妙龄女子伊佐子（米仓凉子 饰）嫁给了比她大31岁的资本家泽田信弘（桥爪功 饰），由此一步登天，过上了阔太太的生活。但是日常里她空有其表，钱的用途和人身自由皆被丈夫盯得死死。即便如此，伊佐子在外仍有一个秘密情人石井宽二（要润 饰）。直到某天，情人给她带来了麻烦。石井的前女友与之争执后死在他的公寓，石井以不伦恋情相要挟，拜托伊佐子帮他寻找律师。经曾经的恩客盐月芳彦（宅麻伸 饰）介绍，伊佐子找到了律师佐伯义男（高岛政伸 饰）。而在盐月面前，这个心怀叵测的女人也透露了她暗地里试图谋杀泽田、侵吞巨额遗产的阴谋。蛇蝎女子露出獠牙，朝着邪恶的目标前行…… 　　本片根据松本清张的同名原作改编。

妙龄女子伊佐子（米仓凉子 饰）嫁给了比她大31岁的资本家泽田信弘（桥爪功 饰），由此一步登天，过上了阔太太的生活。但是日常里她空有其表，钱的用途和人身自由皆被丈夫盯得死死。即便如此，伊佐子在外仍有一个秘密情人石井宽二（要润 饰）。直到某天，情人给她带来了麻烦。石井的前女友与之争执后死在他的公寓，石井以不伦恋情相要挟，拜托伊佐子帮他寻找律师。经曾经的恩客盐月芳彦（宅麻伸 饰）介绍，伊佐子找到了律师佐伯义男（高岛政伸 饰）。而在盐月面前，这个心怀叵测的女人也透露了她暗地里试图谋杀泽田、侵吞巨额遗产的阴谋。蛇蝎女子露出獠牙，朝着邪恶的目标前行…… 　　本片根据松本清张的同名原作改编。

弗吉尼亚姐姐的来访颠覆了她平静的生活。然而，这种颠覆不是突然地、更像是水滴石穿般地打破了她的现在。这带来了意外的后果、未解决的创伤、伤口、但同时也有爱。

弗吉尼亚姐姐的来访颠覆了她平静的生活。然而，这种颠覆不是突然地、更像是水滴石穿般地打破了她的现在。这带来了意外的后果、未解决的创伤、伤口、但同时也有爱。

大工业时代没落，所有人顷刻间失去了自己稳定的工作，失去了整个家庭支撑的信仰，工厂衰败没落的背后潜在的危机在时时刺痛着每一个人。 　　在下岗危机来临的前刻，一系列突如其来的变故与背后令人难以启齿的真相，所有依靠与信仰之物在这一瞬间全然崩塌，一个渺小的人，不得不做出自己的选择。

大工业时代没落，所有人顷刻间失去了自己稳定的工作，失去了整个家庭支撑的信仰，工厂衰败没落的背后潜在的危机在时时刺痛着每一个人。 　　在下岗危机来临的前刻，一系列突如其来的变故与背后令人难以启齿的真相，所有依靠与信仰之物在这一瞬间全然崩塌，一个渺小的人，不得不做出自己的选择。

A telephone rings in the dark—three times, pauses, then rings three times again. A fully-clothed figure lights a cigarette before rising from bed, dons a raincoat, then sets out into the night. Another figure emerges from the shadows, lights a cigarette, then discards a crumpled cigarette pack, which the first picks up and carries home. Back in his room, the first man places the refuse on his desk, paces apprehensively about his apartment before he finally removes the inner foil and examines it. After letting what it reveals sink in, he sets it on fire, and a cold look comes over his face... 　　Thus begins The Thief, a 1952 cold war, espionage thriller—unique in that it is completely without dialogue—directed by Russell Rouse, and produced by Clarence Greene, who co-wrote the screenplay. Allan Fields (Ray Milland) is an award-winning nuclear scientist working at the Atomic Energy Commission research laboratory. He is also a spy, photographing top secret documents, then relaying the miniature film canisters back through an elaborate network to enemy agents in Egypt. His signal is the telephone, and his liaison outlines his assignments through instructions on his cigarette refuse, with nary a word spoken. It is a dangerous business, and one that creates many close calls—too close for comfort. When one of his assignments goes awry, the FBI begins to close in, and the race is on to leave the country before he is caught. 　　The Thief has all the trappings of classic noir. Produced at the height of the "Red Scare," the film manages to maintain a constant state of tension, relying heavily on reaction shots and Herschel Burke Gilbert's riveting musical score. The cinematography heightens the effect, utilizing lighting and camera angles to convey the unspoken. Milland, who won an Oscar® for his role in Billy Wilder's The Lost Weekend, carries the part off to perfection, letting the audience read his character's thoughts solely through facial expression and body language. The direction also fools the audience into anticipating dialogue, then cleverly avoiding it. Only the Oscar®-nominated score and sound effects break the silence. 　　This is a fascinating use of visuals to tell a story, and a gripping suspense film, which held my interest throughout, and aside from one sequence where Fields' conscience begins to plague him, the narrative is fairly straight forward, without much in the way of gimmickry. Avoid the back cover text because it gives away the ending, which was the only part that didn't really work for this reviewer. For those interested in cold war-era film noir, this is certainly worth a look, if for no other reason than its uniqueness.

根据80年代的电子游戏“它来自沙漠”改编，向1950年代致敬。本片的特色是沙漠、摩托车英雄和女英雄、沙漠中的派对、秘密地下军事基地……当然还有巨型蚂蚁。

根据80年代的电子游戏“它来自沙漠”改编，向1950年代致敬。本片的特色是沙漠、摩托车英雄和女英雄、沙漠中的派对、秘密地下军事基地……当然还有巨型蚂蚁。

生物学家胡朔为救基因缺陷的儿子，研究用蚂蚁基因改善人类基因，却遭所有人否定，妻子刘幸之也离他而去。黄锦雄因病资助研究，参观实验室时蚁后逃走变异，带领蚁群攻击众人，胡朔和黄锦雄身体也开始蚁化。最终，刘幸之封锁引爆实验室，阻止了浩劫。