改编自巴西批判现实主义小说家拉莫斯的名著，由新浪潮导演Leon Hirszman执导，是70年代巴西新电影运动中最激进的作品之一，但无疑也是一部难得的杰作。影片获柏林电影节新电影论坛国际奖及多项巴西国家电影奖。Hirszman拍完此片后被迫流亡智利。 　　The most provocative Novo film of the 1970s, São Bernardo (1972), directed by Leon Hirszman (who died of AIDS at 49, in 1987), is based on a novel by Graciliano Ramos, author of Barren Lives, and was released at a time when Brazilian porno films were beginning to flood the market. Shot with a lean visual style that recalls Bresson, São Bernardo is an absorbing morality play about cutthroat capitalism whose protagonist, a brutal plantation owner, had come to power through force and murder, like the military rulers of Brazil. After its release, the director lived abroad for several years. 　　The story of Paulo Honório, a poor kid who becomes a rich farmer. Obsessed by his desire to get even richer, he doesn't pay much attention to his wife, Madalena, a teacher who reacts against his tyrannical ways. Based on the great brazilian realism writer Graciliano Ramos' novel. 　　Leon Hirszman (1938-1987) is one of Brazil's best-known film directors. Mr. Hirszman directed the 1967 film "Garota de Ipanema" ("The Girl From Ipanema"), which he once described as "my only film made to make money." 　　Born in Rio de Janeiro on Nov. 22, 1937, Mr. Hirszman left Brazil in 1974 at a time of increasing political repression, to live in Chile for two years. Mr. Hirszman won an award at the Venice Film Festival in 1981 with his film "Eles Nao Usam Black Tie" ("They Don't Wear Black Tie"). The film was chosen as "best picture of the year" in Brazil and Mr. Hirszman was also named as best director. 　　His first major film, "A Falecida" ("The Deceased"), won a special jury award at the International Film Festival of Rio de Janeiro in 1965. In 1970, he directed "Sao Bernardo," which is considered a classic in Brazil. His last film, "Imagens do Inconsciente" ("Images of the Unconscious") is to be released in Brazil in November.

改编自巴西批判现实主义小说家拉莫斯的名著，由新浪潮导演Leon Hirszman执导，是70年代巴西新电影运动中最激进的作品之一，但无疑也是一部难得的杰作。影片获柏林电影节新电影论坛国际奖及多项巴西国家电影奖。Hirszman拍完此片后被迫流亡智利。 　　The most provocative Novo film of the 1970s, São Bernardo (1972), directed by Leon Hirszman (who died of AIDS at 49, in 1987), is based on a novel by Graciliano Ramos, author of Barren Lives, and was released at a time when Brazilian porno films were beginning to flood the market. Shot with a lean visual style that recalls Bresson, São Bernardo is an absorbing morality play about cutthroat capitalism whose protagonist, a brutal plantation owner, had come to power through force and murder, like the military rulers of Brazil. After its release, the director lived abroad for several years. 　　The story of Paulo Honório, a poor kid who becomes a rich farmer. Obsessed by his desire to get even richer, he doesn't pay much attention to his wife, Madalena, a teacher who reacts against his tyrannical ways. Based on the great brazilian realism writer Graciliano Ramos' novel. 　　Leon Hirszman (1938-1987) is one of Brazil's best-known film directors. Mr. Hirszman directed the 1967 film "Garota de Ipanema" ("The Girl From Ipanema"), which he once described as "my only film made to make money." 　　Born in Rio de Janeiro on Nov. 22, 1937, Mr. Hirszman left Brazil in 1974 at a time of increasing political repression, to live in Chile for two years. Mr. Hirszman won an award at the Venice Film Festival in 1981 with his film "Eles Nao Usam Black Tie" ("They Don't Wear Black Tie"). The film was chosen as "best picture of the year" in Brazil and Mr. Hirszman was also named as best director. 　　His first major film, "A Falecida" ("The Deceased"), won a special jury award at the International Film Festival of Rio de Janeiro in 1965. In 1970, he directed "Sao Bernardo," which is considered a classic in Brazil. His last film, "Imagens do Inconsciente" ("Images of the Unconscious") is to be released in Brazil in November.

年轻且企图心旺盛的纽约恋爱顾问Lucy（达科塔·约翰逊 Dakota Johnson 饰）发现自己在完美的另一半（佩德罗·帕斯卡 Pedro Pascal 饰）和不完美的前任（克里斯·埃文斯 Chris Evans 饰）之间犹豫不决。

年轻且企图心旺盛的纽约恋爱顾问Lucy（达科塔·约翰逊 Dakota Johnson 饰）发现自己在完美的另一半（佩德罗·帕斯卡 Pedro Pascal 饰）和不完美的前任（克里斯·埃文斯 Chris Evans 饰）之间犹豫不决。

讲述人类文明因疫情爆发而衰落的一年半之后，一位前联邦调查局特工(梅耶斯)被迫保护一名对这种疾病免疫的年轻女性，避免由一个精神病患者(马尔科维奇)带领的危险团伙追捕她，这个心理变态者认为他将利用她来拯救世界。

讲述人类文明因疫情爆发而衰落的一年半之后，一位前联邦调查局特工(梅耶斯)被迫保护一名对这种疾病免疫的年轻女性，避免由一个精神病患者(马尔科维奇)带领的危险团伙追捕她，这个心理变态者认为他将利用她来拯救世界。

A gay man living in a genetically modified society is given the chance to alter his sexuality. He must weigh his loving relationship, his dignity and his survival in this short film about the origins of sexuality.

Star Film 183

Star Film 183

云起http://www.mtime.com/my/gmzyq/　　六年前，有七个青年人在学校里结下了深厚的友谊，他们相处得非常愉快而且融洽。在学校里，他们是备受瞩目的一群帅哥美女，但是没有什么能破坏他们的友谊。　　六年后，这群朋友中的两个即将举行婚礼，莱拉是即将步入婚姻殿堂的新娘，她和自己的准丈夫汤姆正在忙于准备自己豪华但是甜蜜的婚礼。为莱拉做伴娘的是她当年的室友劳拉，她们在念书的时候认识，是彼此大学中最好的朋友－－这两个女孩在大学里同时爱上过汤姆，最重要的是，劳拉直到现在也无法释怀于自己对汤姆的情感。而且，劳拉也是前来参加婚礼的朋友中间唯一一个至今还保持单身的人。　　本来是热闹而且亲切的婚礼和好朋友的相见，但是因为情感的“陈年旧账”，莱拉精心策划的婚礼险些成为“战场”。