改编自蓬莱客所著小说《菩珠》。 　　菩珠幼年之时，身为高官的祖父卷入一场朝廷大案入狱，八岁以罪臣家眷的身份被发往边郡充边，历经苦难长大后，家族平反，侥幸被择为太子妃。她极力固宠，终于获得宠爱和地位，然而命运多舛，在她辛辛苦苦做了皇后之后，没两年却遭遇国乱，死于非命。 　　重生的菩珠想要趋吉避凶，抓紧权力，重登后位，不再重蹈覆辙，改变前世的悲惨命运。她费尽心机，想要再次获得前世丈夫太子的欢心，能否如愿？

改编自蓬莱客所著小说《菩珠》。 　　菩珠幼年之时，身为高官的祖父卷入一场朝廷大案入狱，八岁以罪臣家眷的身份被发往边郡充边，历经苦难长大后，家族平反，侥幸被择为太子妃。她极力固宠，终于获得宠爱和地位，然而命运多舛，在她辛辛苦苦做了皇后之后，没两年却遭遇国乱，死于非命。 　　重生的菩珠想要趋吉避凶，抓紧权力，重登后位，不再重蹈覆辙，改变前世的悲惨命运。她费尽心机，想要再次获得前世丈夫太子的欢心，能否如愿？

北宋，皇亲葛彪驰马撞倒王老先生，王与之评理，葛彪令其弟将王打死。王母及三个儿子要葛彪偿命，葛彪蛮不讲理，被王氏三兄弟打死。葛三带领衙役将王氏三兄弟锁往县衙门。县令和葛父共同审理此案，他们不顾天理国法，将王氏三兄弟判成死罪。开封府尹包拯路过本县，王母状告葛家，包拯受理此案。但由于葛家势大，无人敢出来作证。包拯问王氏三兄弟是谁杀死了葛彪，三人争担罪名。包拯只得判王大为葛彪偿命，王母不肯；改判王二，王母也不肯；改判王三，王母应允。包拯怀疑王三不是王母所生，逼王母讲出实情，王母无奈，只好讲出王大、王二是王老先生前妻之子，王三是自己所生。包拯深受感动，决定再详查此案。深夜，包拯梦到三只小蝴蝶被风吹到蜘蛛网上，其中，两只挣脱，最小的一只被网缠住，大蝴蝶只得带领两只小蝴蝶飞去。包拯将最小的蝴蝶从蜘蛛网上救下，于是四只蝴蝶感恩拜谢后飞去。包拯醒来，惊奇自己的梦境恰似王母舍亲生。他经过周密的调查，终于弄清了案情，遂将王三释放，将葛三处以极刑。

天律司仙官夜行之、花燃为查功德失窃案一同下凡，结识了因凶手行凶而家破人亡的凡人女子桑迎春，并令其充当卧底潜入凶手组织。几番同生共死后，夜行之与桑迎春互生情愫，桑迎春却被花燃之父一剑穿心。夜行之用半身仙力助桑迎春重入轮回，却意外导致她与花燃两情相悦，更发现她因心智不全沦为恶人帮凶。夜行之试图把桑迎春带离黑暗，桑迎春却在记忆复苏后为了赎罪与恶人同归于尽，因此功德圆满成仙。为保护桑迎春，夜行之立誓要肃清羡天污浊，却在深入追查后惊觉幕后黑手竟是好友花燃。昔日同盟交战，两败俱伤之际发现彼此皆为他人称霸天下的棋子，于是二人摒弃旧怨携手抗敌，花燃以魂飞魄散为代价换取胜利，夜行之桑迎春终成眷侣。

天律司仙官夜行之、花燃为查功德失窃案一同下凡，结识了因凶手行凶而家破人亡的凡人女子桑迎春，并令其充当卧底潜入凶手组织。几番同生共死后，夜行之与桑迎春互生情愫，桑迎春却被花燃之父一剑穿心。夜行之用半身仙力助桑迎春重入轮回，却意外导致她与花燃两情相悦，更发现她因心智不全沦为恶人帮凶。夜行之试图把桑迎春带离黑暗，桑迎春却在记忆复苏后为了赎罪与恶人同归于尽，因此功德圆满成仙。为保护桑迎春，夜行之立誓要肃清羡天污浊，却在深入追查后惊觉幕后黑手竟是好友花燃。昔日同盟交战，两败俱伤之际发现彼此皆为他人称霸天下的棋子，于是二人摒弃旧怨携手抗敌，花燃以魂飞魄散为代价换取胜利，夜行之桑迎春终成眷侣。

明代，皇家选秀。富户俞仁嫌婿张少莲家贫，逼其退婚，令女应选。女素秋与母计议，取玉钏一对，命丫环鸾英送一只去张家，以为迎娶之资。张友韩臣冒名进府，骗奸素秋。恰逢江海入室盗窃，杀死俞母和鸾英，劫走另一玉钏。少莲蒙冤入狱，素秋方知被骗失身，遂羞愤自尽。江海售卖玉钏于街巷，偶遇韩臣之妹玉姐，闻知韩亦有玉钏一只，乘机窃得，却被公差擒获。御史陈智审理积案，发现疑点，乃传唤韩臣。玉姐随兄上堂，实言佐证，令真相大白。玉姐爱慕少莲，自荐为妻。陈智撮合，二人成婚。

王伯儒无故被小皇亲葛彪打死，其三个儿子为父报仇打死葛彪，中牟县令判三子抵偿，包拯重审改判王家一子抵命，孟氏舍弃亲生之子王三留下前房两个儿子。包拯深为孟氏行为感动，以盗马贼代替王三行刑，使王家母子团聚。

王伯儒无故被小皇亲葛彪打死，其三个儿子为父报仇打死葛彪，中牟县令判三子抵偿，包拯重审改判王家一子抵命，孟氏舍弃亲生之子王三留下前房两个儿子。包拯深为孟氏行为感动，以盗马贼代替王三行刑，使王家母子团聚。

刘青云在本片一人分饰个性不同的孪生兄弟也算是一大挑战。故事描述日式速食大王林摘迟，计划在结婚周年纪念日亲手杀害刁蛮任性的妻子艾丽丝，以求跟情妇双宿双飞。不料正准备动手之际，却接到绑匪电话，原来艾丽丝已遭绑架，并要求巨额赎金。林摘迟趁机拖延时间，希望能借刀杀人。没想到绑匪竟是他的孪生弟弟，而且个性憨直善良，跟他完全相反，因而产生意想不到的误会。全片虽以绑架和谋杀为题材，却全无血腥暴力，导演陈建德只是尽量利用喜剧处境来制造轻松惹笑的趣味。

Critic Leonard Maltin describes "Three On A Match" as a "hard hitting example of forbidden Hollywood". That it is, no happy endings here, as this depression era film follows the rise and fall of childhood friends who get caught up in the seamy underworld of booze, drugs and gambling, ultimately trading places along the way. 　　The three friends are Mary Keaton Bernard (Joan Blondell), Vivian Revere Kirkwood (Ann Dvorak) and Ruth Wescott (Bette Davis), shown growing up between 1919 and 1932 as a montage of newspaper headlines place the story in a historical context. Blondell's character is a reform school standout, whose life experience puts her in a position to counsel a depressed and "fed up with everything" Vivian. Viv takes up with small time hood Mike Loftus (Lyle Talbot) after disappearing with her young son from a cruise ship. Loftus ingratiates himself with mobster Harve (Humphrey Bogart in a minor role) and his boss Ace (Edward Arnold) by going into debt for two grand. The desperate creep attempts to blackmail the boy's father, wealthy lawyer Robert Kirkwood (Warren William), but that plan heads south as the cops quickly close in. Vivian's resolution is one of the more depressing finales to a tale that realistically depicts a pair of unfortunate souls whose lives spiral completely out of control. 　　The film does have it's share of light moments; one of the newspaper clippings describes the new fashion trend in beachwear, a "brief" sun suit, ably modeled by Bette Davis. In stark contrast, Mr. Kirkwood's attire of choice is a business suit and tie while sitting under a beach umbrella, hard to work up a good tan that way. Davis' screen time is limited but effective, with a sit up and take notice scene where she's shown wearing just a slip early in the film, rather daring for the era and showing more skin than one might expect. 　　Warner Brothers/First National masterfully portrayed the down and out, seamy underside of life during the 1930's, '40's and '50's, tackling all manner of subjects in their movies. "Three On A Match" tells it's tale without a wasted moment, sometimes relying on scenes that only last a few seconds to move the story along. It's hard edged and no nonsense, all the more provocative for it's mature subject matter and realistic portrayals; highly recommended.