瑞典电影先锋维多舍斯特伦第八部作品，原着爲尼斯克奥的舞台剧。编导藉本片表现他们对现实社会的关切之情，笔触尖锐有力。在二十世纪初期，瑞典有一条“贫民法桉"，其中有一个法律漏洞可以让投机者从贫穷的寡妇身边买走她的子女。本片的拍摄主旨是批出这个可怕的惨剧，让观衆对这个有失公正的制度有所反省。影片开始时，英厄堡·霍尔姆是一个快乐的太太，她丈夫是个成功的小店东，他们有三个年幼子女，家庭生活幸福。不料霍尔姆先生突然因心髒病发去世，霍尔姆太太面对债务无法偿还，遂被政府送入贫民营中，她的子女亦一个一个被逼走。后来，她逃出贫民营去探望生病的女儿，但被人发现，再次被送回贫民营。霍尔姆太太因优伤过度而头发全白，还精神恍惚地抱着一条围巾当女儿。最后，她终于被逼得发疯了。本片像别的瑞典片一样，大部分以外景拍摄。导演处理感情场面十分出色，表现出悲天悯人的情怀，堪称是影史上最早的“社会写实片"代表作。

瑞典电影先锋维多舍斯特伦第八部作品，原着爲尼斯克奥的舞台剧。编导藉本片表现他们对现实社会的关切之情，笔触尖锐有力。在二十世纪初期，瑞典有一条“贫民法桉"，其中有一个法律漏洞可以让投机者从贫穷的寡妇身边买走她的子女。本片的拍摄主旨是批出这个可怕的惨剧，让观衆对这个有失公正的制度有所反省。影片开始时，英厄堡·霍尔姆是一个快乐的太太，她丈夫是个成功的小店东，他们有三个年幼子女，家庭生活幸福。不料霍尔姆先生突然因心髒病发去世，霍尔姆太太面对债务无法偿还，遂被政府送入贫民营中，她的子女亦一个一个被逼走。后来，她逃出贫民营去探望生病的女儿，但被人发现，再次被送回贫民营。霍尔姆太太因优伤过度而头发全白，还精神恍惚地抱着一条围巾当女儿。最后，她终于被逼得发疯了。本片像别的瑞典片一样，大部分以外景拍摄。导演处理感情场面十分出色，表现出悲天悯人的情怀，堪称是影史上最早的“社会写实片"代表作。

Very strange, near non-narrative film that pays tribute to a poet's little remembered work and death. 　　I came in on this film by chance not knowing anything about it. The beautiful B&W cinematography stopped me then a ten minute silent scene hooked me. Films like WR;Mysteries of the Orgasm, Closely Watched Trains, Zentropa, early Foreman, even Fellini come to mind while viewing these images of humanity and totalitarian illogic. Anyone who's in the mood for a challenging, 60's style, art film will be very pleased seeing this. It sort of validates the importance of art house cinema and its culture. QUESTION: Can anyone email me with information or insights about the Yugoslav poetry movement? I'd like to learn more about this film and filmmaker. Rarely do you see anything this good on public TV and not have read something about it.

Very strange, near non-narrative film that pays tribute to a poet's little remembered work and death. 　　I came in on this film by chance not knowing anything about it. The beautiful B&W cinematography stopped me then a ten minute silent scene hooked me. Films like WR;Mysteries of the Orgasm, Closely Watched Trains, Zentropa, early Foreman, even Fellini come to mind while viewing these images of humanity and totalitarian illogic. Anyone who's in the mood for a challenging, 60's style, art film will be very pleased seeing this. It sort of validates the importance of art house cinema and its culture. QUESTION: Can anyone email me with information or insights about the Yugoslav poetry movement? I'd like to learn more about this film and filmmaker. Rarely do you see anything this good on public TV and not have read something about it.

Lee Ha-yeon is the wife of the heir to Ilsin Group and she has it all: a fancy penthouse, a luxury car and everything else. Lee Ha-yeon gets discovered poisoned and dead in a hotel room. Investigations take place under secrecy and out of ears from the media. But the case is mysterious. No prints of the murderer is found in the hotel room. There are not signs of broken entry either. If it was suicide, then why did she kill herself? If it was murder, then why would anyone kill her? The people around her are suspects. Lee Ha-yeon had a distant sister named Lee Ha-jeong. She's a reporter of a magazine and she has a camera that's so precious. She gets involved with the investigation to unsolve the mystery to her sister's death. Then the shocking truths uncover...it turns out that Lee Ha-yeon had been having porn chats online. It's shocking to find out that the daughter-in-law of a powerful and wealthy plutocrat family has been doing this. Her porn videos were also going around. Then there are the statements from the men she met online that she'd been sexually involved with them several times. Lee Ha-yeon was a quiet lady during the day but a sexual one at night. However, Ha-jeong reveals everything one by one. She finds out that Jae-gyu had been pressurizing Ha-yeon and there's a dark shadow that's been trying to get rid of her. In the end, Ha-jeong stands in front of the dark shadow but there's nothing to protect her. Only her camera. Ha-jeong has to uncover the truth behind her sister's tragic death and put her own life on the line.

Lee Ha-yeon is the wife of the heir to Ilsin Group and she has it all: a fancy penthouse, a luxury car and everything else. Lee Ha-yeon gets discovered poisoned and dead in a hotel room. Investigations take place under secrecy and out of ears from the media. But the case is mysterious. No prints of the murderer is found in the hotel room. There are not signs of broken entry either. If it was suicide, then why did she kill herself? If it was murder, then why would anyone kill her? The people around her are suspects. Lee Ha-yeon had a distant sister named Lee Ha-jeong. She's a reporter of a magazine and she has a camera that's so precious. She gets involved with the investigation to unsolve the mystery to her sister's death. Then the shocking truths uncover...it turns out that Lee Ha-yeon had been having porn chats online. It's shocking to find out that the daughter-in-law of a powerful and wealthy plutocrat family has been doing this. Her porn videos were also going around. Then there are the statements from the men she met online that she'd been sexually involved with them several times. Lee Ha-yeon was a quiet lady during the day but a sexual one at night. However, Ha-jeong reveals everything one by one. She finds out that Jae-gyu had been pressurizing Ha-yeon and there's a dark shadow that's been trying to get rid of her. In the end, Ha-jeong stands in front of the dark shadow but there's nothing to protect her. Only her camera. Ha-jeong has to uncover the truth behind her sister's tragic death and put her own life on the line.

以解放后的朝鲜京城（现首尔）为背景，围绕一起唯一证据是一节断指的神秘杀人事件，讲述了发生在京城首富和有着神秘过去的司机之间的悬疑惊悚故事。

1947年，京城发生了一起可疑杀人案，唯一的证据为被截断的手指，与案件产生关系的包括京城最大的财阀和将过去全部抹去的身份不明的司机……

意大利恐怖片大师达里欧阿金图，又有新的作品「夺命游戏」（The Card Player）要来挑战宝岛影迷的胆量。片中达里欧将在线扑克游戏变成玩命赌局，如果无法取得胜利，就有一条人命会被牺牲。片子里不时出现逼真骇人的腐烂尸体，使新闻局将之裁定为青少年及儿童不宜观赏的限制级电影。 　　现今7、8年级的观众可能无法想象，在1970年代后半期，达里欧阿金图的作品及一票血腥残酷的意大利恐怖片，曾经在台湾造成轰动，大都创下卖座佳绩。达里欧执导的「坐立不安」（Suspiria）描述一名少女前往德国芭蕾舞学院求学，却在校内碰上一连串恐怖凶杀，芭蕾舞的优雅与谋杀的残忍恰成强烈对比，使这部风格独特的影片在世界各地都被推崇为恐怖片经典之作。 　　由于达里欧阿金图扬名立万，连带让意大利恐怖片受到重视，包括描述殭尸入侵纽约的「生人回避」（Zombie）、伪纪录片－「人食人实录」（Cannibal Holocaust）等都曾引起不少话题。达里欧在1985年启用当年还是新人的珍妮弗康纳莉主演「惊变」（Phe-nomena），除了在日本卖座颇佳外，世界也有不错回响。

意大利恐怖片大师达里欧阿金图，又有新的作品「夺命游戏」（The Card Player）要来挑战宝岛影迷的胆量。片中达里欧将在线扑克游戏变成玩命赌局，如果无法取得胜利，就有一条人命会被牺牲。片子里不时出现逼真骇人的腐烂尸体，使新闻局将之裁定为青少年及儿童不宜观赏的限制级电影。 　　现今7、8年级的观众可能无法想象，在1970年代后半期，达里欧阿金图的作品及一票血腥残酷的意大利恐怖片，曾经在台湾造成轰动，大都创下卖座佳绩。达里欧执导的「坐立不安」（Suspiria）描述一名少女前往德国芭蕾舞学院求学，却在校内碰上一连串恐怖凶杀，芭蕾舞的优雅与谋杀的残忍恰成强烈对比，使这部风格独特的影片在世界各地都被推崇为恐怖片经典之作。 　　由于达里欧阿金图扬名立万，连带让意大利恐怖片受到重视，包括描述殭尸入侵纽约的「生人回避」（Zombie）、伪纪录片－「人食人实录」（Cannibal Holocaust）等都曾引起不少话题。达里欧在1985年启用当年还是新人的珍妮弗康纳莉主演「惊变」（Phe-nomena），除了在日本卖座颇佳外，世界也有不错回响。