莱拉将她的一生奉献给了她的父母和四个兄弟。在史无前例的经济危机的影响下，这个家庭因债务而入不敷出，并随着每个人希望的幻灭而四分五裂。为了帮助大家摆脱困境，莱拉制定了一个计划：收购一家商店以便与兄弟们一起创业。每个人都把所有的积蓄投入其中，但他们缺乏最后的经济 支持。与此同时，他们的父亲Esmail居然出人意料地向社区许诺了一大笔钱，以便成为社区的新任教父，因为这是波斯传统中的最高荣誉。每个成员的行为都渐渐将这个家庭推向了崩溃的边缘，而父亲的健康状况却逐渐恶化。

Leila将她的一生奉献给了她的父母和四个兄弟。在史无前例的经济危机的影响下，这个家庭因债务而入不敷出，并随着每个人希望的幻灭而四分五裂。为了帮助大家摆脱困境，Laila制定了一个计划：收购一家商店以便与兄弟们一起创业。每个人都把所有的积蓄投入其中，但他们缺乏最后的经济支持。与此同时，他们的父亲Esmail居然出人意料地向社区许诺了一大笔钱，以便成为社区的新任教父，因为这是波斯传统中的最高荣誉。每个成员的行为都渐渐将这个家庭推向了崩溃的边缘，而父亲的健康状况却逐渐恶化。

传说星星掉下来的时候，人们就能获得幸福…… 　　蒼本彩（酒井法子饰）是个又聋又哑的女孩子，她与养父相依为命，并在镇上的诊所里做养父的助手。 　　某日，诊所里来了新大夫永井秀一（大沢たかお饰），秀一是不满其父——永世会医院的院长对医院的经营方式，才和家里闹翻离家出走的，其精湛的医术和敦厚的为人均深深吸引着彩。 　　虽然彩身体上有残障，但她水晶般纯净的心灵也打动了秀一。秀一鼓励她说总有一天星星会像童话故事里写的那样，落在她的身上。两年后，秀一要回东京了，在登机前，他承诺彩会很快回来娶她。 　　秀一好久也没回来，彩决定直接上东京找他，在举目无亲的大都市东京里，极其偶然的情况下，她邂逅了秀一的弟弟拓巳（竹野内豊饰）：一个表面看来玩世不恭的纨绔子弟，更是在医院里看到了急救病房里的秀一，原来秀一在下机后便出了意外，此时，他已丧失了全部的记忆……

In the village where ten year old Mina lives you can only find children and old people. The coldhearted king has abducted all the other men and women and put them to work in his dungeons. The remaining villagers are desperate. In a final attempt to mollify the king, brave little Mina sets off on a long journey to his castle. With the last two pieces of silver left in the village she is going to attempt to buy back her parents and the other prisoners. On the way, with her helpfulness and naievity, she melts the hearts of an unhappy forester, a mysterious ferryman and a sad mother. The king however, proves to be a more difficult task. 　　摘自欧洲儿童电影协会网站： 　　http://www.ecfaweb.org/network.htm

田月容重生了，前世她为了改嫁陈秀才。作天作地作儿女，害的孩子一个个惨死，她自己也死的凄涼。重生后，她意外被系统选中，成了桃花源景区的一名保洁，月薪两百。为了在灾年让一大家子人活下去，田月容撸起袖子当起了保洁。当保洁好呀，垃圾桶里捡吃捡喝还能捡到宝。月底发了薪水，可以在景区超市买吃的喝的用的。她在景区给大儿子买种子年产三万吨，帮二女儿读书考功名，给三儿子拜师学武艺，给小儿子买好吃好喝养的白白胖胖。就这样，田月容靠着当保洁，让全家从饿死边缘逆袭成当地首富，赶她出门的韩家哭着求原谅，儿子们建功立业给她挣诰命，改变前世悲惨命运。

田月容重生了，前世她为了改嫁陈秀才。作天作地作儿女，害的孩子一个个惨死，她自己也死的凄涼。重生后，她意外被系统选中，成了桃花源景区的一名保洁，月薪两百。为了在灾年让一大家子人活下去，田月容撸起袖子当起了保洁。当保洁好呀，垃圾桶里捡吃捡喝还能捡到宝。月底发了薪水，可以在景区超市买吃的喝的用的。她在景区给大儿子买种子年产三万吨，帮二女儿读书考功名，给三儿子拜师学武艺，给小儿子买好吃好喝养的白白胖胖。就这样，田月容靠着当保洁，让全家从饿死边缘逆袭成当地首富，赶她出门的韩家哭着求原谅，儿子们建功立业给她挣诰命，改变前世悲惨命运。

好消息，侦测到您的职业为隐藏职业。 坏消息，您的隐藏职业是万中无一的“垃圾”。 您，即将转职为…… “拾荒者Scavenger” 叶轻看到眼前的结果只觉得眼前一白，这么多年的努力全都打了水漂。 借高利贷炒股赔光，被债主扔进进私猎团打黑工还债。 在击败了不可能杀死的怪物之后，那一瞬间经验值涌入让叶轻从0级升到了1级，叶轻触发了人生唯一一次转职的机会…… 但意外的是，他觉醒的职业是全球万中无一的隐藏职业——“拾荒者” 所有的天赋树都是围绕“捡垃圾”展开的奇葩职业。

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.