2008年11月當時的海協會會長陳雲林訪台，那場被稱為「紅色戒嚴」的風暴，震懾了台灣社會，隨著時間流逝，這幅集體記憶的圖像在大眾心中逐漸模糊遺忘。然而，仍有一群人不懈的透過司法訴訟、公民教育、社會運動來抵抗民主倒退，爭取公民不服從的權利！ 　　在此之前，陳育青導演才剛拍了一部人權宣導短片，讚許台灣的人權進步，沒想到自己卻成了被公權力不當侵害的主角。於是她開始紀錄了歷經五年的「我控訴」行動，這部影片就是她紀錄自己這段荒謬的人生經歷：一位媽媽牽著女兒的手，一起思索什麼是自由？邀請您一起來聽，這是一場怎樣的小蝦米與大鯨魚的不公社會現象。

该剧将讲述历史上第一位女导演【爱丽丝·盖伊】与她的丈夫【赫伯特·布兰奇】的爱情悲剧

日本大多数中学和高中都对学生的发型和着装有着强制性的规定。本片以视觉指南的形式介绍了部分发型规定。

Becky和Sandra并不是最好的朋友。Sandra是一家快餐店的经理，而Becky是一个希望得到收银员工作的年轻女孩。一个忙碌的日子，一个警察来电，指控Becky从一个顾客那里偷了钱，但是Becky强烈的否认。Sandra以她作为经理的责任感，遵从警察的指使拘留了Becky。这个选择开始演变成一场噩梦，悲剧模糊了合法性和理智，私权和谨慎之间的界限。

Nineteen-year old Leon returns home to take care of his alcoholic mother and adjust to life as an adult after an adolescence spent in and out of foster care. Frustrated by his lack of an education and his bleak financial prospects, Leon finds solace in the boxing ring. He soon meets the rebellious and beautiful Twiggy, who is squatting in abandoned houses to escape her family’s unfeeling affluence. As rumblings of riots begin in the streets and police and protesters engulf his neighborhood, Leon must decide whether to join his friends and fight or seek a new life with Twiggy.

The documentary follows "the life and work of artist Shepard Fairey, going deep into the world of street art and its role in politics and pop culture. Obey Giant follows Fairey's rise from his roots in punk rock and skateboarding, to his role as one of the most well-known and influential street artists in the world - through his iconic Obama "HOPE" poster and the controversy that surrounds it."

911后伊斯兰移民在美国的遭遇

北京文投出品电视剧《公民》由高希希执导，展现了溥仪作为公民身份的生活，冯绍峰主演。

Ramu passe ses journées à chercher du travail. Soutenu par sa petite amie Uma, il rêve de construire une petite maison, loin des conditions médiocres dans lesquelles il vit avec sa famille. 　　Le film est sorti en 1977, après la mort de Ritwik Ghatak.

An elliptical look at a young man’s homecoming, emerging LA filmmaker Dwayne LeBlanc’s Civic idles in the in-between. Framed entirely within the confines of a car’s interior, LeBlanc’s richly textured short is built on small gestures, sporadic interruptions, and long pauses between belly laughs, all told beneath the soft rumble of traffic. Missed phone calls and muffled voices come and go as Booker (Barrington Darius) reconnects with friends and family, telling a subtle story of displacement and the enduring desire for recognition in South Central Los Angeles. 　　 　　The first of a trilogy of shorts investigating migration, Civic is concerned with what casual interactions and ordinary habits say about our circumstances, rather than any kind of clearly defined dramatic tension. After a lengthy absence, Booker floats through the familiar side streets and freeways of LA with fresh eyes. Along the way, he’s met with mixed reactions from those who’ve stayed. Some call him a “big shot” for leaving, others tease him for having the same haircut and music taste. A flag of Dominica hangs from his rearview mirror, which together with a few half-thoughts and unfinished phrases, hints at a previous generation’s parallel journey from home.