为记录上海城市发展，迎接2010年世博会，由上海世博土地控股公司与上海电影（集团）公司合作拍摄的大型高清影视文化纪录片《视觉上海》日前摄制完成，总投资超过400万元人民币。 　　《视觉上海》由八位海内外精锐导演拍摄的八部风格迥异的影片组成，每部30分钟。影片力图以开拓的视野，全新的视角，全方位展现上海城市形象，呈现上海的经济发展、文化底蕴和独特的地域环境，让世界了解上海、认识上海、热爱上海。 　　据了解，世博土控公司从2004年开始以摄影、摄像的形式跟踪世博园区大动迁的全过程。2006年初，世博土控公司与上影集团携手，正式签署联合摄制合同，开始了历时两年的合作拍摄。 　　《东滩之羽》 导演：王仲儒 　　长江入海口的崇明岛，有一块静谧的滩涂湿地，年年守护在城市的远方。它在一片喧嚣和忙碌的背后，蕴藏着森林和芦苇丛深的绿肺，一群群自由穿行半个地球的候鸟，享受着一年两次重复往来的安逸生活。波光粼粼，潮涨潮落，大都市的人们翘首以盼，冀望实现与自然相和谐，与绿色共呼吸，接受这来自原生态环境最丰富养料的恩赐，让人类生命之树常绿，让城市生活之林常青。 　　《老城厢》 导演：庄淮 　　浮华上海的中心，曾铭刻着一段旧日的繁荣，七百年的老城厢演绎过一代代云淡风轻般的悲欢离合，纪录过一页页岁月峥嵘的光辉和荣耀。而今，新上海崛起一座现代化大都市，是遗忘还是改变？是离开还是留下？执著坚守这片故土的郭老太和老楼们，依恋之情依旧，生活方式依然，但已身不由己，别无选择。这些老房子，老屋子里的人和故事，老城厢的历史和文化，当我们再次抬眼望去时，注定在瞬间定格成昨天，定格成恒久。 　　《声·呼吸》 导演：林哲乐 　　深蓝色天空，空寂的街道，街灯、立交桥、建筑物组成庞大的点线面，黯淡的色光和朦胧的影调，似乎在等待光明的降临和城市的苏醒。恍惚在记忆深处，往日那连绵不绝的片断和画面显得温暖迷人，来自城市周遭的声音，总是在某个特定的时空，用最细微的敏感触角，唤醒沉睡着的所有人和物。聆听这块繁华土地上的声音，它给我们留存了太多的记忆和呼吸的起伏，在城市的吐纳间，用心触摸，让往事漫过…… 　　《水与桥》 导演：吉绨 　　流传千年的放生传说，在上海的源头古镇生生不息地上演。苏州河上的风吹过，掠起如烟的往事，梦幻般的生活还让人沉醉不已，历史却在外白渡桥边的黄浦江演绎风云变化。永无休止的探索欲望，张扬着城市的无穷魅力，在海的那边，或许又是一片新的天地。而那一座座曾经沧桑的桥，是过往历史与时代的见证，是上海城市成长和发展的象征，更是一个国际化大都市同世界连接的五彩飞虹。 　　《屋顶游戏》 导演：王仲儒 　　把一颗掉落的牙齿扔上屋顶，本不是难事，然而放在我们面前的是，很难让我们看懂，在不经意的瞬间，在他扔牙齿的过程中，突然发现我们的城市变了，变得高楼遍地，摩天大厦鳞次栉比，城市越长越高，城市的建设步伐越迈越快，城市的发展速度越来越猛，飞速得让我们都有点喘不上气来……这，是因为上海日渐国际化了呢，还是因为世界日趋中国化??在拼命赶超姚明的高度和刘翔的速度…… 　　《上海色彩》 导演：王国平 　　在追寻一抹上海的靓丽风景??梦幻飘逸的红丝裙？还是在寻找现代城市的迷人色彩??魔幻变化的万花筒？只见他，穿行过一座座旧厂房，流连上一间间老车间，开始孕育新世纪的艺术梦想，想脱胎换骨，从这里寻觅到一种新时代的创意灵感和发展机遇。是新型的创意园区，是上海的苏荷，带着中国上个世纪的工业文明和遗产上路，快步引领21世纪全球领先的新兴产业、时尚风潮和浪漫的新生活。 　　《今日故乡》 导演：崔明慧 　　八岁离开上海的她，总有一份相思存留故乡，曾经的裁缝店，亲切的小饭店，弄堂深处的红木店，还有吟唱了半个多世纪童谣的小学校……一切历历在目，温暖依然，让她感受到故乡昨日的深情厚意，也看到一座国际化大都市，在城市建设，在经济发展，取得的举世瞩目的辉煌，还看到城市人性化建设、人文关怀上的和谐美满。今天上海，今日中国，如此迅速的发展、令她感慨万千，令世界震惊不已。 　　《白玉兰》 导演：张宁 　　不同国籍、不同文化、不同经历，三个女孩相逢在上海，租借在同一所公寓，很快熟识成为好朋友，也很快一起融入了这座白玉兰盛开的美丽城市，陶醉于大都市的时尚生活，释放着人情的色彩和人性的美感。上海，一座海纳百川、多元文化碰撞融合的城市，已然在慢慢扩张、迅速壮大，让无数的新上海人，同这三个女孩一样，开始构筑她们全新的生命，全新的生活，全新的事业和全新的爱情…… 　　《视觉上海》糅合了纪录、故事、专题等电视片的综合元素，以艺术视角透析城市脉络，把上海的过去、现在与未来交错叠加，展现城市建设与人的生活，城市环境与人的心态行为，城市发展与人面临的机遇、挑战和梦想等，细腻演绎出上海城市变迁背后的故事，展现上海的独特魅力。

刘恭正（段奕宏饰）：民族实业家，在旧上海创造了一个“大世界”的奇迹。但最终还是敌不过命运，在一场繁花梦飘逝之后，妻离子散，家破人亡，只落得两手空空，面对一个爱和恨交织了一辈子的情人韩如冰。刘恭正和韩如冰两人之间既爱又恨、既疏又亲、充满了相惜与相斥、误解与理解、分道扬飙与重修旧好的几十年恩怨情缘。 顾业成（吴秀波饰）：在黑白两道间如鱼得水，既心狠手辣又仗义疏财，既贪赃枉法又盗亦有道，成功地凭借租界这块温床，在几十年的时间里从一个不起眼的小流氓变成了鼎鼎大名威震一方的上海大亨。 佟光夫（赵铮饰）：深受西方金融思想熏陶的佟光夫从开办小银行做起，后来成为国内着名的金融家和国民政（螃蟹）府的财政大员韩如冰（左小青饰）：刘恭正、顾业成、佟光夫三人少年时代的同窗，侠骨柔肠，却又性情乖张的奇女子。因家道中落被后母卖入清和坊书寓，少年时代的刘恭正暗恋如冰却一直没有表白，只是佟光夫和顾业成曾经代为牵线。如冰被离开皇宫的老太监明公公看中，要将她纳为夫人，并要求她代续香火以作赎身的交换。如冰为救刘恭正答应明公公要求，与刘恭正产下一儿一女，但两人终生未成亲。

故事讲述比诺什扮演的法国女作家来到奈良，将与永濑正敏饰演的当地人开始一段跨越文化与语言的故事。

The Story of Looking sees Mark Cousins prepare for surgery to restore his vision. Cousins explores the role that visual experience plays in our individual and collective lives. In a deeply personal meditation on the power of looking in his own life, he guides us through the riches of the visible world, a kaleidoscope of extraordinary imagery across cultures and eras. At a time when we are more assailed by images than ever, he reveals how looking makes us who we are, lying at the heart of human experience, empathy, discovery and thought. He shares the pleasure and pain of seeing the world, in all its complexity and contradiction, with eyes wide open. As the COVID-19 pandemic brings another dramatic shift of perspective, he reaches out to other lookers for their vision from lockdown, and travels to the future to consider how his looking life will continue to develop until the very end.

不适应周围，内心怀有强烈孤独的少年结希杏树，以成为天涯孤独之身为契机离开故乡，去拜访憧憬的艺术家所活跃的东京原宿。在这里，他遇到了视觉系组合“ECLIPSE”和“LOSTEDEN”的演唱会战斗。在被精力充沛的舞台惊呆的时候，突然一阵剧痛向他袭来一一

In Visions of Space, Robert Hughes tackles the work and lives of three remarkable 20th-century architects: Antonio Gaudi, Albert Speer and Mies van der Rohe - whose work did so much to shape the modern world. Hughes looks at how each one used space in different ways to express our response, respectively, to the power of religion (Gaudi), the power of the State (Speer), and the power of the corporation (Mies van der Rohe). 　　Albert Speer: Size Matters 　　In 1979 Robert Hughes met and interviewed Hitler's architect, Albert Speer, for his landmark series, Shock of the New. Speer died shortly afterwards. 　　Twenty-three years later Hughes discovered the long lost tape of that unique conversation and was inspired to travel back to Germany to examine the legacy of a man who was, for a brief period, the most powerful architect in the world. 　　Mies van der Rohe: Less is More 　　This episode features the German architect, Mies van der Rohe, who moved to America and discovered the face of the modern corporate city. In this highly personal account, Hughes follows in Mies' footsteps looking at how an architect who began his career making kitschy, Hansel and Gretel style houses with pointy roofs, little windows and squat floorplans transformed himself into the master of international modernism - the architect of light and space. 　　Mies is the father of the contemporary vogue for loft living - what he was building in the 1920s still looks futuristic now. Similarly, his New York masterpiece the Seagrams Building provided the blueprint for the modern office building - without Mies no major city on Earth would look as it does. 　　But despite his undeniable impact there is something in Mies' work that Hughes finds shockingly neglectful of real human needs. This master builder could spend days working out how to turn a corner with a skilfully placed beam and totally ignore the legitimate wishes and desires of those who used his buildings. 　　Antoni Gaudi: God's Architect 　　Robert Hughes returns to Spain to explore the legacy of Antoni Gaudi, the last great cathedral builder of the 20th century. 　　Gaudi was an intensely Catholic celibate who, despite his austere life, created some of the most sensuous buildings ever known. On his journey through Gaudi's life and work, Hughes (an ex-Catholic himself) explains how a man as religious and conservative as Gaudi could become such an innovative 20th-century giant. 　　About Robert Hughes 　　Robert Hughes' perceptive views of the arts have led him to be one of the most esteemed and widely read art critics writing in English today. He has been awarded The Richard Dimbleby Award, by the Bafta for "the most important personal contribution to factual television" of 1996-97. He is the only art critic to have twice won America's most coveted award for art criticism, the Frank Jewett Mather Award. He has lived in Europe and America since 1964. He has never lost touch with his native country, in recognition of his services to Australian culture, he was elected an Officer in the Order of Australia (his country's highest civilian honor) in 1994.

Lilia是一位航空专家，在顿巴斯的一座监狱被关押几个月后，她终于回到乌克兰的家中与家人团聚。被俘的经历一直困扰着她，并以幻觉的方式出现。一些事情被深深地埋藏在她的心底，让她难以忘记，但她不愿意把自己当成一名受害者，而是想要通过抗争来解放自我。 　　Maksym Nakonechnyi的首部长片通过强有力的视角来审视乌克兰战争的现状，她将镜头特别对准女性，她们正为自由、尊严和未来而战。

Lilia是一位航空专家，在顿巴斯的一座监狱被关押几个月后，她终于回到乌克兰的家中与家人团聚。被俘的经历一直困扰着她，并以幻觉的方式出现。一些事情被深深地埋藏在她的心底，让她难以忘记，但她不愿意把自己当成一名受害者，而是想要通过抗争来解放自我。 　　Maksym Nakonechnyi的首部长片通过强有力的视角来审视乌克兰战争的现状，她将镜头特别对准女性，她们正为自由、尊严和未来而战。