Enzo returns to Genoa after a lengthy absence. He crosses the city in search of places he remembers from before but they have been inexorably changed by passing time. He finds Mary waiting for him at the small house in the ghetto of the old city. His life-long companion, she has been waiting for Enzo to return from the prison where he was serving time. 　　“I didn’t know Genoa well before making the film. My only memories of the city were stories that my father used to tell me. He was a sailor from southern Italy and he would make port calls there. Throughout his entire youth Genoa was his ideal city. He would always tell me how beautiful it was, about the places where he would eat tripe and about the sky. I saw a different Genoa that is full of blind alleys, where – like most of the cities in the North – the social fabric is disappearing and memory is impressed in the stones of Sottoripa. I tried to show the present situation around me, while the nostalgia for the twentieth century is represented by archive footage, clips from amateur and professional movies, made by the people of Genoa a long time ago.”

Enzo returns to Genoa after a lengthy absence. He crosses the city in search of places he remembers from before but they have been inexorably changed by passing time. He finds Mary waiting for him at the small house in the ghetto of the old city. His life-long companion, she has been waiting for Enzo to return from the prison where he was serving time. 　　“I didn’t know Genoa well before making the film. My only memories of the city were stories that my father used to tell me. He was a sailor from southern Italy and he would make port calls there. Throughout his entire youth Genoa was his ideal city. He would always tell me how beautiful it was, about the places where he would eat tripe and about the sky. I saw a different Genoa that is full of blind alleys, where – like most of the cities in the North – the social fabric is disappearing and memory is impressed in the stones of Sottoripa. I tried to show the present situation around me, while the nostalgia for the twentieth century is represented by archive footage, clips from amateur and professional movies, made by the people of Genoa a long time ago.”

R.D. Womack II's patiently paced thriller has been hailed, "as thrilling as it is beautiful" - Brian Corsetti, HollyScoop. Follow Lester; a privileged underachiever who awakes to find himself kidnapped and stranded in a snowbound cabin. Along with Viviana, another captive, the two must survive the brutal onslaught of winter and outsmart their kidnapper; a sniper calling himself "Wolf". With a blizzard bearing down on them the pair embarks on a deadly game of survival. Will the pair find a way through the winter storm to freedom, or will the mountain become their icy grave?

在成为母亲以及兄弟去世后，索菲亚回到村庄与父亲加布里埃尔重聚。父亲身患重病，因25年前接种法西斯政府的惩罚性疫苗的影响而濒临死亡。原因是，由于气候危机和人口过剩，该法西斯政府强制推行了独生子女政策，判处所有生育超过一个孩子的人程序性死亡。但加布里埃尔别无选择：他第一个孩子的疾病使他生下了索菲亚，作为唯一的希望。

少女与继父不伦的情感，妻子对丈夫疯狂的依恋。丈夫在仕途疲累的奔波一圈套一圈。影片在心理悬疑的营造上暗流涌动，一度想起"无辜的人"。

我是霸总小说里的白月光初恋。因为受不了男主的掌控，果断分手出国留学。他为了让我后悔，找了个和我截然相反的女生谈恋爱。拥抱、热吻，在他的授意下，被人源源不断地传给我。回国后，他故意让我看到他和女主亲热。挑衅道：味道比你好多了。我脱下外套披到衣衫不整的女主身上，平静地看着他。只会这种下三滥的手段吗。。。

故事发生在遥远的未来时代，日本财政陷入了巨大的危机之中，就在国家即将崩溃之时，一个名为“Sovereign Wealth Fund”的金融机构出现，成功的挽救了摇摇欲坠的日本。尽管经济危机得到了缓解，但城市却因长久以来的缺乏管理而陷入了混乱，失业率、自杀率和犯罪率急速上升。余贺公麿的母亲早逝，父亲亦不知所踪，在舅母的抚养下长大成人的他就读于经济学部。家庭温暖的缺失让公麿十分渴望能够拥有一个稳定的家，某一日，他在银行中遇见了一位神秘的男子真坂木，男子以公麿的未来作为抵押，借给了公麿大量金钱，公麿就此进入了异空间“金融街”，在那里，有许多和他一样失去了未来的人们，靠着战斗来实现各自的梦想。

故事发生在遥远的未来时代，日本财政陷入了巨大的危机之中，就在国家即将崩溃之时，一个名为“Sovereign Wealth Fund”的金融机构出现，成功的挽救了摇摇欲坠的日本。尽管经济危机得到了缓解，但城市却因长久以来的缺乏管理而陷入了混乱，失业率、自杀率和犯罪率急速上升。 　　余贺公麿（内山昂辉 配音）的母亲早逝，父亲亦不知所踪，在舅母的抚养下长大成人的他就读于经济学部。家庭温暖的缺失让公麿十分渴望能够拥有一个稳定的家，某一日，他在银行中遇见了一位神秘的男子真坂木（樱井孝宏 配音），男子以公麿的未来作为抵押，借给了公麿大量金钱，公麿就此进入了异空间“金融街”，在那里，有许多和他一样失去了未来的人们，靠着战斗来实现各自的梦想。

查尔斯·丹斯、卢克·崔德威、大卫·莫瑞瑟将主演ITV新剧《新加坡掌控》(The Singapore Grip，暂译)，[赎罪]编剧克里斯托弗·汉普顿操刀剧。剧集根据雅各·法瑞尔同名书籍改编，故事讲述在第二次世界大战日本侵略时期，居住在新加坡的一家英国人的生活。

查尔斯·丹斯、卢克·崔德威、大卫·莫瑞瑟将主演ITV新剧《新加坡掌控》(The Singapore Grip，暂译)，[赎罪]编剧克里斯托弗·汉普顿操刀剧。剧集根据雅各·法瑞尔同名书籍改编，故事讲述在第二次世界大战日本侵略时期，居住在新加坡的一家英国人的生活。