Trapped in a dirty double deal, Ernst Ipsum, celebrated art authenticator, is in trouble. With nowhere to turn but inward, Ernst becomes the perfect portrait of anguish. This film traces the collapse of a man littered with the diversions of sex and sin and the lost ability to tell a true original from a fake.

在遥远的未来，银河的尽头。人类正与异形的生命体展开生存之战。在激战中，少年士兵莱德与其乘坐的人型机动兵器Chamber 一起被吞入了不明的时空。陆地…

Bud是一个善良老人的孩子，闻着肯塔基蓝草和钝叶鼠曲草的清香长大成人。Bud正在干大生意——向周边的郡县出口大麻。但这并不是他唯一的秘密，更见不得人的秘密在他肯塔基州东部山上一处小木屋里藏着。当两个人妨碍了Bud的全部生意，接下来会发生什么事情？会死多少人……

女主穿进虐文，成了归国白月光，为免原主凄惨结局，她立已婚人设并搬去联姻对象男主家。男主原只当她是花瓶，后被吸引。女主讨好男主同时拼事业，改变书中人物命运。男配后悔，女反被弃，女主爱情事业双丰收。

女主穿进虐文，成了归国白月光，为免原主凄惨结局，她立已婚人设并搬去联姻对象男主家。男主原只当她是花瓶，后被吸引。女主讨好男主同时拼事业，改变书中人物命运。男配后悔，女反被弃，女主爱情事业双丰收。

晴朗明媚的一天，艾米（金元寿子 配音）在基地中向雷德（石川界人 配音）以及其他人讲解运送物资的重要性，其间提到任务失败就会变成废墟船甚至幽灵船的可怕结果，吓坏了在场的许多人，而雷德对“幽灵”似乎全然没有概念。正所谓说曹操曹操到，一组大型的废墟船团出现在基地附近。丽姬朵（大原沙耶香 配音）、贝露丝（伊藤静 配音）、皮尼欧（小西克幸 配音）、雷德以及艾米登上船团调查。皮尼欧趁机举行试胆大会，要好好吓吓雷德和艾米两人。另一边，废墟船团似乎触动了丽姬朵的心弦，她娓娓向贝露丝讲述了一段青葱往事…… 　　本片为同名TV动画第14集未放送话。

方盈(陳詠薇)、喬莊(章凌風)、岳華(余亞南)、王俠(章凌宵)、井莉(章凌雲)、嚴俊(章一偉)、白琳(綠綠)、歐陽莎菲(章母朱舜涓)、高寶樹(薇母許潔君)、田琛、雷鳴(山地小學校長韋白)、黃楓、顧文宗、李麗華、操帑(童星)(秀荷)、鄭文芳(秀枝)、劉棻(薇父)

Anne Trister follows director Léa Pool's route in life from youth in French speaking Switzerland to adulthood in Quebec in Canada. The film deals with issues of child abuse and bi-sexuality as well as the quest to find roots. 　　Art student Anne Trister has, like Lea Pool, a Jewish father and a gentile mother. Her father's death is what moves her to leave school and her lover in Switzerland behind and travel to Montreal in Canada for the last rites. 　　She stays with an older friend Alix, a child psychiatrist absorbed by the case of an abused little girl. Alix tries to help Anne to relate to her Jewish roots by telling her about a trip to the desert she once made. Anne is fascinated by the story and by Alix and falls in love with her. 　　In the meantime she expresses her feelings in art by creating a fantastic mural of the desert on the walls of a studio lent to her by one of her father's old friends. 　　However, Alix chooses for a man in her life and disturbed by her rejection Anne falls from scaffolding in her studio. When she comes to in hospital her studio and with it her dream world has been torn down. Now she must face reality and be free. 　　In the closing shots Alix receives a parcel containing a handful of sand and a short film of Anne in the desert. 　　The soundtrack prominently features a chanson by Danielle Messiah (De la main gauche) that lends the film much of its mood.

晴朗明媚的港口码头，饥肠辘辘的大傻猫希尔维斯特（梅尔•布兰克 Mel Blanc 配音）正翻检建筑物旁的垃圾桶，寻找可以果腹的残羹冷炙，可是里面都是一些臭鱼烂虾，令人难以下咽。希尔维斯特百般惆怅，兀自坐在海边的木桩上发愁。它的身旁是一艘硕大的远洋邮轮，邮轮正随着海水上下起伏。突然，希尔维斯特发现某个舷窗内有一只金丝雀，那是可爱的小崔弟（梅尔•布兰克 Mel Blanc 配音）。大傻猫欣喜过望，它试图钻进舷窗，却被崔弟硬生生地拍下海去。 　　美食在前，怎可轻易错过，百折不挠的大傻猫终于登上邮轮，向崔弟发起了连番攻击……

Anne Trister follows director Léa Pool's route in life from youth in French speaking Switzerland to adulthood in Quebec in Canada. The film deals with issues of child abuse and bi-sexuality as well as the quest to find roots. 　　Art student Anne Trister has, like Lea Pool, a Jewish father and a gentile mother. Her father's death is what moves her to leave school and her lover in Switzerland behind and travel to Montreal in Canada for the last rites. 　　She stays with an older friend Alix, a child psychiatrist absorbed by the case of an abused little girl. Alix tries to help Anne to relate to her Jewish roots by telling her about a trip to the desert she once made. Anne is fascinated by the story and by Alix and falls in love with her. 　　In the meantime she expresses her feelings in art by creating a fantastic mural of the desert on the walls of a studio lent to her by one of her father's old friends. 　　However, Alix chooses for a man in her life and disturbed by her rejection Anne falls from scaffolding in her studio. When she comes to in hospital her studio and with it her dream world has been torn down. Now she must face reality and be free. 　　In the closing shots Alix receives a parcel containing a handful of sand and a short film of Anne in the desert. 　　The soundtrack prominently features a chanson by Danielle Messiah (De la main gauche) that lends the film much of its mood.