调香师沈清芜为了给植物人姐姐复仇，刻意去接近权势滔天的贺妄，借助着贺妄的权势，沈清芜完成复仇后悄然消失。贺妄因爱而陷入疯狂，全力追妻。最终沈清芜终于被他的一片深情打动，二人化解误会，甜蜜相拥，开启了新生活。

调香师沈清芜为了给植物人姐姐复仇，刻意去接近权势滔天的贺妄，借助着贺妄的权势，沈清芜完成复仇后悄然消失。贺妄因爱而陷入疯狂，全力追妻。最终沈清芜终于被他的一片深情打动，二人化解误会，甜蜜相拥，开启了新生活。

出版社に勤める美枝子は、同じ会社に勤務する幼なじみの綾子と、アパートの隣同士に住んでいた。綾子は妻子あるルポライターの本間と不倫関係にあり、恋人のいない美枝子は、二人がアパートで体を重ねている間は散歩に出ることにしていた。ある日、会社に本間の妻が現れ、お腹の子供を堕ろしたと言いながら綾子に手を上げた。綾子はバーで知り合った男と、三宅島へ自殺しに行くことを決意する。美枝子は、妻との離婚を決めた本間と二人で、綾子たちの後を追った。だがその三宅島で、美枝子は本間と関係を結んでしまう。自殺未遂を繰り返すが死にきれない綾子が、二人の目の前に姿を現し…。

出版社に勤める美枝子は、同じ会社に勤務する幼なじみの綾子と、アパートの隣同士に住んでいた。綾子は妻子あるルポライターの本間と不倫関係にあり、恋人のいない美枝子は、二人がアパートで体を重ねている間は散歩に出ることにしていた。ある日、会社に本間の妻が現れ、お腹の子供を堕ろしたと言いながら綾子に手を上げた。綾子はバーで知り合った男と、三宅島へ自殺しに行くことを決意する。美枝子は、妻との離婚を決めた本間と二人で、綾子たちの後を追った。だがその三宅島で、美枝子は本間と関係を結んでしまう。自殺未遂を繰り返すが死にきれない綾子が、二人の目の前に姿を現し…。

穿书成甜宠文女主的苏晚晚，本想按着剧情攻略冰山总裁男主，却意外点开了这本小说的读者评论区。 评论区里，读者们怒骂男主虚伪、男二工具人、女配恋爱脑，更心疼被女主连累惨死的反派们。苏晚晚看得心惊肉跳，殊不知她翻书评的举动，竟让书里的反派们集体觉醒记忆。 偏执大佬傅烬年想起自己为女主挡枪的惨死结局，清冷医仙林清寒记起被女主误会下毒的冤屈，就连恶毒女配江若烟，也忆起自己沦为男女主感情催化剂的悲惨命运。

替姐姐嫁给了一个落魄富二代，日子一穷二白，没想到老公其实是厉家掌门人！而自己竟然在三年前救过他一命……

女导演温柔为编剧鱼乐讲述了一个故事，女孩温柔和男朋友小飞如胶似漆的恋爱因为一个事件而改变，故事有多少是真的？有多少是虚构？谁也不知道……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

女主乔思语在婚礼当天亲眼目睹老公出轨小三，她不堪羞辱，当即与渣男离婚，穿着婚纱奔向酒吧，遇到“男模” 顾池。乔思语以为的露水情缘，却是顾池精心编织的情网，自此，她逃他追，她插翅难飞，直到蒙尘的记忆一层层揭开