影片中李冰冰和仔仔彼此喜欢，但是仔仔因为不愿伤害到另一个喜欢自己的女孩，而一直没有表白，但是就在他决定表白的时候，却遭遇了车祸丧生……

活泼善良的女孩钟小印在大学毕业的当天，突如其来的病魔侵袭了与她相依为命的妈妈。钟小印急匆匆赶到医院，在慌乱中不小心踩到了蓝冬晨，因为没有听到小印的道歉，自负傲慢的蓝冬晨要她给他擦鞋，很有个性的小印却把擦鞋的一块钱扔给蓝后离去。妈妈昂贵的医药费使钟小印陷入困境，绝望中她向新任的院长求助，才发现院长就是刚和他发生冲突的蓝冬晨。蓝父是这家医院的董事长，蓝冬晨是拥有数亿家产的富家子弟，虽然表面冷酷霸道，但内心颇为善良，在他与钟小印相撞对视的一刻，他就莫名其妙地喜欢上了她……

1960年11月25日，三姐妹的尸体在多米尼加共和国北海岸的悬崖底部附近被发现。官方日报《El Caribe》报道称，这是一起事故，但没有提及四姐妹的死讯。它也没有提到姐妹俩强烈反对特鲁希略将军的独裁统治。这是他们的故事：Minerva是如何拒绝特鲁希略而引发悲剧的；Patria如何成为教会本身的反对者；玛丽亚·特蕾莎如何通过爱加入革命。他们失去了翅膀，却没有勇气。它们是拉斯马里波萨斯——“蝴蝶”。

生命常轻如蝶舞，相遇、分离、死亡，所有的因缘际会，生生灭灭，都仿佛只是一次次轻轻的振翅，在微风中漾出道道微不可查的浅波，而后又转瞬消散在虚空里。然而即使轻如蝶翼，便真的无法留下任何痕迹吗？故事取材于作者本人的经历，希望借一段平凡的时光以及主人公对外祖母——一位平凡老人——的追寻与回忆来表达：虽然逝者在世界上的痕迹终不免因时光的掩埋而一次次被覆盖，但存在的证明或许可以由其它生命延续下去的这一愿景。

智秀（金素妍 饰），一个韩国的设计师，因为母亲的意外去世而发现自己的父亲竟是中国人。她决定前往大连寻找父亲，却意外与程家兴（任泉 饰）发生了误会。程家兴，作为思韵公司的总经理和程竞雄的儿子，与智秀的命运交织在一起。智秀在大连的学姐慧琪的帮助下，来到福临公司工作，却不幸目睹了公司倒闭的悲剧。程家兴看到这一机会，将智秀引入思韵公司，并逐渐对她产生了感情，但智秀却对他持反感态度。与此同时，江宪作为思韵公司的市场总监，被程竞雄看中要娶程家兴的妹妹佳梦，却对患有先天心脏病的佳梦充满同情，而对智秀则有着深深的好感，展开了一段错综复杂的感情纠葛。 　　随着剧情的深入，智秀意外发现了一个制造仿冒思韵服装的加工厂，揭露出背后的阴谋和复仇计划，由福临总裁洪千里之子黄启坚策划，目的是彻底摧毁思韵公司。智秀在调查过程中陷入危险，程家兴前来救援却受伤，这一过程改变了智秀对他的看法，并逐渐让两人在危机中加深了感情。

Native Title: 龙门驿站之蝴蝶飞 Also Known As: Long Men Yi Zhan Zhi Hu Die Fei , 龍門驛站之蝴蝶飛 Director: Poon Man Kit Genres: Action, Thriller, Historical, Mystery Tags: Village Setting, Desert Setting, Web Movie, Death, Murder, Investigation, Martial Arts, Drama, Romance, Suspense (Vote or add tags)

苏沅暗恋徐昭言七年，婚后三年倾尽温柔、事事迁就，却始终未被真心以待。同学聚会上，她刚做完胃穿孔手术，徐昭言却只顾呵护白月光许悠悠，全然无视她的痛楚。彻底心寒的苏沅决然提出离婚，选择放手。直到她潇洒转身，徐昭言才惊觉早已深爱，疯狂挽回，可心已碎、情难续。苏沅坚守初心，告别过往，奔赴属于自己的崭新人生。

在法国北部，朱丽叶和父亲拉斐尔独自长大，拉斐尔是一战老兵。这个孤独的年轻女孩热衷于歌唱和音乐，在一个夏天遇到了一个魔术师，魔术师承诺有一天猩红的风帆会把她带离她的村庄。朱丽叶一直相信预言。影片灵感来自亚历山大·格林的故事“猩红的帆”，彼得罗·马塞罗的电影融合了音乐、历史和民间传说，近乎魔幻现实主义。

“年轻时日子过得普普通通，年纪越大彼此的情义越发深厚”，在庆南河东郡 화개면 丹川村，有一对携手走过 78 年的老夫妇。老爷爷为行动不便的老奶奶以身作则，从做饭到洗衣，包揽所有家务，十分体贴。他们曾约定同一天离开这个世界，然而……一场令人心酸的离别还是来临了。

A wealthy rais (a head of local administration in Tadzhikistan) builds his toilet right next to the house of a teacher in the village. "The aromas" of the toilet disturb the life of the teacher’s family; it is very upsetting for them. But the rais is also a new Tadzhik ("new money") and ignores the complaints. Moreover, every time he visits the toilet, he shamelessly stares at the teacher’s young wife over the fence. However, the power of the rais is so great that nobody dares to oppose him. The teacher buys cheaply a home right in front of the rais’s house from an old man and decides to build a public toilet there. 　　It seems that the era of fairytales and legends has vanished and it is not possible to make film-parables. However, Jamshed Usmonov creates film-parables. In every one of his films there is a character telling a legend that turns the meaning of the film all around. In Flight of the Bee it is a tale about a bee, which saved the life of an army: 　　"Once upon a time it was a custom to kill old people who reached a certain age. But one of the soldiers of Alexander the Great didn’t have the heart to kill his father. He hid him in his traveling trunk and carried it on his back during marches. The army came to a desert and the warriors started to die from thirst. Nobody knew how to find water. The father said to his son: "Catch a bee, tie a white thread to its leg and follow it. It will take you to water." They found water and the army was saved. After that old people were spared because everybody recognized them as a source of wisdom." The village teacher tells this story to his students at the beginning of the film. 　　It is interesting to note how in the film Flight of the Bee different mentalities intermingled and co-existed. The teacher is typical of the Soviet intelligentsia: he writes books that nobody publishes; he looks for justice from the government that has never been fair to him. The surroundings of the village are still Soviet: the rais has Lenin’s portrait in his office; young people are idle and drunk as they always were during the Soviet era. The new capitalists, the new Tadzhiks in the village, do not wear designer jackets and do not talk on cell phones. The new money is presented in the character of the rais. It has almost a feudal quality; it is the power of a local lord. 　　Jamshed Usmonov has a unique talent to balance the funny and serious, the simple and complicated. He, like nobody else, senses this border, where a simple story turns into a parable and film characters stand out as archetypes of different periods set together in the gap of times. (kinokultura/GULNARA ABIKEEVA)