一个布鲁克林失败的作家弥敦道·费舍尔到佛罗里达州看望父母，却发现母亲有阿尔茨海默病，而他的父亲最近中风了。根据导演同名剧本改编，父母间的深爱令人感动。

The first film of the 21st century to win a place in the Library of Congress – having been deemed by the National Film Registry to be a flagship example of American film heritage – is also a spectral archive boasting a singular aesthetic. An archaeologist of cinema offers up a symphonic work here, a rhythmic composition made up of film strips in early or advanced states of degradation, where signs of decay on the celluloid become elements of a narrative that encompasses the entire history of the cinematic experience and substitutes the precision of film historiography with the ecstasy of the ephemeral. It is a cyclical work – like the dance of the dervishes in the shots that open and close the film, like a reel spinning steadily inside a movie projector, like the human experience of time itself. And as the first bona fide contemporary masterwork of the new millennium, built upon the resplendent forgotten ruins of the past, it convinced even Kenneth Anger to call it the most compelling and disturbing thing he had ever seen, and forced the documentary filmmaker Errol Morris to concede it was the greatest film in history. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1308/15230

The first film of the 21st century to win a place in the Library of Congress – having been deemed by the National Film Registry to be a flagship example of American film heritage – is also a spectral archive boasting a singular aesthetic. An archaeologist of cinema offers up a symphonic work here, a rhythmic composition made up of film strips in early or advanced states of degradation, where signs of decay on the celluloid become elements of a narrative that encompasses the entire history of the cinematic experience and substitutes the precision of film historiography with the ecstasy of the ephemeral. It is a cyclical work – like the dance of the dervishes in the shots that open and close the film, like a reel spinning steadily inside a movie projector, like the human experience of time itself. And as the first bona fide contemporary masterwork of the new millennium, built upon the resplendent forgotten ruins of the past, it convinced even Kenneth Anger to call it the most compelling and disturbing thing he had ever seen, and forced the documentary filmmaker Errol Morris to concede it was the greatest film in history. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1308/15230

优渥的三人中产家庭，晚餐都在沉默对峙中度过。操场上一次伤人事故，涂伟把受伤同学严硕带进自己的家。神秘、寡言、上进，自少丧母兼遭父虐待的少年，渐成家中常客，更得父母欢心。在原生家庭的权力三角被打破，每人在寻找新平衡点时，压抑情感、落空欲望与隐藏秘密暗被释放，家的意涵须重新定义。影片入围柏林面面观及圣丹斯电影节，新锐导演林见捷首作借悬疑类型片的外壳，将二孩政策对现代家庭的影响置于显微镜下，以敏锐目光细看人际关系的变形。

优渥的三人中产家庭，晚餐都在沉默对峙中度过。操场上一次伤人事故，涂伟把受伤同学严硕带进自己的家。神秘、寡言、上进，自少丧母还遭父虐待的少年，逐渐成为家中常客，更得父母欢心。原生家庭的权力三角被打破，每人在寻找新平衡点时，压抑的情感、落空的欲望与隐藏的秘密被暗暗释放，家的含义须重新定义。

讲述了十几岁的诺拉和她极具魅力的父亲克林特一起住在面包车里长大，两个游牧民族对抗世界的故事。当悲剧发生时，诺拉必须独自面对人生的现实，她需要学会掌控自己的悲伤、她的过去和她的新目的地。

讲述了十几岁的诺拉和她极具魅力的父亲克林特一起住在面包车里长大，两个游牧民族对抗世界的故事。当悲剧发生时，诺拉必须独自面对人生的现实，她需要学会掌控自己的悲伤、她的过去和她的新目的地。

萱萱是一个演员，她的梦想是在一个电影角色里真正活一次。她与男友凉炘在天台排练新剧本里的一场戏：女人费尽心思从“过去”穿越到“现在”，是为了拯救女儿莎莎。男人一开始完全不相信，却在最终选择了相信。影片结尾，女人递给他一片短时失忆药片，并告诉他，如果他不吃下这枚药片，以后她们再次相遇的时候，就不会从怦然心动开始，时空就会错乱。男人吃下了药，感叹女人能穿梭于“现在”与“过去”之间，而自己只能禁锢在眼前的当下的这一秒钟里。 　　男友凉炘在陪萱萱的一次排练中，假装吃下药倒地，在倒地的一瞬间，他仿佛回到了与女友萱萱最开始相遇的地方。