This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. 　　I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). 　　Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).

This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. 　　I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). 　　Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).

一位女赛车手海伦突然被前夫邀请去一所豪宅，事实上事情并没有那么简单

一位女赛车手海伦突然被前夫邀请去一所豪宅，事实上事情并没有那么简单

在疫期独白剧Beat the Devil之后，英国著名演员拉尔夫·费因斯（Ralph Fiennes）与编剧大卫·黑尔（David Hare），塔桥剧院艺术总监、导演尼古拉斯·希特纳（Nicholas Hytner）再度携手，献上新剧《直线偏执狂》（Straight Line Crazy）。 　　该剧围绕上世纪纽约赫赫有名的城市规划者罗伯特·摩西（Robert Moses）的故事展开。在上世纪，他曾是最能左右纽约面貌的人，他的遗产永远改变了这个城市。在长达40年的时间里，摩西决意改善纽约工人的生活环境，创建了公园、桥梁和627英里的高速公路，将人们与伟大的户外活动联系起来。同时通过富有个人魅力的演说，将自己坚定的信念源源不断地传递出去。但当这一切遭遇群情激奋的抵制时，摩西是否会意识到，他们对应该建造什么样的城市有着非常不同的设想。

在疫期独白剧Beat the Devil之后，英国著名演员拉尔夫·费因斯（Ralph Fiennes）与编剧大卫·黑尔（David Hare），塔桥剧院艺术总监、导演尼古拉斯·希特纳（Nicholas Hytner）再度携手，献上新剧《直线偏执狂》（Straight Line Crazy）。 　　该剧围绕上世纪纽约赫赫有名的城市规划者罗伯特·摩西（Robert Moses）的故事展开。在上世纪，他曾是最能左右纽约面貌的人，他的遗产永远改变了这个城市。在长达40年的时间里，摩西决意改善纽约工人的生活环境，创建了公园、桥梁和627英里的高速公路，将人们与伟大的户外活动联系起来。同时通过富有个人魅力的演说，将自己坚定的信念源源不断地传递出去。但当这一切遭遇群情激奋的抵制时，摩西是否会意识到，他们对应该建造什么样的城市有着非常不同的设想。

海城医药集团豪门千金顾宁逃婚后远嫁北城寒门医学生孟斐然。婚后孟斐然出轨医院副院长的女儿沈薇薇，并逼迫顾宁离婚。顾宁看清孟斐然的真面目后回归顾家，以集团总监的身份重回北城，揭露孟斐然与沈薇薇婚内出轨和医疗事故的真相，最后孟斐然等人入狱，顾宁主动打胎离婚，开启新生活。

林阳和女友杨薇薇青梅竹马从小在孤儿院长大。成年后，孤儿院院长过世，除了留下一面铜镜外，还将孤儿院的地皮和房产全都留给了林阳。结果因为杨薇薇的嫌贫爱富，联合和奸夫陈天浩，利用林阳对杨薇薇的信任拿走了本属于林阳的孤儿院地皮和房产。

林阳和女友杨薇薇青梅竹马从小在孤儿院长大。成年后，孤儿院院长过世，除了留下一面铜镜外，还将孤儿院的地皮和房产全都留给了林阳。结果因为杨薇薇的嫌贫爱富，联合和奸夫陈天浩，利用林阳对杨薇薇的信任拿走了本属于林阳的孤儿院地皮和房产。

本剧根据同名漫画改编，讲述了在公司里对谁都爱答不理的相马（曾野舜太 饰），却唯独对前辈琴里（箭内梦菜 饰）打开了心扉。这份特殊的感情，源于一个寒冷的雨天——相马冻得瑟瑟发抖，热心的琴里贴心地给予温暖。自此，怕冷还傲娇的年下工科男，开始对恋爱反应迟钝的“照顾型”前辈进行专属宠爱。