The warning labels found on some new microwave ovens may have comedic value (where but in America would users be warned not to put their pet in the device?) but we rarely notice the disclaimers preceding films. In fact, they are even more absurd: one very common one is “This is a work of fiction.” But producers, distributors and cinema owners protect themselves from accusations of offense caused by all sorts of other potential issues, like people of the same sex kissing, special effects, drug use, violence, unsafe behavior, and even cinematic experimentation. 　　The fear of having to pay the price for being misunderstood can be traced back to the very beginnings of film—as proven by these disclaimers from the 1874–2022 period. While the tone of this litany of warnings may be deeply ironic, the feeling gradually creeps up on you that this legal straitjacket could fatally constrict the unique ability of film to imagine the unknown, and to suspend disbelief. 　　源自：https://festival.idfa.nl/en/film/2da17be7-7721-4e2c-bbef-41db06887d96/the-film-you-are-about-to-see/

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.

中国传媒大学2021届（2017级）动画联合创作

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.

中国传媒大学2021届（2017级）动画联合创作

Filip Hammar and Fredrik Wikingsson put the general knowledge of popular celebrities to the test - with a brand new twist.

The story of an old gentleman who had spent his life restoring antiques. As an art connoisseur, he planned to surround himself with old paintings, which he collected deliberately. But his passion for painting was not well understood by his petty bourgeois family, who saw his collection of paintings as nothing more than money uselessly invested. And they are looking forward to selling off their inheritance...

In this compelling story of a daring conman, Leo Hopkins (Hugh Laurie) prospers from the greed of others - but his undeniable charm and willingness to take risks plunge him into a mess of troubles and worry. Addicted to gambling, seduced by his secretary and threatened by his corrupt boss, his life spirals downward and Leo must find a way to straighten himself out before he loses everything. Written by cmwinn1227

In this compelling story of a daring conman, Leo Hopkins (Hugh Laurie) prospers from the greed of others - but his undeniable charm and willingness to take risks plunge him into a mess of troubles and worry. Addicted to gambling, seduced by his secretary and threatened by his corrupt boss, his life spirals downward and Leo must find a way to straighten himself out before he loses everything. Written by cmwinn1227

The film is centered around Azhaguraja (Karthi), his friend and adviser Kalyanam (Santhanam) who runs a little known TV channel. He falls head over heels for at first sight with Devi Priya (Kajal Aggarwal) daughter of a rich businessman and the rest of the story is how he wins her in the end.