https://www.filmportal.de/film/die-im-schatten-gehen_a16064936a5648e6a3ff5a27bd7fdc70

https://www.filmportal.de/film/die-im-schatten-gehen_a16064936a5648e6a3ff5a27bd7fdc70

影片在一个超现实的景观中展开，这是一位女性的探索之旅——在充满了神话与神秘的世界中，每一步都开启了一个新的世界。当她穿行于奇迹与觉醒的迷雾中，她遇见了人、爱侣、谜题与反常的疑问，甚至还有一位女神。她逐渐以全新的视角看待一切。

影片在一个超现实的景观中展开，这是一位女性的探索之旅——在充满了神话与神秘的世界中，每一步都开启了一个新的世界。当她穿行于奇迹与觉醒的迷雾中，她遇见了人、爱侣、谜题与反常的疑问，甚至还有一位女神。她逐渐以全新的视角看待一切。

男主是长生者，活了无尽岁月， 时间到了现代，男主斩去记忆，化凡渡劫， 渡劫期间，赘婿入李家，并且深爱过李家大小姐。 凡体状态下，曾经许下承诺，愿意为她奉献一切。 三年前，男主化凡结束，需要闭关稳固根基，闭关前，男主恢复记忆，让老神仙方度安照料李家，李家从千万变成百亿。 三年之后，男主闭关出山。 此刻，他认识到，自己是长生者，是仙，李家小姐跟自己不是一个水平的人了。 此刻的男主，是出尘，仙人，数万年的记忆涌现，李小姐的存在，根本不值一提，感情淡薄。 但，男主念在化凡期间的那一丝感情，爱过李小姐，现在身份变化

玄龙圣君陆麟为渡凡尘劫，化身凡人隐于世间，与挚爱苏柠过着安稳日子，却遭楚家兄弟、玄冥派青毛狮王等反派暗算，家人被害，苏柠被掳走受尽折磨，陆麟也失去神力沦为凡人。80 集剧情里，陆麟为救苏柠，一路闯关斩妖除魔，唤醒体内万仙之力，闯玄冥派、斗邪祟、寻紫霞仙姑破局，凭龙血化毒、以龙威震慑恶徒，数次舍命护苏柠周全。二人在生死考验中感情愈发坚定，陆麟最终恢复玄龙圣君真身，荡平所有仇敌，护住苏柠，携手重掌仙界秩序，共守三界安宁。

At night, the streets of Harlem are haunted by lost souls. Bodies that drift around in the darkness and bear the weight of the past on their shoulders. The Haitian man Frenchie is one of them, and his accentuated stutter bears witness to exile and years of abuse. But he is more than just that in Khalik Allah's new, hypnotic film opus, which turns the American tradition of social realist street photography into its own art form. Khalik Allah is an impressive photographer, and with Frenchie and the other characters of the streets in front of his lens, he has created his most ambitious film to date. The variation of formats – 8mm, 16mm and video – remind us not only that the images are the product of a process, but also that the depicted story is fragmented and that any unifying narrative must necessarily come from the protagonists themselves. The sound of the voice is consistently separated from the images of the body to which the voice belongs, no matter who is talking: Allah, his girlfriend, his mother, his family, or Frenchie himself. Allah's film is a space we move in rather than a linear progression through time. A trance-inducing film about love, friendship, religion and the experience of purpose.

At night, the streets of Harlem are haunted by lost souls. Bodies that drift around in the darkness and bear the weight of the past on their shoulders. The Haitian man Frenchie is one of them, and his accentuated stutter bears witness to exile and years of abuse. But he is more than just that in Khalik Allah's new, hypnotic film opus, which turns the American tradition of social realist street photography into its own art form. Khalik Allah is an impressive photographer, and with Frenchie and the other characters of the streets in front of his lens, he has created his most ambitious film to date. The variation of formats – 8mm, 16mm and video – remind us not only that the images are the product of a process, but also that the depicted story is fragmented and that any unifying narrative must necessarily come from the protagonists themselves. The sound of the voice is consistently separated from the images of the body to which the voice belongs, no matter who is talking: Allah, his girlfriend, his mother, his family, or Frenchie himself. Allah's film is a space we move in rather than a linear progression through time. A trance-inducing film about love, friendship, religion and the experience of purpose.

Claudia and Flavio were once passionately in love, but all of that is over. Now, in their fifties, they must venture anew into the world of love and dating once more but for Claudia confronting the end and accepting a new beginning isn’t so easy. Claudia is unwilling to let go and forget the life she’s built with Flavio, while Flavio, eager to move on, soon finds himself in a relationship with a much younger woman. Claudia soon reconnects with Nina, a student from her days as a professor.