Enzo returns to Genoa after a lengthy absence. He crosses the city in search of places he remembers from before but they have been inexorably changed by passing time. He finds Mary waiting for him at the small house in the ghetto of the old city. His life-long companion, she has been waiting for Enzo to return from the prison where he was serving time. 　　“I didn’t know Genoa well before making the film. My only memories of the city were stories that my father used to tell me. He was a sailor from southern Italy and he would make port calls there. Throughout his entire youth Genoa was his ideal city. He would always tell me how beautiful it was, about the places where he would eat tripe and about the sky. I saw a different Genoa that is full of blind alleys, where – like most of the cities in the North – the social fabric is disappearing and memory is impressed in the stones of Sottoripa. I tried to show the present situation around me, while the nostalgia for the twentieth century is represented by archive footage, clips from amateur and professional movies, made by the people of Genoa a long time ago.”

Enzo returns to Genoa after a lengthy absence. He crosses the city in search of places he remembers from before but they have been inexorably changed by passing time. He finds Mary waiting for him at the small house in the ghetto of the old city. His life-long companion, she has been waiting for Enzo to return from the prison where he was serving time. 　　“I didn’t know Genoa well before making the film. My only memories of the city were stories that my father used to tell me. He was a sailor from southern Italy and he would make port calls there. Throughout his entire youth Genoa was his ideal city. He would always tell me how beautiful it was, about the places where he would eat tripe and about the sky. I saw a different Genoa that is full of blind alleys, where – like most of the cities in the North – the social fabric is disappearing and memory is impressed in the stones of Sottoripa. I tried to show the present situation around me, while the nostalgia for the twentieth century is represented by archive footage, clips from amateur and professional movies, made by the people of Genoa a long time ago.”

《带轮子的嘴》通过非正式的友人聊天形式，将时下大众生活热点为主要内容，展开轻松搞笑版的讨论会。 　　四位嘉宾作为大众代表，以各自立场各抒己见。首期节目，经过成员简单的自我介绍后，讨论会正式开始。讨论会议快节奏进行，现场氛围如友人聚会闲聊般轻松自在，针对另一半与异性朋友的关系、情侣是否应该婚前同居等话题展开讨论，嘉宾直言不讳，表达自己观点，观众便能从中了解到大众对相关问题的真实态度。

《带轮子的嘴》通过非正式的友人聊天形式，将时下大众生活热点为主要内容，展开轻松搞笑版的讨论会。 四位嘉宾作为大众代表，以各自立场各抒己见。首期节目，经过成员简单的自我介绍后，讨论会正式开始。讨论会议快节奏进行，现场氛围如友人聚会闲聊般轻松自在，针对另一半与异性朋友的关系、情侣是否应该婚前同居等话题展开讨论，嘉宾直言不讳，表达自己观点，观众便能从中了解到大众对相关问题的真实态度。

暂无剧情简介

暂无剧情简介

带轮子的嘴3回归！

带轮子的嘴3回归！

我是记录女帝言行的史官。可我是个文盲。早朝上群臣争论，女帝没开口。于是我记女帝认为诸位都在放屁敌国来犯，女帝派将军出兵，将军连夜重病不起。于是我记大将军从心眼里瞧不起女帝。大军凯旋，我躲进巷子里卸盔甲，换罗裙。女帝笑眯眯递来一杆毛笔别换了，多帅啊，快点回来编史记这一页，朕要记你姓甚名谁，记像你一样的女子，朕要你们千世流芳。

《无嘴人》（Mute）讲述的是，在世界的某个角落，生活着一群没有嘴巴的人类，他们交流的时候，总是憋红脸也说不出一句话来。无论是发言人演讲，足球裁判吹哨，小朋友吹泡泡，还是参加快乐男生的现场海选，看似简单事情，却让他们如此的困难。 　　无嘴爸爸因此无聊的关掉了电视，无嘴妈妈一而再，再而三的拿掉小朋友嘴边的奶嘴，随手放在切菜的砧板上。然而，这些生活中随意的小细节，却让无嘴小孩用血淋淋的事实，打开了无嘴人类的交流之门。