《摩擦和拖拽》是斯嘉丽与《攻壳机动队》的导演鲁伯特·桑德斯再次合作的项目，斯嘉丽也参与了制片。影片根据真人真事改编，她原本要饰演的主人公琼·玛丽·吉尔是一个跨性别者，以男性身份和姓名丹特·泰克斯·吉尔活跃于上世纪七十年代的匹兹堡非法按摩行业。

斯嘉丽约翰逊已经退出女主一角。

A remarkable and brilliant documentary, with superb photographs of nature in a beautiful landscape. Arne Sucksdorff is a swedish director important in the post-World War II revival of the Swedish cinema because of his internationally acclaimed sensitivity in photographing nature. His patiently photographed flowers, insects, birds, and animals are composed into films in which the rhythm of nature is dominant and man is only one of nature's creatures. 　　Sucksdorff studied natural sciences and then turned to painting at the Reihmann Art School in Berlin, but his main interest was photography. After his first short film, Augustirapsodi (1939), won national awards, he was offered a contract by Svensk Filmindustri (1939–1953), Sweden's leading studio. 　　Sucksdorff's early shorts were marked by the love of nature that had been traditionally characteristic of the finest Swedish silent films. Outstanding among them were: Trut (1944 "The Gull"), an account of a Baltic seabird community with the gull as the villain; Skuggor over snon (1945 "Shadows over the Snow"), about a bear hunt through the forest; Manniskor i stad (1946 "The Rhythm of the City"), won the Academy Award for best short subject; En kloven varld (1948 "A Divided World"); Uppbrott (1948 "The Open Road"), and Vinden och floden (1950 "The Wind and the River"), filmed in India. 　　Sucksdorff wrote, directed, edited, and produced his first feature-length film, Det stora aventyret (1953 "The Great Adventure"), the story of life on a Swedish farm, using no professional actors. It further enhanced his reputation, as did such later features as En djungelsaga (1957 "The Flute and the Arrow"), Pojken i tradet (1961 "The Boy in the Tree"), and Mitt hem ar Copacabana (1965 "My Home Is Copacabana").

A ten-minute study of wild animal life in a Swedish forest; stoat, fox, hare, and owl, who stalk and savage one another, are photographed with extraordinary vividness and intimacy. It is perhaps the most striking of Sucksdorff's animal studies, in spite of an abrupt introduction and ending.

拉斯冯提尔《白痴》的制作纪录片

拉斯冯提尔《白痴》的制作纪录片

王丽娟有两个儿子，在一场地震中，小儿子和丈夫丧生。王丽娟悲痛之余，仍全心全力的抚养大儿子。本以为大儿子结婚后自己能苦尽甘来，过上含饴弄孙的好日子，却没想到大儿子不仅给自己买了意外险，还设局要谋害自己。

王丽娟有两个儿子，在一场地震中，小儿子和丈夫丧生。王丽娟悲痛之余，仍全心全力的抚养大儿子。本以为大儿子结婚后自己能苦尽甘来，过上含饴弄孙的好日子，却没想到大儿子不仅给自己买了意外险，还设局要谋害自己。

天才程序员林岩因拒绝无效加班被王经理裁退，实则一切尽在他掌控之中。离职后公司系统接连瘫痪，在实习生李薇薇协助下，他远程指导化解危机，并揭露了王经理与刘副总的商业间谍行为。重返公司后，林岩发现幕后黑手竟是看似温和的张总。他设下陷阱，最终让张总侵吞公司资产的阴谋败露。结局中，林岩拒绝高位邀请，与李薇薇携手创业，真正掌握了属于自己的未来。故事展现了职场博弈、技术正义与个人价值的觉醒。

乡村里，王桂兰为腿有残疾的儿子春生求媒人张婶说亲，张婶提议换亲 —— 让春生妹春桃嫁梅英憨傻的儿子大柱，梅英女石榴嫁春生，梅英与王桂兰同意。春桃本与志刚相恋，盼其进城挣钱归来，却收到志刚诀别信，还见定情信物被退。她想进城找志刚，被王桂兰关柴房，后被迫与大柱成婚。婚后春桃多次逃跑被抓、遭梅英打骂，梅英还下药让大柱与春桃圆房。春桃遇志刚好友二牛，约定同进城，却发现怀孕。梅英态度转变照料她，可春桃临产时大出血去世，孩子也夭折。大柱绝望自杀，梅英疯癫。这场换亲悲剧，揭露了封建礼教与强迫婚姻对女性的摧残。