At the Mosaik art studio in Berlin, artists with disabilities are absorbed in their work. Sabine Herpich observes the artists in the course of creation and directs her gaze at the institution itself: its processes, staff and spaces. The film succeeds in maintaining its focus on the art itself rather than the handicaps of its creators. It is around these works that the institution takes form, thus coming into view first and foremost as an institution for art, not one for people with disabilities. The idea of art becomes holistic, encompassing the people who make it as well as the places where it is created; it means looking at the works, and talking about them, but also art as work, complete with working hours and wage. The filmmaker herself is not invisible. She asks the artists about their thoughts, ideas, methods. As the artists before the camera meet the gaze of the filmmaker, a heightened sense of attention and sensitivity is produced – for the moods of the works, their creators and observers, as well as for this film about art itself, with its gentle, yet not timid, precise yet non-restrictive form.

At the Mosaik art studio in Berlin, artists with disabilities are absorbed in their work. Sabine Herpich observes the artists in the course of creation and directs her gaze at the institution itself: its processes, staff and spaces. The film succeeds in maintaining its focus on the art itself rather than the handicaps of its creators. It is around these works that the institution takes form, thus coming into view first and foremost as an institution for art, not one for people with disabilities. The idea of art becomes holistic, encompassing the people who make it as well as the places where it is created; it means looking at the works, and talking about them, but also art as work, complete with working hours and wage. The filmmaker herself is not invisible. She asks the artists about their thoughts, ideas, methods. As the artists before the camera meet the gaze of the filmmaker, a heightened sense of attention and sensitivity is produced – for the moods of the works, their creators and observers, as well as for this film about art itself, with its gentle, yet not timid, precise yet non-restrictive form.

These child prodigies of the animal kingdom have feathers and beaks – and very special skills! 　　The Keas of New Zealand are the only parrots that live in snowy mountain areas. They like testing their brains, solving puzzles and challenging tourists: they unscrew bottle-tops, dismantle windscreen wiper blades and tear open rucksacks. They seem so determined you’d think they have an understanding of physics and mechanics! Thousands of miles northwards, in New Caledonia, other birds have talent, too. Here bird expert Gavin Hunt discovered that crows are able to produce a whole set of tools, each designed for a particular purpose – the most intricate tool culture in the animal kingdom! These high flyers compete against each other: Keas vs Crows. What is the secret of their intelligence? It’s the ultimate avian I.Q. test, with some funny and surprising results.

百年前，士兵费德里科在博比奥，被一名修女诱惑，百年后，调查员费德里科来到博比奥，发现这里住着一位只在夜间活动的老爷子。 　　影片由意大利国宝级导演马可·贝罗奇奥执导，其曾获威尼斯电影节终身成就奖，此次以《吾血之血》入围第72届威尼斯电影节主竞赛单元，角逐金狮大奖。

百年前，士兵费德里科在博比奥，被一名修女诱惑，百年后，调查员费德里科来到博比奥，发现这里住着一位只在夜间活动的老爷子。 　　影片由意大利国宝级导演马可·贝罗奇奥执导，其曾获威尼斯电影节终身成就奖，此次以《吾血之血》入围第72届威尼斯电影节主竞赛单元，角逐金狮大奖。

Vicente, seventeen, lives with brother Nino, ten-years-old, and his ailing father in a derelict house on the outskirts of the capital. They don't seem to remember their mother, and are very much attached to their father, despite his temper, and his frequent absences from home. One day, the father leaves for good, and Vicente and Nino swear to cover it up. It's their secret. Clara, the primary school assistant, is fascinatingly beautiful, and secretive, and (may be) she knows it aswel. There are other secrets, though: the origin of the money that appears at Vicente's house; the relationship between Vicente's well-to-do uncle and his girlfriend; the relationship between the four people who once played the cards together, and now can't stand each other

Diego's job is counting people as they enter a large government building. After work, he and his wife Blanca lie on the couch, watch soap operas, or make love on the kitchen table. Their relationship is based on having sex, watching TV, and fighting, until one day their routine is interrupted. Karina, Diego's daughter from a previous marriage, arrives in search of her father's love, but Blanca refuses to accept her. Diego finds himself caught between an extremely jealous wife and a daughter in desperate need of guidance. An astonishing climax will lead Diego to a total loss of control.

Diego's job is counting people as they enter a large government building. After work, he and his wife Blanca lie on the couch, watch soap operas, or make love on the kitchen table. Their relationship is based on having sex, watching TV, and fighting, until one day their routine is interrupted. Karina, Diego's daughter from a previous marriage, arrives in search of her father's love, but Blanca refuses to accept her. Diego finds himself caught between an extremely jealous wife and a daughter in desperate need of guidance. An astonishing climax will lead Diego to a total loss of control.

Psychological drama based on Vardan Grigoryan's novel "The Close Room". This Surrealism film focuses on a young man who is given an opportunity, under dramatic circumstances, to live his life over again.

Psychological drama based on Vardan Grigoryan's novel "The Close Room". This Surrealism film focuses on a young man who is given an opportunity, under dramatic circumstances, to live his life over again.