Acclaimed filmmaker Trinh T. Minh-ha ventures into the digital realm with her stunning feature, THE FOURTH DIMENSION, an incisive and insightful examination of Japan through its art, culture, and social rituals. As is the case with Trinh's previous films, her film is a multi-layered work addressing issues around its central theme: the experience of time, the impossibility of truly "seeing," and the impact of video on image-making. 　　THE FOURTH DIMENSION is an elegant meditation on time, travel, and ceremony in the form of a journey. In her first foray into digital video, Minh-ha deconstructs the role of ritual in mediating between the past and the present. She explains, "Shown in their widespread functions and manifestations, including more evident loci such as festivals, religious rite and theatrical performance, 'rituals' involve not only the regularity in the structure of everyday life, but also the dynamic agents in the world of meaning." With its lush imagery, Minh-ha's Japan is viewed through mobile frames, with doors and windows sliding shut, revealing new vistas as it blocks out the old light. 　　“Trinh T. Minh-ha’s newest essayistic work and her first videotape, cuts an intricate key for unlocking this elusive culture. Her tack finds great visual pleasure in the everyday, composing and decomposing the social landscape, while constructing a poetic grid of temporalities, symbolic meaning, and ritual. In THE FOURTH DIMENSION, Trinh’s lyrical narration guides us through ‘Japan’s likeness,’ the perfected framing of the sacramental familiar.” - Steve Seid

Acclaimed filmmaker Trinh T. Minh-ha ventures into the digital realm with her stunning feature, THE FOURTH DIMENSION, an incisive and insightful examination of Japan through its art, culture, and social rituals. As is the case with Trinh's previous films, her film is a multi-layered work addressing issues around its central theme: the experience of time, the impossibility of truly "seeing," and the impact of video on image-making. 　　THE FOURTH DIMENSION is an elegant meditation on time, travel, and ceremony in the form of a journey. In her first foray into digital video, Minh-ha deconstructs the role of ritual in mediating between the past and the present. She explains, "Shown in their widespread functions and manifestations, including more evident loci such as festivals, religious rite and theatrical performance, 'rituals' involve not only the regularity in the structure of everyday life, but also the dynamic agents in the world of meaning." With its lush imagery, Minh-ha's Japan is viewed through mobile frames, with doors and windows sliding shut, revealing new vistas as it blocks out the old light. 　　“Trinh T. Minh-ha’s newest essayistic work and her first videotape, cuts an intricate key for unlocking this elusive culture. Her tack finds great visual pleasure in the everyday, composing and decomposing the social landscape, while constructing a poetic grid of temporalities, symbolic meaning, and ritual. In THE FOURTH DIMENSION, Trinh’s lyrical narration guides us through ‘Japan’s likeness,’ the perfected framing of the sacramental familiar.” - Steve Seid

一组电影制作者想要拍摄史上第一部原生3D的伪纪录恐怖片，但他们拍摄影片中的邪恶力量从电影中逃出到了他们的日常生活，这时他们才发现自己正身处于一部伪纪录恐怖片中……

一组电影制作者想要拍摄史上第一部原生3D的伪纪录恐怖片，但他们拍摄影片中的邪恶力量从电影中逃出到了他们的日常生活，这时他们才发现自己正身处于一部伪纪录恐怖片中……

拥有倾城之姿的相国府大小姐沈沁不愿成为父亲维稳政局的工具，出嫁前夕用画师十七姐姐的下落哄骗十七强行进行换脸，换取一个全新的身份。十七一觉醒来发现自己变成了沈沁的脸，而她要替嫁的人正是自己多年前一见钟情的救命恩人萧寒声。 　　变成十七容貌的沈沁以全新的身份留在了自己心爱的宁王身边，而十七却以沈沁的面容嫁进了将军府......

纯爱画师换脸替嫁反遇旧时心上人，心机千金舍弃容颜与虎谋皮竟为守真爱。君臣过招，成败几何，双姝对智，颜假情真。

这是一部关于“看”的电影-来自农村的孩子通过相机去“看”城市，而我们则通过孩子们拍摄的照片以及摄影师拍摄的素材，去“看”这些孩子。2012年夏天，我开始在武汉市凌智小学教一群8-12岁的孩子摄影并拍摄这群孩子的生活。凌智小学是一栋4层的居民楼，由于没有操场，各项活动在屋顶上举行，又被称为“屋顶小学”。它招收的学生全部来自于农民工家庭。 　　这也是一部关于现实和梦想的影片。这些初到城市的孩子，面对精彩而充满诱惑的城市生活，面对网络、手机、电视，他们对未来充满幻想，有着各式各样的希望。但糟糕的家庭环境以及对他们满是歧视的户口制度，似乎又时刻提醒他们，现实和梦想之间的距离到底有多远？

这是一部关于“看”的电影-来自农村的孩子通过相机去“看”城市，而我们则通过孩子们拍摄的照片以及摄影师拍摄的素材，去“看”这些孩子。2012年夏天，我开始在武汉市凌智小学教一群8-12岁的孩子摄影并拍摄这群孩子的生活。凌智小学是一栋4层的居民楼，由于没有操场，各项活动在屋顶上举行，又被称为“屋顶小学”。它招收的学生全部来自于农民工家庭。 　　这也是一部关于现实和梦想的影片。这些初到城市的孩子，面对精彩而充满诱惑的城市生活，面对网络、手机、电视，他们对未来充满幻想，有着各式各样的希望。但糟糕的家庭环境以及对他们满是歧视的户口制度，似乎又时刻提醒他们，现实和梦想之间的距离到底有多远？

特洛伊（李·鲁莫赫尔 Lee Rumohr 饰）和梅里克（马特·奥斯丁 Matt Austin 饰）从高中时代起就是好朋友了，如今，他们是住在同一屋檐下的室友。梅里克有一个名为史黛西（Sarah Kanter 饰）的女朋友，而特洛伊也和他的前女友仍旧保持着联系。 　　实际上，特洛伊和梅里克之间早已经发生过了亲密关系，只不过梅里克只把特洛伊当成发泄欲望的工具，而特洛伊却是真的爱上了自己的好友。在爱上梅里克之后，特洛伊彻底和身边的莺莺燕燕断绝了来往，梅里克虽然发现了深藏在自己内心中的感情，但却始终抗拒着同情恋的身份。梅里克的女朋友怀孕了，而梅里克的内心却产生了强烈的动摇。

特洛伊（李·鲁莫赫尔 Lee Rumohr 饰）和梅里克（马特·奥斯丁 Matt Austin 饰）从高中时代起就是好朋友了，如今，他们是住在同一屋檐下的室友。梅里克有一个名为史黛西（Sarah Kanter 饰）的女朋友，而特洛伊也和他的前女友仍旧保持着联系。 　　实际上，特洛伊和梅里克之间早已经发生过了亲密关系，只不过梅里克只把特洛伊当成发泄欲望的工具，而特洛伊却是真的爱上了自己的好友。在爱上梅里克之后，特洛伊彻底和身边的莺莺燕燕断绝了来往，梅里克虽然发现了深藏在自己内心中的感情，但却始终抗拒着同情恋的身份。梅里克的女朋友怀孕了，而梅里克的内心却产生了强烈的动摇。