中ソ戦争勃発後の架空都市。戦争から戻ったイシは、かつての恋人、麗子を死にもの狂いで捜していた。しかし、麗子は麗花と名を改め、謎の男アルファの経営する亜細亜娼婦館“チャイナストール”の高級娼婦となっていた。いくつもの妄想と幻想を乗り越えて麗子に近づくイシ。毎夜、変形した性欲の虜となった男たちの相手をする麗子。やがて二人は出会い、アヘンの煙たち込める“チャイナストール”は、血と火薬の修羅場と化してゆく……。

中ソ戦争勃発後の架空都市。戦争から戻ったイシは、かつての恋人、麗子を死にもの狂いで捜していた。しかし、麗子は麗花と名を改め、謎の男アルファの経営する亜細亜娼婦館“チャイナストール”の高級娼婦となっていた。いくつもの妄想と幻想を乗り越えて麗子に近づくイシ。毎夜、変形した性欲の虜となった男たちの相手をする麗子。やがて二人は出会い、アヘンの煙たち込める“チャイナストール”は、血と火薬の修羅場と化してゆく……。

这部热辣剧集是英国皇室剧的现代改编版，带领观众一窥历史上最致命、最性感页最具代表性的君主生活

A man and his girlfriend wander off from their group of friends into the woods, where the man then kills his girlfriend and proceeds to engage in necrophilia

A man and his girlfriend wander off from their group of friends into the woods, where the man then kills his girlfriend and proceeds to engage in necrophilia

Our film focuses on Italian author, art critic and feminist Carla Lonzi (1931–1982), founder of the first Roman feminist group Rivolta Femminile in 1972, and her role in 　　the international feminist revolt of the 70s/80s. It drafts the notion of new feminist 　　historiographies by tracing histories unwritten and by opening to date uncharted 　　archives: at the core of its narrative resides Lonzi’s unfinished project on Les Précieuses, a French proto-feminist group active in the 17th century. It is this project our film wants to revisit in an attempt to complete it in a speculative manner, thereby connecting a remote part of the feminist history with possible feminist futures. Adjacently, a tentative lineage in feminist thought towards the present is mapped through a re-staging of an iconic photographic volume titled La strada più lunga by feminist photographer Maria Grazia Chinese from 1975 in the garden of the Casa Internazionale delle Donne in Rome

Our film focuses on Italian author, art critic and feminist Carla Lonzi (1931–1982), founder of the first Roman feminist group Rivolta Femminile in 1972, and her role in 　　the international feminist revolt of the 70s/80s. It drafts the notion of new feminist 　　historiographies by tracing histories unwritten and by opening to date uncharted 　　archives: at the core of its narrative resides Lonzi’s unfinished project on Les Précieuses, a French proto-feminist group active in the 17th century. It is this project our film wants to revisit in an attempt to complete it in a speculative manner, thereby connecting a remote part of the feminist history with possible feminist futures. Adjacently, a tentative lineage in feminist thought towards the present is mapped through a re-staging of an iconic photographic volume titled La strada più lunga by feminist photographer Maria Grazia Chinese from 1975 in the garden of the Casa Internazionale delle Donne in Rome

《性／生活》讲述了一个女人、她的丈夫以及她的旧情人之间的三角恋故事，采用全新的视角审视了女性的身份和欲望。

The 60 minute video for Madonna's Sex book is a great work of art. It's like seeing the book come alive as it's almost in every location. There is no talking in this film just 1920's music and Madonna is absolutely beautiful. Very rare to find now in days it's a must have for a every Madonna fan but the quality more than likely will be terrible due to the number of times copying. 　　The video shows Madonna nude most of the time laying on her back against the ocean, riding a bicycle, dancing with Naomi Campbell and kissing and horsing around with then boyfriend Vanilla Ice. It's a lovely companion for the book. Very artistic and creative. 　　Remember this film was never released only given by Madonna to 100 of her closest friends at the Sex Book release party. Somehow the video got out and might be on sell on Ebay time and time again.