Zaynab, a thirty-something Pakistani, Muslim, lesbian in Chicago takes care of her sweet and TV-obsessed mother. As Zaynab falls for Alma, a bold and very bright Mexican woman, she searches for her identity in life, love and wrestling.

It is based on an actor's journey in front and behind the lens who promises action and an offbeat sense of humor.

It is based on an actor's journey in front and behind the lens who promises action and an offbeat sense of humor.

Victor (15) is dragged by his mother from Paris to Quebec City, to build a new life for themselves, following the death of his father. While skipping class one afternoon, he sees another a student on the ledge.

Godard experimental film with montages combining Sauve qui peut (la vie) and other films by other filmmakers.

故事讲述比诺什扮演的法国女作家来到奈良，将与永濑正敏饰演的当地人开始一段跨越文化与语言的故事。

Hart plans an innovative action film with unscripted, unexpected scenes to cement his legacy as the greatest. However, a blind spot leads him to fall victim to a vengeful plot from his past.

Hart plans an innovative action film with unscripted, unexpected scenes to cement his legacy as the greatest. However, a blind spot leads him to fall victim to a vengeful plot from his past.

墨西哥母亲玛格达勒娜在前往美墨边境寻找失踪儿子的路途中，遇到了不久前被美国驱逐出境的男子米格尔。玛格达勒娜寻子，而米格尔则希望能再见他母亲一面…

In 1991, when images of the Gulf War flooded the international media, it was virtually impossible to distinguish between real pictures and those generated on computer. This loss of bearings was to change forever our way of deciphering what we see. The image is no longer used only as testimony, but also as an indispensable link in a process of production and destruction. This is the central premise of Erkennen und Verfolgen, which continues the deconstruction of claims to visual objectivity 　　In War at a Distance, Farocki returns to themes explored in works such as Images of the World and the Inscription of War, bringing them technologically up to date. The automation of factory production is paralleled with the automation of destruction in warfare, and a new world of machine images is revealed – images not intended for human eyes, but for the visual tracking systems of the digital age. The video traces the history of missile guidance systems from WWII through the present day using visual artifacts of machine guidance systems, as well as training films, missile footage from the Gulf War, and flight and battle simulations. A coolly terrifying glimpse of the future.