Based on one of the most important and popular works of Portuguese literature, Doomed Love was recently revealed to North American audiences as one of de Oliveira’s greatest works. Closely following Camilo Castelo Branco’s eponymous novel from 1862, de Oliveira creates a radical and unprecedented fusion of theatre, literature and cinema, which, according to Jonathan Rosenbaum, is rivaled only by von Stroheim’s Greed. In this doleful tale of forbidden passion, the doomed love of the title belongs to Teresa Albuquerque and Simão Botelho, whose feuding aristocratic families pave the way for a deadly ménage- à-trois when another woman steps in to take Teresa’s place. De Oliveira credits Straub-Huillet’s Chronicle of Anna Magdalena Bach as one of the major influences on the film, which is told through a bold series of tableaux vivants. Like the other works in his “Tetralogy,” Doomed Love makes great use of omniscient narration and a host of distancing effects (static camera, lack of close-ups), “paring things down to the unspectacular, so that when something dramatic does flare up . . . the result is tremendous” (Elliott Stein). The film was originally shot on 16mm and made for Portuguese TV where it unsurprisingly floundered and was subjected to scorn. But its mythic status grew and when a 35mm blow-up was theatrically released some time later, this film maudit was hailed as a European masterpiece, ensuring that de Oliveira was “recognized as one of the great modern filmmakers” (Randal Johnson). No cinephile can afford to miss this date with Doomed Love. (Cinematheque Ontario)

Based on one of the most important and popular works of Portuguese literature, Doomed Love was recently revealed to North American audiences as one of de Oliveira’s greatest works. Closely following Camilo Castelo Branco’s eponymous novel from 1862, de Oliveira creates a radical and unprecedented fusion of theatre, literature and cinema, which, according to Jonathan Rosenbaum, is rivaled only by von Stroheim’s Greed. In this doleful tale of forbidden passion, the doomed love of the title belongs to Teresa Albuquerque and Simão Botelho, whose feuding aristocratic families pave the way for a deadly ménage- à-trois when another woman steps in to take Teresa’s place. De Oliveira credits Straub-Huillet’s Chronicle of Anna Magdalena Bach as one of the major influences on the film, which is told through a bold series of tableaux vivants. Like the other works in his “Tetralogy,” Doomed Love makes great use of omniscient narration and a host of distancing effects (static camera, lack of close-ups), “paring things down to the unspectacular, so that when something dramatic does flare up . . . the result is tremendous” (Elliott Stein). The film was originally shot on 16mm and made for Portuguese TV where it unsurprisingly floundered and was subjected to scorn. But its mythic status grew and when a 35mm blow-up was theatrically released some time later, this film maudit was hailed as a European masterpiece, ensuring that de Oliveira was “recognized as one of the great modern filmmakers” (Randal Johnson). No cinephile can afford to miss this date with Doomed Love. (Cinematheque Ontario)

六年前，怀孕的李若男（蔡亘宴 饰）、陈立东（林敬伦 饰）和陈振原（温庆禹 饰）秉着破除迷信的态度进入了陈家村，据说那里供奉着不可冒犯的神明。陈立东和陈振原因为传入了祭坛所在的禁地而招致了灭顶之灾，李若男虽然逃过一死，精神却受到了极大的冲击。 　　此事过后，李若男生下了一个女儿，因为怕触犯禁忌，李若男将女儿寄养在孤儿院中。之后，李若男一直接受着心理治疗，一晃眼就是六年过去。当李若男觉得一切都已经平息之后，她将女儿陈乐瞳（黄歆庭 饰）接回了自己身边，哪知道女儿刚到家没多久，家中便屡屡出现可怕的异像，年幼的陈乐瞳似乎和曾经陈家村所供奉的神明有着千丝万缕的联系。

若男和朋友组成影像团队，六年前闯入邪教仪式中的禁地，触怒了沉睡的邪灵，所有人接二连三离奇死于非命。本片改编自发生在高雄的真实事件，当时一家六…

夏日午后，刚子与嫂子在河边发现死鱼及异常水迹，追踪时遭遇巨大黑影攻击。随后家中牲畜接连惨死，留下水迹与勒痕，奶奶警告是河中生物报复。三人联合猎人王叔追踪，发现实为罕见大鲵。设陷阱捕获后，本欲杀之，奶奶劝解因果，最终将其放归深山，风波平息。

小伙山中射伤黑乌鸦，夺走窝中宝玉，被禁忌野兽盯上家中诡事频发！阿亮在深山偶然捡到一块神秘古玉后，一家陷入诡异诅咒的故事。自得到这块布满爪痕的玉开始，乌鸦成群结队、日夜纠缠，家中怪事频发：死鸡、噩梦、药中被下毒等。

小亮与小芳在一次山林狩猎中，他们违背祖训射杀了带崽的母狐，从此家中怪事频发猎物离奇失踪牲畜惨遭残害黑影夜半袭扰村中老人警示他们触怒了山灵，兄妹俩在恐惧与愧疚中踏上追踪真相之路。随着调查深入，他们发现所有线索都指向一个神秘黑影。

Fah ( Chanikarn Tangkabodee ) 是 Satrikurat 学校 12 年级的学生，该学校是该国最负盛名的教育机构之一。该学校以其严格的学术标准而闻名，这往往导致学生过分关注成绩和考试结果。Fah也不例外。有一天，一名优等生在压力下突然爆发，刺伤了一名老师，造成严重伤害。虽然学校将此归因于学业压力，但 Fah 怀疑情况不止于此，似乎她的世界正在慢慢显露出隐藏的裂缝。 　　当更多的奇怪事件发生时，这些异常现象似乎与一位名叫Arjin（ Metawin Opas-iamkajorn 饰）的神秘新老师有关。乍一看，他显得有些困惑和笨拙，但他身上有一种东西让 Fah 着迷。她对这些谜团的深入参与使她走向了一个比她想象的更加危险的世界。她一直认为这个世界只是想象中的虚构，但她开始意识到，只要有足够的信念，它可能就会成为现实。

以实验电影闻名海外各大电影节的知名导演辉旭（朴智勋 饰），为了拍摄以舞蹈为主题的新作品，将与新人演员诗映（金允慧 饰）、彩允（宋伊才 饰）一起在废弃学校的屋顶上进行拍摄。以破格、粗暴的舞蹈动作开始进行拍摄后，演员和制作人们被一股神秘力量吞噬，拍摄现场瞬间陷入惨不忍赌的情况。「活尸苏醒了！」面对不该醒来的存在，他们的命运将会如何……

电台主持人卓镇涛（戴立忍 饰）极富才气，他主持的情感心理节目深受广大听众喜爱。他还有一个令人羡慕的家庭，妻子（梁静 饰）贤良持家，长女晓艺是T台的新星，儿子晓柏（翟文斌 饰）是有名的造型师，小女晓芊更是清新可人，伹随着妻子在水族馆的不幸遇害，这个美满的家庭发生了巨大变化。警方确认为他杀，而卓镇涛因忙于工作疏于家庭从而背上了很大的心理包袱。三个孩子为两任妻子所生，而两任妻子全都死于非命。晓艺把责任一鼓脑推给爸爸，虽说同父异母的孩孒们相处融洽，但作为心理专家的卓镇涛确实难辞其究。随着又一桩诡异事件的发生，真相即将浮出水面......