母亲去世后，正在服刑的耶拉获得批准，回家处理母亲的后事，顺便从民政部门手里接过妻子留下的一个女儿托拉，带到另外一个城市，交由托拉的母亲抚养监护。托拉不是耶拉的女儿。十年前，专业柔道运动员耶拉发现妻子有外遇后，失手打了那个男人，造成间接死亡，耶拉为此获得十年刑狱。 　　获假释出来的耶拉格外谨慎，连在巴士车上发现一起持刀偷窃，耶拉也不愿意管。耶拉知道自己手太重，万一再有个闪失，此前在监狱里的表现将付之东流。所以，看到已经沾染上许多社会不良习气的托拉，耶拉起初的打算是根本不想认这个“女儿”，更不想管她。但一想到年幼托拉的无辜，耶拉决定带托拉去找她的妈妈。 　　收拾收拾简单的行李，耶拉用一根绳子系住自己和托拉上路了。一路上，这根栓着两个人的绳子引起了路人的误会，也给耶拉带来了麻烦。经过成吉思汗陵时，耶拉想祭拜老祖宗成吉思汗的心愿，因为没有钱而未能实现。为了满足耶拉的心愿，托拉拿出了看家的本事，想用打台球赢几个钱，却遭到几个年轻混混的欺负。 　　托拉脸上青一块紫一块地回到耶拉身边，耶拉再也忍不下这口气，出手将其中的混混头打了个半死。耶拉又惹祸了。帮助耶拉躲脱的路上，托拉俨然一个小大人，用自己惯用的伎俩给他弄来吃的、喝的，直到第二天民政干部杨菲赶来，才得知那几个混混根本就没敢报案，当地警方也没有追究。 　　耶拉假释的时间眼看就要到了，托拉喜欢的一首叫《走进梦中的母亲》的磁带却还没有找到。在和杨菲约定见面的招待所，杨菲发现耶拉并没有按计划将托拉交送给她的妈妈，而此时的托拉已经从最初的抵触，变得舍不得离开她的耶拉叔叔。杨菲甚至发现，由于担心耶拉独自离开，托拉将自己和耶拉捆在一起，睡在耶拉叔叔的身边。 　　返回监狱的时间到了。监狱厚重的铁门外，耶拉将托拉托付给杨菲，说一年之后回来做托拉的爸爸。望着耶拉叔叔高大的背影即将消失在铁门之内，托拉唱起了《走进梦中的母亲》那首歌，忘情地扑向已经张开双臂的耶拉的怀抱，耶拉在怀里甜甜地叫了一声“爸爸”！

内山枫在学校经常被欺负，大家丢了自行车，丢了伞都怪她。还被恶意的嘲讽、羞辱。每次难过的时候她就冲上天台，想打开天台的门跳下去一死了之。然而天台的门锁很难打开，于是当她遇见会开锁的男生时便求他帮忙。可是他却说：我可以教你如何开锁，但是我不帮你开。学校调来了新的代课老师大内。大家都风传她少年时代也是被欺负的学生，所以从天台掉下来摔断了腿，于是她对内山的关怀就被认为是同病相怜的偏心。然而真相却恰好相反，而内山的痛苦也终于在某天迎来了爆发。

内山枫在学校经常被欺负，大家丢了自行车，丢了伞都怪她。还被恶意的嘲讽、羞辱。每次难过的时候她就冲上天台，想打开天台的门跳下去一死了之。然而天台的门锁很难打开，于是当她遇见会开锁的男生时便求他帮忙。可是他却说：我可以教你如何开锁，但是我不帮你开。学校调来了新的代课老师大内。大家都风传她少年时代也是被欺负的学生，所以从天台掉下来摔断了腿，于是她对内山的关怀就被认为是同病相怜的偏心。然而真相却恰好相反，而内山的痛苦也终于在某天迎来了爆发。

《蔚蓝之境》是中国的纪录片团队第一次以自然纪录片的方式，全面、系统地拍摄海洋的故事，也是迄今为止我国规模最大、范围最广、内容最为全面的海洋拍摄行动。本片共6集，以中国近海为舞台，带领观众纵览海面冰封的渤海湾，四季分明的黄海、东海，长夏无冬的南海，分别从季节、潮流、滨海湿地、海岛、海湾、生存挑战等几个角度，讲述海洋生物的故事，呈现一片神秘、壮阔、活力的蔚蓝之境。

未来世界，生育危机爆发。政府开展了一项男性生育项目，参与生育的男性被称为”孕夫”，他们被集中在一个名为"蔚蓝之地"的试验中心。在项目开展五年之后，名为"崖"的孕夫发现了隐藏在项目之下的秘密，他决定逃离蔚蓝之地。

吉田导演自编自导，构想8年的完全原创作品！故事把镜头对准人，松山研一扮演前辈拳击手瓜田，东出昌大则扮演天才年轻拳手小川，木村文乃将扮演小川的婚约者，同时也是瓜田的初恋千佳，而柄本时生扮演为了女儿而奋斗的新人拳手楢崎。

DESEO looked very promising. A movie about the political situation by the end of WWII and also a forbidden love story between a married communist woman and a NAZI sympathizing in a very convoluted Spain; but the movie is unable to get the point almost completely. This is really a pity, because movies about WWII are generally no more than war scenes and NAZIS portrait as psychopaths but rarely mentions the reasons why many countries were allied or passive with Germany (even USA before Pearl Harbor). 　　In 1945; a woman belonging to a communist family fallen from grace, find a job in the house of a very seductive Argentinean magnate who is secretive helping important members of the NAZI regime escape to Argentina under protection of General Peron (and also General Franco) governments. The woman has several reasons to hate the fascism; her husband is in prison for political reasons, his father was killed in front of his family by the FALANGE (Franco's army), his mother is paraplegic because of that and they lost everything their had and living in absolutely misery. For all these reasons, the temptation of an elegant world, fancy clothes and good sex seems quite logical, even when she had to betray her own ideas and husband. 　　The story looks very good, but the development is poor and flipping from the light social history to the soap opera model. The beginning showing misery and desperation and the seductive tycoon, are well conceived albeit slow moving. But after that, things never really get convincing. The political situation is described using a few dialogs. The obsessive love story loose credibility every second. Sex scenes are as hot as candle six feet away. Moments like the notice of Hitler's dead are so bad acted that they should be left in the cutting room. 　　The cast composed of very important and well-known Spanish and Argentinean actor's fails almost completely. Leonardo Sbaraglia starts very seductive, but when things get dramatic he is unable to deliver. Leonor Watling has a one facial expression character; even when she looks very nice and unprotected, is hard to believe somebody could get so obsessed about her. Cecilia Roth is a caricature, absolutely miscast. Norma Leandro unnecessary as Sbaraglia mother and head of the organization. Sarda, Cava and Alterio are the only ones able to get some credibility in their small parts. 　　It is really sad, because with all the misses, there are a few intelligent details. The story never tries to create a heroine out of Watling role. The fears and persecution of communist under Franco regime are very well described and touching, as is the misery those peoples were condemned. 　　In sum, if you do not know history or if you are looking for something trying to show history realistic, take a look otherwise do not loose your time, read a book about the subject.

浪漫和原始的接触，如当帅逃犯从疯人院想念女孩的更衣室里，使这所有真正情电影。

浪漫和原始的接触，如当帅逃犯从疯人院想念女孩的更衣室里，使这所有真正情电影。

香港某远航集团董事长唐启诚一个具有爱国之心的巨商，卷入了一场股市之争，而这场股市之争的背后，却涉及到某货柜码头是继续落在外国人手中，还是由中国掌管这个十分严峻的问题，一方面唐启诚以超人的胆识和气魄，精明过人，力挫群雄，调动了方方面面的力量，使码头牢牢掌握在中国人的手中，体现了华人的意愿；另一方面，唐启诚又陷人了家庭问题的苦恼之中，中西方文化在他内心撞击，矛盾重重。他想尽孝按中国传统文化传子传孙，听凭父亲临终前突然宣布把遗产留给6岁私生子唐东魁，引起唐氏家族轩然大波，妻子仇秀玲悲痛欲绝，没想到丈夫瞒着她金屋藏娇；二女儿丽安，小女儿娣娜与父亲翻脸成仇，雇佣杀手去杀唐东魁；大女婿虞大祖从唐东魁外婆手里抢走了装着遗产和遗嘱的铁匣子，可打开它时空空如也，遗产和遗嘱在哪里？唐东魁和他母亲梅茵又在哪里？正当唐启诚心急如焚之际，一个17岁的新加坡男孩来找他认父，吵成一锅粥的家里又起波涛，两个突然间冒出来的儿子引出一环扣一环的惊心动魄的码头之争，其中还夹杂着恩恩怨怨人间情感，唐启诚万万没料到自己早已钻入别人设好的陷井之中，他又受西文化耳染目濡，想往心灵自由，一直深深爱着他的女秘书梅茵，因是仇人冯道山的女儿，他面对股市之争和码头之战及来自6个女人的情爱、怨恨、怒火、难以自圆其说……最终，他的爱国之心得到了实现，又面临新的选择。