage and amazing interviews with those who lived through an often brutal closeted history. You owe it to yourself to see Before Stonewall.

“黑豹”查德维克-博斯曼遗作！改编自两次普利策奖得住奥古斯特-威尔逊的同名戏剧和传奇“蓝调之母”玛-雷尼的生平！奥斯卡最佳女配角得主维奥拉-戴维斯…

加拿大新锐导演罗伯特·布德里奥和 《爱在黎明破晓时》男星伊桑·霍克携手合作的《生为蓝调》，跳脱传统传记电影的钻研考究，在虚实互映的构组拼贴中，重现爵士乐手查特·贝克充满传奇色彩的戏剧一生。

20世纪20 年代，在芝加哥的一场午后录音中，乐队成员们正在等待开拓性的表演者、传奇的“蓝调之母”玛·雷尼（奥斯卡金像奖得主维奥拉·戴维斯饰），其间气氛变得愈发紧张。录音进行到后期时，无畏又脾气火爆的玛和其白人经纪人及制作人就她的音乐控制权展开了一场意志的较量。雄心勃勃的小号手列维（查德维克·博斯曼饰）非常欣赏玛的女朋友，并决心在音乐行业中占有一席之地，当乐队在工作室幽闭的排演室中等待时，他促使乐手们爆出揭露真相的故事，这将永远改变他们的生活。 　　《蓝调天后》根据两次普利策奖得主奥古斯特·威尔逊的戏剧改编而成，歌颂了蓝调的变革力量以及那些拒绝让社会偏见左右自己价值的艺术家。该电影由乔治·乌尔夫执导，鲁本·桑地亚哥-哈德森进行剧本改编，凭借《藩篱》荣获奥斯卡奖提名的丹泽尔·华盛顿和托德·布莱克担任制片人。科尔曼·多明戈、格林·特鲁曼、迈克尔·波茨、泰勒·佩姬、杜山·布朗担任联合主演，艾美奖得主布兰福德·马萨利斯进行配乐。

Darkside Blues (Japanese: ダークサイド・ブルース, Hepburn: Dākusaido Burūsu) is a manga series by Hideyuki Kikuchi. The story has been adapted into an anime film directed by Yoshimichi Furukawa. The film was originally licensed by Central Park Media and then later licensed by ADV Films. 　　The story involves the town of Kabuki-cho, home of a resistance faction called Messiah. In the futuristic setting, Kabuki-cho is one of the last places of freedom because the Persona Century Corporation has taken control of the majority of the Earth. Kabuki-cho is hence known as "The Dark Side of Tokyo". Furthermore, a mysterious stranger called Darkside appears to protect the citizens of Kabuki-cho.

In 1996, with his public image at a low ebb after a messy breakup with Mia Farrow, clarinetist and filmmaker Woody Allen set off on a tour of Europe with his New Orleans jazz band. Accompanying him were his sister, his soon-to-be wife Soon-Yi Previn, and Oscar-winning documentary maker Barbara Kopple. Like Allen says as the beginning of the tour, "Theoretically, this should be fun for us." 　　Woody Allen has always been more widely appreciated in Europe than in the U.S., so it's no surprise that the concerts quickly provoke the kind of fan hysteria usually reserved for rock stars. This star however is clearly not comfortable with his fame. Whether he's giving a tour of his lavish hotel suite or prodding at an unexpectedly dry omelet, the director seems profoundly ill at ease and sometimes--when trapped by a crowd or harassed by a particularly persistent photographer--he appears to be both frightened and angry at the way celebrity shapes his life. The pressure to be funny on cue is the bane of any comedian's life, of course, and for Allen the seemingly endless round of receptions and parties is something to be endured, not enjoyed. In the face of this, the mutual support and affection shared by Allen and the woman he introduces as "the notorious Soon-Yi Previn" comes across as both genuine and absolutely necessary. When they are together, he is at his funniest, and his least guarded. 　　What persuaded such a private artist to allow such a documentary to be made? Perhaps it was a desire to celebrate his love of music, something that appears to sustain him as much as his relationship with Soon-Yi. He may refuse to bob his head and tap his feet to please his audience, but when he launches into a soaring solo we finally see Allen at ease, transported by the thrill of playing jazz. --Simon Leake