根据侦探小说女王阿加莎·克里斯蒂同名小说改编的影片《畸形屋》在英国正式开拍。导演吉勒·巴盖特-布赫内，主演格伦·克洛斯、吉莲·安德森、克里斯蒂娜·亨德里克斯、马克斯·艾恩斯、斯蒂芬妮·马蒂尼。故事围绕私家侦探查尔斯·海沃德侦破一桩离奇死亡案件展开。影片将于2018年英国上映。

本部饱受争议的离奇影片围绕马戏团里一群畸形人展开。矮人汉斯（哈利厄尔斯 饰）暗自倾心于“正常人”——美貌的秋千表演者克里奥佩特拉（奥尔加巴古拉诺娃饰），同为侏儒人的弗里达（黛西厄尔斯 饰）告诫汉斯，她只是为他的钱财。克里奥佩特拉与“正常人”大力士赫克留斯（道格霍奇森 饰）两人相好，设计让克里奥佩特拉嫁给汉斯得到钱财。婚礼上，克里奥佩特拉大吼在场的人都是“FREAKS”，激怒了所有畸形人。雨夜，畸形人对这两个“正常人”展开了报复。

A woman goes to a back alley abortion clinic, only to have her aborted fetus attack her, her boyfriend, and everyone else at the clinic

本部饱受争议的离奇影片围绕马戏团里一群畸形人展开。矮人汉斯（哈利厄尔斯 饰）暗自倾心于“正常人”——美貌的秋千表演者克里奥佩特拉（奥尔加巴古拉诺娃饰），同为侏儒人的弗里达（黛西厄尔斯 饰）告诫汉斯，她只是为他的钱财。克里奥佩特拉与“正常人”大力士赫克留斯（道格霍奇森 饰）两人相好，设计让克里奥佩特拉嫁给汉斯得到钱财。婚礼上，克里奥佩特拉大吼在场的人都是“FREAKS”，激怒了所有畸形人。雨夜，畸形人对这两个“正常人”展开了报复。

故事讲述在马戏团工作的女子因目睹男友被班主谋杀，自己也牵连其中，无辜受害。其后，女子竟死而复生，变身半人半妖的烂面怪物回来报复。

混乱豪门畸形的爱

Fashion is identity for teenage girls and one brand, Brandy Melville, has developed a cult-like following despite its controversial “one size fits all” tagline. Hiding behind its shiny Instagram façade is a shockingly toxic world, a reflection of the global fast fashion industry. Fast fashion isn’t all glitz and glamor – it’s a business that sacrifices humanity and pollutes the planet for the sake of profit. Media stories have exposed some of Brandy Melville’s unsavory practices and that’s why some call it Brandy Hell-Ville. 　　源自：https://schedule.sxsw.com/2024/films/2198565

Fashion is identity for teenage girls and one brand, Brandy Melville, has developed a cult-like following despite its controversial “one size fits all” tagline. Hiding behind its shiny Instagram façade is a shockingly toxic world, a reflection of the global fast fashion industry. Fast fashion isn’t all glitz and glamor – it’s a business that sacrifices humanity and pollutes the planet for the sake of profit. Media stories have exposed some of Brandy Melville’s unsavory practices and that’s why some call it Brandy Hell-Ville. 　　源自：https://schedule.sxsw.com/2024/films/2198565

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.