In Nerven, writer-director-producer Robert Reinert tried to capture the "nervous epidemic" caused by war and misery which "drives people mad". This unique portrait of the life in 1919 Germany, filmed on location in Munich, describes the cases of different people from all levels of society: Factory owner Roloff who looses his mind in view of catastrophies and social disturbances, teacher John who is the hero of the masses and Marja who turns into a radical revolutionary. Using different fragments the Munich Film Museum could reconstruct this forgotten German classic which is a historic document and anticipates already elements of the Expressionist cinema of the 1920s. 　　Having a more complete version of Nerven available is a wonderful contribution to our understanding of film history. The standard version was known to very few students of cinema, and though it was impressive, it was somewhat incoherent. We are still lacking a lot of footage, but Stefan Droessler and his team have added what they could and arranged the sequences into a more intelligible order. The quality of the restoration, moreover, makes the film's visual style even more vivid and unsettling. 　　Released shortly before The Cabinet of Dr. Caligari, Nerven ought to have entered the Expressionist canon. Its themes echo the movement's post-Romantic attack on capitalism and the modern conception of the anguished soul. Its narrative plays out the implications of such icons of Expressionist art as convulsive crowds and men's homicidal urges toward women. Just as important, the film's pictorial design finds an original way to convey the tale's emotional tenor, the sense of nervous anxiety strung ever tighter. Significantly, Reinert achieves a unique look without recourse to the painted sets of Caligari, but through a unique use of other cinematic resources. 　　http://img186.imageshack.us/img186/196/nerven01jo3.jpg 　　http://img360.imageshack.us/img360/3403/nerven04en0.jpg 　　http://img117.imageshack.us/img117/8886/nerven06ts0.jpg 　　http://img238.imageshack.us/img238/7650/nerven07rf9.jpg 　　http://img523.imageshack.us/img523/2677/nerven09nk7.jpg

一位盲童歌手流落到曼谷街头，他必须用歌声将自己从控制他的帮派中解放出来。

《蘭父》，顾名思义，关于“兰花”，关于“父亲”或“父权”。影片主要通过简述十部与符号“兰花”相关的电影作品，重视“兰花”与多个主题间的联系与纠缠：性与情欲，神话与殖民想象，集体历史与个人记忆等。影片以“讲故事”的形式静静地穿梭在真实与谎言间，如同拟态的兰花般尝试捕获相遇者在内心所潜藏的欲望与羁绊。

A Gujarati housekeeping lady in the US allows ambition to get the better of her & gets involved in a world of crime. Simran is a racy, fun film with Kangana Ranaut playing the titular role.

物静かな女子高生、如月蘭。しかし、彼女の正体は古来より代々続く忍びの家系…如月家の十七代目当主だった。日々、どこのものかもわからない者達と戦い続ける毎日。そんなある日、幼馴染の翼と会っているとただならぬ気配を感じる。そこへ正体不明の者達が現れ…。

Growing up under a strict father and the even stricter tutelage of his fundamentalist Muslim teachers, Tariq enters college questioning his faith, values, and identity. With the encouragement of his sister, his friends, and a sympathetic world-religions professor, he reluctantly searches for answers. When the sudden cataclysm of 9/11 inflames anti-Muslim fervor on campus, Tariq is forced to make a stand one way or the other.

有月亮的夜晚，秋风瑟瑟；群情激愤的村民，火把照亮夜空，心莲和志华被绑在木架上，要被私刑烧死，心莲的婆婆素霞赶至，大声喊冤，叔公表示除非…

女孩窦窦自小与外婆住在一起，初潮期间她萌发了感情的嫩芽，也逐渐理解了外婆对她的念叨和关心。影片聚焦了初中女生的家庭生活，以质朴的笔调轻触了青少年性启蒙话题。扮演祖孙的两位演员贡献出真实自然的表演，片中隔代生活的各种细节颇能引发中国观众的共鸣。本片由两位导演联合执导，一位是南京艺术学院讲师杨骥，另一位是摄影师出身的蒋逸霄。