Cordell Walker, a widower and father of two with his own moral code, returns home to Austin after being undercover for two years, only to discover there's harder work to be done at home.

William Walker and his mercenary corps enter Nicaragua in the middle of the 19th century in order to install a new government by a coup d'etat.

Violent father Moo-jin, whose family is everything. Mother So-yeon left because she couldn't stand the violence. Hoon, who loves both his father and mother, is forced to make a choice and leaves, but eventually remains alone and enters his world.

A small-town father is forced to make difficult, heartbreaking decisions in order to save his two daughters.

Carter Page III, a middle-aged gay man in Washington, D. C., is a "walker", a single man who escorts other men's wives to social events so the husbands do not have to. One of the women he escorts, Lynn Lockner, is the wife of a United States senator and is carrying on an affair with a lobbyist. When she finds the lobbyist murdered, she embroils Carter in an investigation that leads to the highest levels of the federal government.

Tito和黑手党有了麻烦，被困在一条黑暗的小巷里，一把枪指着他。在他临终前的几秒钟里，他的世界变成了一个超现实的、关于性和邪恶的心理景观。

Modern-day Texas Ranger, Cordell Walker's independent crime-solving methods have their roots in the rugged traditions of the Old West. Walker's closest friend is former Ranger, C.D. Parker, who retired after a knee injury, and now owns "C.D.'s," a Country/Western saloon/restaurant. Rookie Ranger, James "Jimmy" Trivette is an ex-football player who bases his crime-solving methods on reason and uses computers and cellular phones. Alex Cahill is the Assistant DA who shares a mutual attraction with Walker, but often disagrees with his unorthodox approach to law enforcement.

暂无剧情简介

An experienced member of Texas Rangers, a special police unit, arrives to compete in a pistol shooting tournament, but so does a hitman who's planing to assassinate a US senator who will be among the spectators.

李康生低垂着头颅，身上披着黄色的袈裟，手中托着面包， 提着装有快餐盒的塑料袋子，从楼梯上缓慢地往下迈步，一路走到热闹繁华的大街上。他这种行进的速度近乎于静止，几乎迈动一步都需要整整一分钟的时间。这里是亚洲节奏颇快的香港街头，熙熙攘攘的国际大都市，人们行色匆匆，在这商业化和现代化的社会疲于奔命。因此他在这里的出现，显得格外的引人注目和另类，街上某些人甚至停下来对他指指点点，或讥笑，或白眼，但他始终不为所动，完全沉浸在自己的世界之中。从白天到夜晚，从街上到车站、天桥，他始终以这种缓慢得令常人无法忍受的速度前进和咀嚼食物 。《行者》是蔡明亮执导的首部首部微电影纪录片。2012年，优酷网与香港国际电影节合作推出的“大师微电影”，邀请蔡明亮、许鞍华、金泰勇、顾长卫四位知名导演，各自制作一部短片。蔡明亮执导的纪录片《行者》是其中之一的作品。该片在25分钟的片长中全无对白，行者一人贯穿整个故事。蔡明亮之所以使用这种表现手法，是为了借这个机会试图以香港人的角度，让香港人看看正在流逝的香港 。《行者》给观众带来的是一种迥异于人们日常感知的时间经验。作为非功用的时间、无用的时间、缓慢的节奏给观众带来了一种超越主体性视野和再现逻辑的震颤经验， 激发了人们对这部短片的影像及其背后所蕴含的政治性的思考。在该片中苦行僧的缓慢与香港街头行人们的速度相对比而愈加凸显，这代表着两种时间。前者是属于苦行僧个人的时间模态，不以追求某种生活目的为己任，所以是非功用的。后者则是被商业社会的逻辑所支配的时间模态，因为蝇营狗苟、忙忙碌碌不外乎是受到某种目的论的支配，而在其幕后发挥着作用的却是资本 。 （廖鸿飞评）