Roseland' is a film made up of three separate stories set in the legendary Roseland Ballroom in Manhattan. The first, entitled 'The Waltz' features the wonderful Teresa Wright as a widow who comes to Roseland in order to sustain the memory of her late husband. She meets Stan (Lou Jacobi), who offers her an opportunity for happiness in the present. 'The Hustle' concerns Christopher Walken as a gigolo with three women in his life, all of whom depend on him for different degrees of romance and companionship. In the final story, 'The Peabody,' an older woman (Lilia Skala) sets out to win a dance competition despite warnings that it could endanger her health.

Roseland' is a film made up of three separate stories set in the legendary Roseland Ballroom in Manhattan. The first, entitled 'The Waltz' features the wonderful Teresa Wright as a widow who comes to Roseland in order to sustain the memory of her late husband. She meets Stan (Lou Jacobi), who offers her an opportunity for happiness in the present. 'The Hustle' concerns Christopher Walken as a gigolo with three women in his life, all of whom depend on him for different degrees of romance and companionship. In the final story, 'The Peabody,' an older woman (Lilia Skala) sets out to win a dance competition despite warnings that it could endanger her health.

A young woman's devotion to a childhood fantasy kingdom has taken over her entire life and causes her endless pain and degradation. 　　Placed in a mental hospital, she has the great good fortune to have a truly caring therapist who tries to help her accept reality, even though reality isn't so great either.

格拉汉姆（米歇尔·皮寇利 Michel Piccoli 饰）和妻子薇薇安（阿娜伊·让纳雷 Anaïs Jeanneret 饰）共同养育着他们的女儿，为了让女儿学习吉他，格拉汉姆找来了名为大卫（克里斯托弗·马拉沃伊 Christophe Malavoy 饰）的音乐老师，不出所料的，大卫很快就和性感美艳的薇薇安搞在了一起。 　　一天夜里，大卫遭到了陌生人的袭击，所幸得到了一个名叫丹尼尔（理查德·波林热 Richard Bohringer 饰）的男人的救助才逃过一劫。大卫和丹尼尔很快就成为了朋友，丹尼尔告诉大卫，自己是一名杀手，而他要杀的人不是别人，竟然正是格拉汉姆。大卫怀疑格拉汉姆早就知道了自己和薇薇安的奸情，他决定利用大卫出掉他。

一场意外中，艳舞团公关主任方洁莹和前来观看表演的五个男人发生了冲突，惨遭五人的强暴。心灵受到强烈伤害的她还因此染上了病，身体亦痛苦不堪。绝望和愤怒之中，方洁莹下决心一定要找到这五个人，报仇雪恨，就这样，她追随着五人的脚步，登上了驶往香港的轮船。 在香港，无处可去又身无分文的方洁莹意外的在求职的酒吧遇见了姐姐的前男友周俊雄，又受到酒保苏珊的帮助照拂，总算找到了工作。一次偶然中，方洁莹遇见了自己的仇人之一，设下圈套将其杀死，因而让另外四人开始对她充满了防备，他们开始主动寻找方洁莹的踪迹，想要主动出击。

一场意外中，艳舞团公关主任方洁莹和前来观看表演的五个男人发生了冲突，惨遭五人的强暴。心灵受到强烈伤害的她还因此染上了病，身体亦痛苦不堪。绝望和愤怒之中，方洁莹下决心一定要找到这五个人，报仇雪恨，就这样，她追随着五人的脚步，登上了驶往香港的轮船。 在香港，无处可去又身无分文的方洁莹意外的在求职的酒吧遇见了姐姐的前男友周俊雄，又受到酒保苏珊的帮助照拂，总算找到了工作。一次偶然中，方洁莹遇见了自己的仇人之一，设下圈套将其杀死，因而让另外四人开始对她充满了防备，他们开始主动寻找方洁莹的踪迹，想要主动出击。

改编自荷兰电视剧《Penoza》,讲述一个犯罪集团头图被人杀死后，其遗孀为保护家人不得不挺身而出接替丈夫在集团中位置的故事。

改编自荷兰电视剧《Penoza》,讲述一个犯罪集团头图被人杀死后，其遗孀为保护家人不得不挺身而出接替丈夫在集团中位置的故事。

The first real film from a director who went on to do a lot of interesting work in the 1970's and 80's before his tragic death by drowning in 1986. 　　An avowed homage to Eyes Without a Face, the film unquestionably creates its own atmosphere and goes in a very different direction from its more famous model. Mulot's film has great cinematography, an interesting script construction and a very melancholic mood that marks it out from most low budget shockers of the period. Although not a costume piece as such, it is probably closer to the classic Mill of the Stone Women than to Franju's film. 　　The acting and direction are of a uniformly high standard. Anny Duperey and Philip Lemaire impart real depth to their characterizations and it's great to see Euro legend Howard Vernon once again. The film was sold as a mixture of sex and horror and the sex is provided by a bevy of stunning Euro babes including Valerie Boisgel and Michele Perello who went on to feature in Morgane et ses Nymphes before disappearing into the hinterlands of porn. 　　Well worth more than a passing look for any fan of classy Euro horror, this one has probably improved with age and repays repeated viewings. 　　Was the above comment useful to you?

The first real film from a director who went on to do a lot of interesting work in the 1970's and 80's before his tragic death by drowning in 1986. 　　An avowed homage to Eyes Without a Face, the film unquestionably creates its own atmosphere and goes in a very different direction from its more famous model. Mulot's film has great cinematography, an interesting script construction and a very melancholic mood that marks it out from most low budget shockers of the period. Although not a costume piece as such, it is probably closer to the classic Mill of the Stone Women than to Franju's film. 　　The acting and direction are of a uniformly high standard. Anny Duperey and Philip Lemaire impart real depth to their characterizations and it's great to see Euro legend Howard Vernon once again. The film was sold as a mixture of sex and horror and the sex is provided by a bevy of stunning Euro babes including Valerie Boisgel and Michele Perello who went on to feature in Morgane et ses Nymphes before disappearing into the hinterlands of porn. 　　Well worth more than a passing look for any fan of classy Euro horror, this one has probably improved with age and repays repeated viewings. 　　Was the above comment useful to you?