本片是捷克新浪潮运动兴起时的一次集体亮相，这些崇尚个性的导演大多数毕业于布拉格电影学校，他们希望打破苏联电影教学模式试图以崭新的影像语言描绘他们所看到的世界，这些题材各异的短片表现了年轻导演对于世界的理解和他们的关注点，这五位导演分别是伊日· 门泽尔（《严密监控的列车》）、维拉 齐蒂洛娃（《雏菊》）、亚罗米尔·伊雷什（《瓦莱莉和她的奇迹一周》）、埃德尔瓦·朔尔姆和扬·涅麦茨。他们以他们的年轻和热情在一个禁忌的年代用最大可能表现了他们的思想和充满先锋、前卫的视觉。

月亮村里，被称为“黑手套”的汝仁和一个怀有着某些秘密的男人太燮再婚住在一起，生活中的重担都落在汝仁一个人身上，偏偏自己那个不争气的儿子也令她充满失意。有一天，汝仁的前夫找上门来，提出要和她重新生活，太燮和前夫发生了争执。 　　这时，村里的未亡人揭开了太燮的真正面目。原来太燮是一名逃逸的杀人犯。公诉的有效期限所剩时日不多了，在汝仁的掩护下太燮开始重新做人…

由黑泽明和小国秀夫导演改编自高尔基的同名戏剧。 一个工匠、一个夜鹰、一个卖糖人、一个花花公子、一个演员、一个小偷、一个朝圣者，以及其他许多生活在江户（现在的东京）末尾的没有阳光的唐楼里的人，与一个不可爱的房东和他的妻子交织在一起，形成了一个干巴巴的生活描写。 该片制作时间短，预算低，这对黑泽明来说是不寻常的。 东宝公司厌倦了漫长的制作周期和巨大的制作成本，让黑泽明亲自制作这部电影。 据说，黑泽明只做了一个露天布景和一个室内布景，经过精心排练，用几台摄像机同时...

在你死后，你会意识到发生在你身体上的事么？越来越多的“生者”意识到了这些。因为在你死后，你身体上越来越多的部分会变得有用。每年数百万人通过移植已逝者的器官而免于死亡，并且遗体的组织器官也被医生当作练习解剖的工具。它创造出人体组织无休止的需求，然而尸体的缺乏刺激了一个有利可图的市场的产生。尸体已经成为了一项大买卖，有一些人会不择手段地在你身体上做手脚。 　　2004年，当资深播音员阿利斯泰尔·库克去世之后，他并不知道他的遗体正在经历一场现代版的“盗墓”传奇。本集地平线系列节目将一探这个令人毛骨悚然的遗体买卖背后的黑幕，这项“蓬勃发展”的产业，到底路在何方。

John Manbridge likes the good things in life, including betting on the horses. With no real means of support, he's taken to forging cheques in his cousin, Felix Manbridge's account. Felix knows what is going on and warns his cousin that should it happen again, he would have no option but to prosecute. In any event, Felix reminds him that with his own current state of ill-health, John will soon inherit everything. John decides to accelerate the process, not realizing that Felix has decided to do the same, with unintended consequences.

Brown Derby waitress Mary Evans befriends seldom-sober director Max Carey and is soon in the big-time. She hooks Eastern millionaire Lonnie Borden, but he soon tires of the Hollywood lifestyle and of playing second fiddle to a star. Carey looks on with interest--when he can see straight.

经过46亿年的锻造，地球蕴藏着无数宝贵的原材料，人类利用这储备着的大量财富 创造了伟大文明，此片详细介绍了地球蕴含的宝藏，给人类提供了丰富的资源，开辟通往未来的大道。

生活在大都会底层的人们忍受着微薄的工资，为了糊口而辛勤出卖劳力，有些人甚至连个睡觉的地方都没有，史特维就是个鲜明例子。他在出狱后从北部的格拉斯哥到伦敦找工作，结果在建筑工地找到了一份临时工。里班米克是个霸道的家伙，工人们得乖乖听命。史特维深感在伦敦讨生活很不容易。一天他在上班途中捡到一个手提袋，因而认识想一圆歌星梦的苏珊，但在现实生活中她是个失业而又喝药的失败者。

生活在大都会底层的人们忍受着微薄的工资，为了糊口而辛勤出卖劳力，有些人甚至连个睡觉的地方都没有，史特维就是个鲜明例子。他在出狱后从北部的格拉斯哥到伦敦找工作，结果在建筑工地找到了一份临时工。里班米克是个霸道的家伙，工人们得乖乖听命。史特维深感在伦敦讨生活很不容易。一天他在上班途中捡到一个手提袋，因而认识想一圆歌星梦的苏珊，但在现实生活中她是个失业而又喝药的失败者。

A sharp, witty, mind-expanding and exuberant foray into the world of logic with computer scientist Professor Dave Cliff. Following in the footsteps of the award-winning 'The Joy of Stats' and its sequel, 'Tails You Win - The Science of Chance', this film takes viewers on a new rollercoaster ride through philosophy, maths, science and technology- all of which, under the bonnet, run on logic. 　　Wielding the same wit and wisdom, animation and gleeful nerdery as its predecessors, this film journeys from Aristotle to Alice in Wonderland, sci-fi to supercomputers to tell the fascinating story of the quest for certainty and the fundamentals of sound reasoning itself. 　　Dave Cliff, professor of computer science and engineering at Bristol University, is no abstract theoretician. 15 years ago he combined logic and a bit of maths to write one of the first computer programs to outperform humans at trading stocks and shares. Giving away the software for free, he says, was not his most logical move... 　　With the help of 25 seven-year-olds, Professor Cliff creates, for the first time ever, a computer made entirely of children, running on nothing but logic. We also meet the world's brainiest whizz-kids, competing at the International Olympiad of Informatics in Brisbane, Australia. 　　'The Joy of Logic' also hails logic's all-time heroes: George Boole who moved logic beyond philosophy to mathematics; Bertrand Russell, who took 360+ pages but heroically proved that 1 + 1 = 2; Kurt Godel, who brought logic to its knees by demonstrating that some truths are unprovable; and Alan Turing, who, with what Cliff calls an 'almost exquisite paradox', was inspired by this huge setback to logic to conceive the computer. 　　Ultimately, the film asks, can humans really stay ahead? Could today's generation of logical computing machines be smarter than us? What does that tell us about our own brains, and just how 'logical' we really are...?