https://www.filmportal.de/film/die-im-schatten-gehen_a16064936a5648e6a3ff5a27bd7fdc70

https://www.filmportal.de/film/die-im-schatten-gehen_a16064936a5648e6a3ff5a27bd7fdc70

影片在一个超现实的景观中展开，这是一位女性的探索之旅——在充满了神话与神秘的世界中，每一步都开启了一个新的世界。当她穿行于奇迹与觉醒的迷雾中，她遇见了人、爱侣、谜题与反常的疑问，甚至还有一位女神。她逐渐以全新的视角看待一切。

影片在一个超现实的景观中展开，这是一位女性的探索之旅——在充满了神话与神秘的世界中，每一步都开启了一个新的世界。当她穿行于奇迹与觉醒的迷雾中，她遇见了人、爱侣、谜题与反常的疑问，甚至还有一位女神。她逐渐以全新的视角看待一切。

At night, the streets of Harlem are haunted by lost souls. Bodies that drift around in the darkness and bear the weight of the past on their shoulders. The Haitian man Frenchie is one of them, and his accentuated stutter bears witness to exile and years of abuse. But he is more than just that in Khalik Allah's new, hypnotic film opus, which turns the American tradition of social realist street photography into its own art form. Khalik Allah is an impressive photographer, and with Frenchie and the other characters of the streets in front of his lens, he has created his most ambitious film to date. The variation of formats – 8mm, 16mm and video – remind us not only that the images are the product of a process, but also that the depicted story is fragmented and that any unifying narrative must necessarily come from the protagonists themselves. The sound of the voice is consistently separated from the images of the body to which the voice belongs, no matter who is talking: Allah, his girlfriend, his mother, his family, or Frenchie himself. Allah's film is a space we move in rather than a linear progression through time. A trance-inducing film about love, friendship, religion and the experience of purpose.

At night, the streets of Harlem are haunted by lost souls. Bodies that drift around in the darkness and bear the weight of the past on their shoulders. The Haitian man Frenchie is one of them, and his accentuated stutter bears witness to exile and years of abuse. But he is more than just that in Khalik Allah's new, hypnotic film opus, which turns the American tradition of social realist street photography into its own art form. Khalik Allah is an impressive photographer, and with Frenchie and the other characters of the streets in front of his lens, he has created his most ambitious film to date. The variation of formats – 8mm, 16mm and video – remind us not only that the images are the product of a process, but also that the depicted story is fragmented and that any unifying narrative must necessarily come from the protagonists themselves. The sound of the voice is consistently separated from the images of the body to which the voice belongs, no matter who is talking: Allah, his girlfriend, his mother, his family, or Frenchie himself. Allah's film is a space we move in rather than a linear progression through time. A trance-inducing film about love, friendship, religion and the experience of purpose.

一般而言，特拉维夫是世上所有以色列人的娱乐胜地，耶路撒冷才是信仰者前往祈祷的地方。在这部悲剧里，在特拉维夫，主角们在此夜夜笙歌，所有故事围绕着一间由两位感情复杂的女人所经营的酒吧。达莉亚（Gila Almagor ） ，一位生病的制片情妇。 Leora （ Irit Fr ank） ，她的警察男友Benny（Shuli Rand）四处拈花惹草。酒吧成员目前有两位女老板、一群酩酊大醉的士兵， Leora的男友法兰克，Rika（一个精神脆弱的女人，“根据医生指示”，绝对不能落单） ，一位歌手，一些毒贩，和几位阿拉伯厨子。一开始，Benny英雄般从士兵手里救出Rika（ Avital Dicker），然而之后却带着她堕落，悲剧于是酿成。故事越演越烈，两人终将自食恶果…

一般而言，特拉维夫是世上所有以色列人的娱乐胜地，耶路撒冷才是信仰者前往祈祷的地方。在这部悲剧里，在特拉维夫，主角们在此夜夜笙歌，所有故事围绕着一间由两位感情复杂的女人所经营的酒吧。达莉亚（Gila Almagor ） ，一位生病的制片情妇。 Leora （ Irit Fr ank） ，她的警察男友Benny（Shuli Rand）四处拈花惹草。酒吧成员目前有两位女老板、一群酩酊大醉的士兵， Leora的男友法兰克，Rika（一个精神脆弱的女人，“根据医生指示”，绝对不能落单） ，一位歌手，一些毒贩，和几位阿拉伯厨子。一开始，Benny英雄般从士兵手里救出Rika（ Avital Dicker），然而之后却带着她堕落，悲剧于是酿成。故事越演越烈，两人终将自食恶果…

战争结束后过了三年，著名画家小野益次步入老年，他所居住的小镇从战后的废墟逐渐恢复，他在镇上过着安稳的生活。他心爱的女儿和外孙到访，他和熟悉的酒馆老板娘闲谈，他邂逅战前的旧友。就在二女儿开始考虑一门婚事的时候，小野发现了周围人的目光有所转变。他本认为自己是抱着坚强的意志为了国家一直鞠躬尽瘁，为什么现在却非得遭受大家的责难呢？他也渐渐认识到害怕自己曾经的影子是因为自己的软弱…

主人公是著名的初老画家。在从废墟上逐渐看到复兴的街道上，描写了隐居老人乍一看很和平的日常生活。与可爱的孙子的访问，熟识的酒馆的妈妈的闲话，…