1928年，伊文思第一次赴巴黎，试图探讨摄影机的表现可能性，并在那里拍摄了一部4分钟的短片《对运动的研究》。 　　Images of mostly traffic in Paris, a.o. seen from the appartment of Germaine Krull or shot while walking through the city with her. Here already the influence of the Russina avant-garde films can be seen clearly, e.g. when looking at the diagonal frame compositions.

1928年，伊文思第一次赴巴黎，试图探讨摄影机的表现可能性，并在那里拍摄了一部4分钟的短片《对运动的研究》。 　　Images of mostly traffic in Paris, a.o. seen from the appartment of Germaine Krull or shot while walking through the city with her. Here already the influence of the Russina avant-garde films can be seen clearly, e.g. when looking at the diagonal frame compositions.

秋千　　本来姓朴却偏爱金姓的大韩执意将自己的姓改为金氏。大韩和自己唯一一个好朋友民国合称“傻瓜组合”，两个人各打三份工，努力地生活着。对于大韩来说，他唯一的心愿就是和孩童时代出现在他和民国身边，那个如天使般美好可爱的女子智恩结为伉俪。为了深爱的女子，大韩可以痴情地等在智恩美容院门口的横行道上许久，雷打不动。大韩是那种为了真爱不计一切代价的超级浪漫傻瓜。 　　原来喜欢吃海带的民国一直深信自己的好友大韩比自己聪明，于是也跟着他一起吃他喜欢的紫菜，并放弃自己“海带民国”的称号，把自己的姓氏也改为金姓。民国狂打三份工，仍感到这世上有趣的事情众多，往往是昨天想做飞行员，今天想当出租汽车司机，明天又盼着做拳击手，可谓是一个超级野心傻瓜。民国十分依赖那个连炸酱面为何比原汤面要便宜500元都了若指掌的死党大韩，只要是大韩做的事情，民国一定跟着效仿。成天跟在别人身边东施效颦难免很累，但民国无怨无悔，并时常感到无比幸福。 　　一天，大韩到智恩的美容店理发，正好赶上一个顾客是军人。智恩无意中一句：“男人只有进过军队才堪称真正的男人！军人才是最理想的新郎官！”深深触动了大韩的内心。为了成为真正的男人，进而荣升智恩的新郎，大韩决心入伍。第二天，大韩抛下民国，毅然来到距离小镇最近的部队。然而，由于学历未达标，大韩被撵了出来。好友民国鼓励受挫的大韩，并陪着他一起刻苦学习，力求通过检核考试。最后，大韩和民国这对活宝能够如愿以偿吗？

秋千　　本来姓朴却偏爱金姓的大韩执意将自己的姓改为金氏。大韩和自己唯一一个好朋友民国合称“傻瓜组合”，两个人各打三份工，努力地生活着。对于大韩来说，他唯一的心愿就是和孩童时代出现在他和民国身边，那个如天使般美好可爱的女子智恩结为伉俪。为了深爱的女子，大韩可以痴情地等在智恩美容院门口的横行道上许久，雷打不动。大韩是那种为了真爱不计一切代价的超级浪漫傻瓜。 　　原来喜欢吃海带的民国一直深信自己的好友大韩比自己聪明，于是也跟着他一起吃他喜欢的紫菜，并放弃自己“海带民国”的称号，把自己的姓氏也改为金姓。民国狂打三份工，仍感到这世上有趣的事情众多，往往是昨天想做飞行员，今天想当出租汽车司机，明天又盼着做拳击手，可谓是一个超级野心傻瓜。民国十分依赖那个连炸酱面为何比原汤面要便宜500元都了若指掌的死党大韩，只要是大韩做的事情，民国一定跟着效仿。成天跟在别人身边东施效颦难免很累，但民国无怨无悔，并时常感到无比幸福。 　　一天，大韩到智恩的美容店理发，正好赶上一个顾客是军人。智恩无意中一句：“男人只有进过军队才堪称真正的男人！军人才是最理想的新郎官！”深深触动了大韩的内心。为了成为真正的男人，进而荣升智恩的新郎，大韩决心入伍。第二天，大韩抛下民国，毅然来到距离小镇最近的部队。然而，由于学历未达标，大韩被撵了出来。好友民国鼓励受挫的大韩，并陪着他一起刻苦学习，力求通过检核考试。最后，大韩和民国这对活宝能够如愿以偿吗？

A definitive history of surfing in Australia, Bombora tells the story of Australian beach culture through our surfing champions, writers, pioneers, entrepreneurs, mavericks, legends, drop-outs, and drop-ins. 　　The two-part series follows the rise of surfing and its culture in Australia, using archival footage and classic Australian music to illustrate its growing importance in Australian society in the 20th century and beyond. From the time we learned to bodysurf, to our first attempts on boards, to Duke Kahanamoku’s 1914 visit which kicked off surfing’s roll to popularity, Australians have taken the surf and made it our own, spawning international legends such as Midget Farrelly, Nat Young and seven-time world champion Layne Beachley, along with global surfwear brands. 　　Set against a changing world, Bombora follows the history of surfing from its maverick early days, through three significant wars and a depression, the development of surf clubs and the ensuing battles between lifesavers and surfers, the sea-change seeking drug culture of the 1970s and its shift to a cleaner, more professional sport in the late 1980s. 　　Bombora interviews a rich seam of Australian characters, including our first surf champion Isabel Letham, author and surfer Tim Winton, legendary surfboard shaper Bob McTavish, accidental entrepreneur and Rip Curl founder Doug Warbrick and former world champion surfers Barton Lynch and Wayne ‘Rabbit’ Bartholomew. It looks at the rise of women surfers, such as Layne Beachley, and the explosion of Australian labels including Billabong, Rip Curl, and Quiksilver, which helped to cement Australia’s position as a global force in international surfing.

A definitive history of surfing in Australia, Bombora tells the story of Australian beach culture through our surfing champions, writers, pioneers, entrepreneurs, mavericks, legends, drop-outs, and drop-ins. 　　The two-part series follows the rise of surfing and its culture in Australia, using archival footage and classic Australian music to illustrate its growing importance in Australian society in the 20th century and beyond. From the time we learned to bodysurf, to our first attempts on boards, to Duke Kahanamoku’s 1914 visit which kicked off surfing’s roll to popularity, Australians have taken the surf and made it our own, spawning international legends such as Midget Farrelly, Nat Young and seven-time world champion Layne Beachley, along with global surfwear brands. 　　Set against a changing world, Bombora follows the history of surfing from its maverick early days, through three significant wars and a depression, the development of surf clubs and the ensuing battles between lifesavers and surfers, the sea-change seeking drug culture of the 1970s and its shift to a cleaner, more professional sport in the late 1980s. 　　Bombora interviews a rich seam of Australian characters, including our first surf champion Isabel Letham, author and surfer Tim Winton, legendary surfboard shaper Bob McTavish, accidental entrepreneur and Rip Curl founder Doug Warbrick and former world champion surfers Barton Lynch and Wayne ‘Rabbit’ Bartholomew. It looks at the rise of women surfers, such as Layne Beachley, and the explosion of Australian labels including Billabong, Rip Curl, and Quiksilver, which helped to cement Australia’s position as a global force in international surfing.

Former leaders of the "pray the gay away" movement contend with the aftermath unleashed by their actions, while a survivor seeks healing and acceptance from more than a decade of trauma.

Former leaders of the "pray the gay away" movement contend with the aftermath unleashed by their actions, while a survivor seeks healing and acceptance from more than a decade of trauma.

1949年之后，解放区和国统区的两股文艺力量汇合，如何将中国文艺界统一到为新政权服务的大旗下？1950年，电影《武训传》提供了这种契机，它点燃了文艺为谁服务的问题，在这个问题的拷问下，一批作家作品遭到批判改造，命运被改写。

1949年之后，解放区和国统区的两股文艺力量汇合，如何将中国文艺界统一到为新政权服务的大旗下？1950年，电影《武训传》提供了这种契机，它点燃了文艺为谁服务的问题，在这个问题的拷问下，一批作家作品遭到批判改造，命运被改写。