A couple on the roads of Provence. Nils is driving Flora to his parents for the first time when they get ambushed. Whilst she’s made prisoner, he flees. During a night in the pinewood, she has to face her doubts.

A couple on the roads of Provence. Nils is driving Flora to his parents for the first time when they get ambushed. Whilst she’s made prisoner, he flees. During a night in the pinewood, she has to face her doubts.

马格兰有着令人羡慕的生活，在她第二次怀孕，快当母亲的时间里，一切都在悄悄发生着变化。生完孩子后，马格兰的情绪日益失去控制，甚至出现了自杀倾向，大夫告诉马格兰的丈夫，她可能患了精神分裂症。为了减轻痛苦，马格兰开始转向镇定药和酒精……

马格兰有着令人羡慕的生活，在她第二次怀孕，快当母亲的时间里，一切都在悄悄发生着变化。生完孩子后，马格兰的情绪日益失去控制，甚至出现了自杀倾向，大夫告诉马格兰的丈夫，她可能患了精神分裂症。为了减轻痛苦，马格兰开始转向镇定药和酒精……

After 23 years on Death Row, a convicted murderer petitions the court for his execution. As he tells his story directly to camera, you gradually realise that nothing is quite as clear-cut as it at first seemed. The Fear of 13 is a stylistically daring experiment in storytelling – in effect a one-man play. Part monologue, part confessional and part performance, the film is illustrated with hyper-stylised imagery contextualising a narrative as compelling as any crime drama and features a final, shocking twist that casts his life in a new light. The protagonist carries the film with his charisma and literary turn of phrase recounting his experiences on the wrong side of the law, but David Sington’s film is more than an account of one man’s incarceration; it is both a damning indictment of the US penal system and an emotional meditation on the redemptive power of love and literature.

After 23 years on Death Row, a convicted murderer petitions the court for his execution. As he tells his story directly to camera, you gradually realise that nothing is quite as clear-cut as it at first seemed. The Fear of 13 is a stylistically daring experiment in storytelling – in effect a one-man play. Part monologue, part confessional and part performance, the film is illustrated with hyper-stylised imagery contextualising a narrative as compelling as any crime drama and features a final, shocking twist that casts his life in a new light. The protagonist carries the film with his charisma and literary turn of phrase recounting his experiences on the wrong side of the law, but David Sington’s film is more than an account of one man’s incarceration; it is both a damning indictment of the US penal system and an emotional meditation on the redemptive power of love and literature.

莫莉和汤姆认为他们死去的儿子并不平静，于是请一位媒体联系。但是，当他们邀请一个复仇的恶魔越过，这对夫妇必须寻求一个耻辱的牧师的帮助，试图一个危险的驱魔。

两个人的命运，一个来自未来，一个来自过去，交织在一起，因为恶意病毒在第4级传播，一个数字游戏体验模糊了梦想和现实。

Luo Luo’s intense fear of Covid-19 keeps her in the house during the pandemic. She listens to her father relate their family history, and spends time on Zoom with fellow Folk Memory Project members Wu Wenguang and Zhang Mengqi.