讲述了少年空天战队在地球被外星的极恶势力入侵后，为拯救地球而奋起反抗入侵者，与极恶势力、暗影军团一伙展开斗智斗勇的历险故事。 机甲造型，正义和邪恶的博弈，外太空、枪战、英雄主义、科幻、玄幻……构建了“五行相克、能量制胜”，正义必战胜邪恶的正确价值观。

讲述了少年空天战队在地球被外星的极恶势力入侵后，为拯救地球而奋起反抗入侵者，与极恶势力、暗影军团一伙展开斗智斗勇的历险故事。 机甲造型，正义和邪恶的博弈，外太空、枪战、英雄主义、科幻、玄幻……构建了“五行相克、能量制胜”，正义必战胜邪恶的正确价值观。

一场空天战场的猎杀传奇，霸天狼，是一支神秘的空军顶级团队，每一名飞行员都是金头盔级别的王牌飞行员，吴迪 （ 李晨 饰）、亚莉 （ 范冰冰 饰）、巴图 （ 郭洺宇 饰）、高原 （ 李晨浩 饰）通过层层考核，成为了霸天狼秘密基地的一员。可谁也没有想到，吴迪的好友刘浩辰 （ 李佳航 饰）却在任务中陷入一场境外战乱的阴谋。更大的威胁接踵而至，恐怖势力突发其来的导弹危机和人质危机，空前地挑战着中国空军的实战能力，十万火急之下，最新式的中国战机和最顶级的飞行员，与掌握导弹密码和先进战机的敌人，在境外天空展开一场生死对决 。

一场空天战场的猎杀传奇，霸天狼，是一支神秘的空军顶级团队，每一名飞行员都是金头盔级别的王牌飞行员，吴迪 （ 李晨 饰）、亚莉 （ 范冰冰 饰）、巴图 （ 郭洺宇 饰）、高原 （ 李晨浩 饰）通过层层考核，成为了霸天狼秘密基地的一员。可谁也没有想到，吴迪的好友刘浩辰 （ 李佳航 饰）却在任务中陷入一场境外战乱的阴谋。更大的威胁接踵而至，恐怖势力突发其来的导弹危机和人质危机，空前地挑战着中国空军的实战能力，十万火急之下，最新式的中国战机和最顶级的飞行员，与掌握导弹密码和先进战机的敌人，在境外天空展开一场生死对决 。

这部由环球公司（Universal）拍摄、Ronald D. Moore、Gail Berman 及 Lloyd Braun 制片的太空科幻作品，将描述地球人的首艘星际飞船－－"旅行车" 号。船上12名宇航员（算上船载计算机为13人）将展开为期十年的宇宙探索旅行，目的地是一个遥远的恒星系。为了帮助船员们克服长途旅行的无聊感，让他们精力集中，美国航空航天局在船上安装了一台先进的虚拟现实装置。这台有趣的设备允许船员们以任何虚拟身份进入任何虚拟世界进行冒险。这项计划一开始完美无缺，直到系统中突然出现了一个神秘的 "缺陷"。 　　"故事的主题是：你弄不清什么是幻想，什么是现实，为了活命，你只能逃跑。但我们究竟为了什么而活呢？" 环球公司媒体创作室的主席 Katherine Pope 如是说。

故事发生在一座小镇的医院内。一名警官将一位伤员送进医院后，一群身份不明的神秘人包围了医院。宗教？黑帮？恐怖组织？在知晓这群人的身份之前，一场大屠杀已经展开。

憧憬成为帅气的大魔法使的赛特，为了打倒来自天空的怪物涅墨西斯，每天都在努力的进行魔法特训，但赛特的训练一直不顺利，总是引起纠纷给村子里的人添麻烦。某一日，巨型涅墨西斯袭击了村子，为了拯救世界彻底消除涅墨西斯，赛特下定决心去寻找传说中涅墨西斯巢穴地，在旅途中赛特不断的遇到新的伙伴与新的强敌不断的成长。

When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony. 　　With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.

When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony. 　　With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.