Ravi Shankar's name is known to all music lovers and he has been the greatest ambassador to the West for Indian Classical Music, which was relatively unknown and unappreciated in UK until the '50s, when I began to attend small concerts in London to hear great performers including the sarodist, Ali Akbar Khan, since when I have been writing about this arcane delight, whilst remaining still an ignorant devotee of this wonderful music, which requires years of study to begin to penetrate its mysteries. At a superficial level, it is easy to enjoy, and few will remain untouched by the beauty of the sitar, to see and to hear, with revealing close-ups showing exactly how it is played. 　　 　　To celebrate Ravi Shankar's 80th birthday here is a delightful and moving documentary, expertly compiled and filmed, with breathtaking scenes of life in India and the West. Ravi Shankar reviews his extraordinary life with warmth and humility, commenting with members of his family around him on the scenes which pass before him and us, expressing gratitude for his good fortune and long life. We are taken through his childhood, world tours as a dancer in a troup led by his brother Uday, the glamorous high life of Paris and New York, meetings and associations with all the greatest musicians of the time and, from eighteen, intensive study with his guru Baba Allauddin Khan which led him towards emergence as the great musician in the classical tradition who is revered the world over. 　　 　　Later Ravi Shankar contributed the music to Satyajit Ray's historic films, influenced musicians as diverse as Menuhin, John Coltrane and George Harrison, later retreating and withdrawing from the rock world super-stardom and taking great satisfaction in teaching pupils including his daughter Anoushka, now a sitar virtuoso in her own right. There is a short extract from one of his lessons and, to end, a short introduction to Indian music and to the sitar, with a demonstration of how they are made, followed by two Ragas played in concert in London, at Union Chapel, Islington, during the summer of 2002, the Raga Rangeela Piloo especially beautiful. 　　 　　from: 　　http://www.classical.net/music/recs/reviews/b/bbc00853dvda.html

Ravi Shankar's name is known to all music lovers and he has been the greatest ambassador to the West for Indian Classical Music, which was relatively unknown and unappreciated in UK until the '50s, when I began to attend small concerts in London to hear great performers including the sarodist, Ali Akbar Khan, since when I have been writing about this arcane delight, whilst remaining still an ignorant devotee of this wonderful music, which requires years of study to begin to penetrate its mysteries. At a superficial level, it is easy to enjoy, and few will remain untouched by the beauty of the sitar, to see and to hear, with revealing close-ups showing exactly how it is played. 　　 　　To celebrate Ravi Shankar's 80th birthday here is a delightful and moving documentary, expertly compiled and filmed, with breathtaking scenes of life in India and the West. Ravi Shankar reviews his extraordinary life with warmth and humility, commenting with members of his family around him on the scenes which pass before him and us, expressing gratitude for his good fortune and long life. We are taken through his childhood, world tours as a dancer in a troup led by his brother Uday, the glamorous high life of Paris and New York, meetings and associations with all the greatest musicians of the time and, from eighteen, intensive study with his guru Baba Allauddin Khan which led him towards emergence as the great musician in the classical tradition who is revered the world over. 　　 　　Later Ravi Shankar contributed the music to Satyajit Ray's historic films, influenced musicians as diverse as Menuhin, John Coltrane and George Harrison, later retreating and withdrawing from the rock world super-stardom and taking great satisfaction in teaching pupils including his daughter Anoushka, now a sitar virtuoso in her own right. There is a short extract from one of his lessons and, to end, a short introduction to Indian music and to the sitar, with a demonstration of how they are made, followed by two Ragas played in concert in London, at Union Chapel, Islington, during the summer of 2002, the Raga Rangeela Piloo especially beautiful. 　　 　　from: 　　http://www.classical.net/music/recs/reviews/b/bbc00853dvda.html

拥有倾城之姿的相国府大小姐沈沁不愿成为父亲维稳政局的工具，出嫁前夕用画师十七姐姐的下落哄骗十七强行进行换脸，换取一个全新的身份。十七一觉醒来发现自己变成了沈沁的脸，而她要替嫁的人正是自己多年前一见钟情的救命恩人萧寒声。 　　变成十七容貌的沈沁以全新的身份留在了自己心爱的宁王身边，而十七却以沈沁的面容嫁进了将军府......

纯爱画师换脸替嫁反遇旧时心上人，心机千金舍弃容颜与虎谋皮竟为守真爱。君臣过招，成败几何，双姝对智，颜假情真。

这是一部关于“看”的电影-来自农村的孩子通过相机去“看”城市，而我们则通过孩子们拍摄的照片以及摄影师拍摄的素材，去“看”这些孩子。2012年夏天，我开始在武汉市凌智小学教一群8-12岁的孩子摄影并拍摄这群孩子的生活。凌智小学是一栋4层的居民楼，由于没有操场，各项活动在屋顶上举行，又被称为“屋顶小学”。它招收的学生全部来自于农民工家庭。 　　这也是一部关于现实和梦想的影片。这些初到城市的孩子，面对精彩而充满诱惑的城市生活，面对网络、手机、电视，他们对未来充满幻想，有着各式各样的希望。但糟糕的家庭环境以及对他们满是歧视的户口制度，似乎又时刻提醒他们，现实和梦想之间的距离到底有多远？

这是一部关于“看”的电影-来自农村的孩子通过相机去“看”城市，而我们则通过孩子们拍摄的照片以及摄影师拍摄的素材，去“看”这些孩子。2012年夏天，我开始在武汉市凌智小学教一群8-12岁的孩子摄影并拍摄这群孩子的生活。凌智小学是一栋4层的居民楼，由于没有操场，各项活动在屋顶上举行，又被称为“屋顶小学”。它招收的学生全部来自于农民工家庭。 　　这也是一部关于现实和梦想的影片。这些初到城市的孩子，面对精彩而充满诱惑的城市生活，面对网络、手机、电视，他们对未来充满幻想，有着各式各样的希望。但糟糕的家庭环境以及对他们满是歧视的户口制度，似乎又时刻提醒他们，现实和梦想之间的距离到底有多远？

.陈良近来躁动不安，身体内部潜藏已久的欲望正在慢慢生长, 被家庭和学校两种空间困囿和挤压，逐渐萌动的念头悬置在空中，在男女之间，陈良迈出了他的第一步。

3022年，蔚蓝星被外星文明入侵，无数的战争机器通过传送站点来到了这里，战争机器疯狂缩小搜索范围，夏执序正在抵抗某种侵蚀......宇宙联邦派遣的队伍——阿尔法-300，同时出现在他的眼前。 “你能想象的魔法或者高等文明科技，其实是存在的。” 陈星瑶说出了这句话，她自称来自宇宙联邦纠察队——用可视化科技面板进行任务沟通，物品收纳，技能使用。 在接二连三的险情中，夏执序发现很多疑点，决定加入阿尔法-300，去变的更强，去探查那个真相。

3022年，蔚蓝星被外星文明入侵，无数的战争机器通过传送站点来到了这里，战争机器疯狂缩小搜索范围，夏执序正在抵抗某种侵蚀......宇宙联邦派遣的队伍——阿尔法-300，同时出现在他的眼前。 “你能想象的魔法或者高等文明科技，其实是存在的。” 陈星瑶说出了这句话，她自称来自宇宙联邦纠察队——用可视化科技面板进行任务沟通，物品收纳，技能使用。 在接二连三的险情中，夏执序发现很多疑点，决定加入阿尔法-300，去变的更强，去探查那个真相。

故事讲述了两个来自农村的年轻人，意外陷入异军突起的中国互联网直播平台，成为网络秀场中第一批身家千万的主播。他们在虚拟的网络世界中追名逐利，却深陷欲望和资本的泡沫难以自拔，无法回归真实世界。同时，直播的世界也在悄然发生着变化……