A club dancer leaves everything and starts a new life in a place where nobody knows her. But it seems that desire and temptation follow her wherever she goes.

In the not-too-distant future. One year after the 927 Incident, WONG, his wife, SHAN, and their two children, XIN and BOBBY, are forced to relocate to an assigned Malay traditional house within the racially designated area. Just as the family tries to settle down, a terrified 9-year-old Malay girl is found hiding in the attic. As anyone found harboring people of other races—who are to be killed on sight—could be sentenced to jail for 25 years, the family is plunged into a moral dilemma. Things get complicated when SHAN comes up with a crazy idea—to smuggle the girl over to “the other side”… 　　源自：https://jaff-filmfest.org/pendatang/

两个坐在车里的神秘陌生人，开始每天停在一个原本普通的伊朗街区，他们被怀疑是威胁国家安全的因素，并且在街区中掀起了一波怀疑和不信任的浪潮，因为每个人都觉得自己有理由被监视。但是，邻居们都怀疑监视的主要目标是巴赫蒂亚尔，一名库尔德教师，一名新来的外国人，并试图迫使他自首或离开街区。

这位外流分子追随着一支陶帝国远征军为给一个新星球带来更大好处的斗争。然而，有许多反对这一观点的人，愿意表明立场。

A club dancer leaves everything and starts a new life in a place where nobody knows her. But it seems that desire and temptation follow her wherever she goes.

セント・エバスキュレーゼの王女、カームに指揮された生体メカ戦艦が地球を襲う。地表に降り立ち、剣で戦闘する王女カームの強さは生半可ではない。戦場を撮影していた哲也は、ひょんなことからこの王女に惚れられ結婚する羽目に。二人は、カームの父の皇帝のもとへ結婚の承諾を受けに行くが、当然猛反対にあう。怒り狂う皇帝に対してカームが取った大胆な計画とは…。

本片展示了加沙四名年轻人的生活，他们试图在以色列-哈马斯战争中幸存下来，因为他们希望停火——这是对战区生活的生动而坚定的看法。以色列不允许外国记者在加沙独立报道。为了制作这部电影，两名驻伦敦的制片人在加沙的地面上远程指导了两名摄影师，历时九个月，他们进入了外国媒体无法到达的关键地点。这部戏剧性的纪录片为加沙人道主义“安全区”内的生活提供了新的视角，展示了持续空袭的日常生活，以及在唯一一家正常运作的永久医院阿克萨为让人们活着所做的努力。

Sarah Milliccan's live comedy show, exploring the topics of her relationship, pets, and outcast experience as a child.

After being ghosted by a romantic partner during a trip to Bangkok, the artist situates a contemporary act within a timeless SouthEast Asian cultural gesture, transforming personal heartbreak into a surreal exploration of ghosthood while reimagining its embodiment through ten playful yet haunting guidelines. Shifting between satire and introspection, the film contemplates the fragility of relationships and the futility and opacity of communication in the hyper-connected digital age.