仙王张昊天因对抗心魔老人永堕轮回成人，遭女友杨千雪背叛濒死之际觉醒仙王能力。他偶遇并救助夏家千金夏语冰，却因救夏横江被误认为是骗子。期间，夏语冰被周百川强娶未遂，张昊天在化解夏家危机时，逐渐展现非凡实力，开启快意都市人生。

https://www.filmportal.de/film/die-im-schatten-gehen_a16064936a5648e6a3ff5a27bd7fdc70

影片在一个超现实的景观中展开，这是一位女性的探索之旅——在充满了神话与神秘的世界中，每一步都开启了一个新的世界。当她穿行于奇迹与觉醒的迷雾中，她遇见了人、爱侣、谜题与反常的疑问，甚至还有一位女神。她逐渐以全新的视角看待一切。

影片在一个超现实的景观中展开，这是一位女性的探索之旅——在充满了神话与神秘的世界中，每一步都开启了一个新的世界。当她穿行于奇迹与觉醒的迷雾中，她遇见了人、爱侣、谜题与反常的疑问，甚至还有一位女神。她逐渐以全新的视角看待一切。

At night, the streets of Harlem are haunted by lost souls. Bodies that drift around in the darkness and bear the weight of the past on their shoulders. The Haitian man Frenchie is one of them, and his accentuated stutter bears witness to exile and years of abuse. But he is more than just that in Khalik Allah's new, hypnotic film opus, which turns the American tradition of social realist street photography into its own art form. Khalik Allah is an impressive photographer, and with Frenchie and the other characters of the streets in front of his lens, he has created his most ambitious film to date. The variation of formats – 8mm, 16mm and video – remind us not only that the images are the product of a process, but also that the depicted story is fragmented and that any unifying narrative must necessarily come from the protagonists themselves. The sound of the voice is consistently separated from the images of the body to which the voice belongs, no matter who is talking: Allah, his girlfriend, his mother, his family, or Frenchie himself. Allah's film is a space we move in rather than a linear progression through time. A trance-inducing film about love, friendship, religion and the experience of purpose.

Ronald Wright's bestseller A Short History Of Progress inspired this cinematic requiem to progress-as-usual. Throughout human history, what seemed like progress often backfired. Some of the world's foremost thinkers, activists, financiers and scientists challenge us to overcome 'progress traps,' which destroyed past civilizations and lie treacherously embedded in our own.

在偏远的小镇上，刘向晚曾与张磊共筑爱巢，育有一子名唤刘天天。然而，命运多舛，张磊为追求富贵，毅然决然地离开了这个家，只身前往城市，并最终与豪门千金李墨结为连理。 十年光阴如梭，刘向晚在乡间默默抚养着天天，直到某日，她偶然得知张磊再婚的消息。愤慨之下，她带着天天前往那奢华的宴会厅，欲向张磊讨个说法。 宴会厅内，灯火辉煌，宾客满座。然而，当刘向晚出现在众人面前，揭露张磊的过往时，换来的却是张磊与李墨的冷漠与羞辱。张磊不仅言辞犀利，甚至动手推搡刘向晚，更妄图派人将这对母子绑架，以绝后患。 就在这千钧一发...

This is one of the first Japanese films distributed by ATG, preceded only by Teshigahara's Pitfall (おとし穴). Based on Nogami Yaeko's 1922 novel The Neptune (海神丸), which was in turn loosely based on real life events. It is the story of the ship Kaijin Maru, that is left adrift after losing all means of navigation in a storm, and the four people on it, becoming increasingly desperate as food and water run out. 　　#6 in Kinema Junpo's listing for 1962. Starring Shindo regulars Tonoyama Taiji, Otowa Nobuko and Sato Kei, and scored by the wonderful Hayashi Hikaru.

Filmmaking partners Guillaume Giovanetti and Cagla Zencirci immersed themselves in the magical world of Japanese folklore to create this intricate and delightfully amusing modern-day parable