The series follows an outspoken woman, Chelsea Newman (a character based on the real Chelsea Handler and the show's main protagonist) and her circle of working-class twenty-something friends in New Jersey. Through the narration and observations of the fictional Chelsea, most of the situations were inspirations from Handler's book, which is based on her early career in her twenties.

女主（琪琪）和女二（陈星星）等人正在上课，在这个时，她们收到了一样同样为“封校7天的规则”的陌生人发的消息，就这样她们陷入了一场诡异的规则怪谈风波中。女二携带女主在学校寻找着能逃出去的其他信息，却在其他地方见到了，已经死去的同学。在寻找其它消息时，她们也在不断收到陌生人的奇怪规则消息。随着时间慢慢推移，不正常的人越来越多，而且复活后的死人，似乎在借用某种手段间接杀人。遇到的危机越来越多，她们能否逃脱这场规则怪谈风波呢？让我们拭目以待！

作为一名资深“软饭男”，好吃懒做的李勇长期寄生在妻子青青的生活里——不仅心安理得花着对方的工资，还出轨假白富美，落入对方精心设计的杀猪盘。假白富美百合盯上吴天，不仅频繁送他‘奢侈品’，更主动提出资助他“创业”。李勇白日做梦以为自己遇到真千金，殊不知百合正是跨境杀猪盘团伙的核心成员，她精心设计的“富婆人设”背后，是一整套通过情感操控实施诈骗的成熟套路。待李勇发现真相后已落得妻离子散的境地，他为了追回被骗的钱款假意加大投资引百合和天哥上钩，吴天将2人绑架准备鱼死网破，好在前妻青青带警察前来阻止，才避免软饭男李勇铸成大祸。

A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”

A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”

"上突发停电，有人突然在业主群里发消息： 1444 号住户：十分钟后，大家手机里会收到一条都是规则的短信，大家千万不要违背上面的规则！否则会死！！！ 群里没人相信，纷纷嘲讽他是哪来的神经病。 可是一分钟后他又说： 第一个违反规则的是 1012 号，她会在房间里自爆而死，血顺着楼梯一直流到八楼。 我心里一惊。 我就在 1012 号啊。"

我本在山上修仙好好的，没想到被时空卷入了一场规则怪谈，原以为是游戏，没想到真会死人啊！

规则怪谈突然席卷全球，各国天选者只要失败，就会招来灾难！危急时刻，满级天师马天临危受命，被系统强制传送，身负亿万人生死与国运，首战“深夜蜡像馆”！他要怎样才能在诡异规则中撕开一条生路呢？

林宇与同学因神秘补考通知踏入废弃的旧教学楼，却陷入九条真假难辨的规则迷局：禁止开窗、后排空位勿近、真监考老师佩戴银色工牌…… 随着赵强离奇消失、红衣女人诡异监考与神秘地下，逐渐揭开姜媛因校园排挤含恨的过往。为破局，他们冒险完成姜媛的满分试卷，却在逃出旧教学楼后，发现林宇竟是轮回者，其颈间新增的疤痕与旧楼重亮的灯光，暗示这场被诅咒的补考仍在等待下一个入局者……