为了偿还巨额债务，孤女温念被迫嫁入豪门，冲喜给病重的豪门长子。谁料婚礼当晚新郎猝死，她一夜之间从新娘变寡妇，成为整个家族的笑柄与弃子。正当她被豪门亲戚联手欺压，寸步难行之时，掌管家族核心产业的继子裴砚突然出手，将她收入自己名下，两人表面是上下级，暗中却达成协议，她帮他揪出家族内鬼，他替她解决债务危机。她以为裴砚只是冷面公子，却在一次偶然中惊觉，他竟是她学生时代偷偷暗恋过，埋藏十年的那位学长。

林大学士府长女林语柔与北燕王萧景翳。医术与武艺超群的林语柔，与英勇善战的北燕王萧景翳相知相恋，婚后育有一子萧诺，生活幸福美满，林语柔的庶妹林昕儿因嫉妒，设计陷害姐姐。当北燕王中了罕见的“情丝扣”毒时，林语柔不顾自身安危，以身试毒为他解毒，却因此身染重病1。林昕儿趁机冒领功劳，并诬陷林语柔与他人有染，受毒素影响的北燕王信以为真，对林语柔恨之入骨。直到真相大白，林语柔已生命垂危，仅剩三月时光。北燕王在追悔中陪伴她度过最后的时光，试图弥补过错。

n 1952, London was engulfed in the Great Smog. As a result of industrialisation, a leaden fog settled over the entire city. These archive images from the period become letters from a desolate future. 　　源自：berlinale.de/en/2023/programme/202303378.html

n 1952, London was engulfed in the Great Smog. As a result of industrialisation, a leaden fog settled over the entire city. These archive images from the period become letters from a desolate future. 　　源自：berlinale.de/en/2023/programme/202303378.html

珍妮从亡师手中接过歌剧《莎乐美》导演一职，在保留原剧神髓之余，亦希望加入自己笔触。彩排期间，随着与台前幕后在艺术创作上的矛盾冲突升温，个人情感纠结及童年阴影亦悄然入侵。珍妮在七层纱舞之悲剧中，瞿然发现自己身影，决意还这被蹂躏、被妖魔化女子以人性感温，并拾回创作与人生自主。将刚亲自执导的斯特劳斯歌剧信手移师到电影舞台，伊高扬把王尔德笔下莎乐美的悲剧，层层变奏出现代性别政治下女性复杂的心理写照。

珍妮从亡师手中接过歌剧《莎乐美》导演一职，在保留原剧神髓之余，亦希望加入自己笔触。彩排期间，随着与台前幕后在艺术创作上的矛盾冲突升温，个人情感纠结及童年阴影亦悄然入侵。珍妮在七层纱舞之悲剧中，瞿然发现自己身影，决意还这被蹂躏、被妖魔化女子以人性感温，并拾回创作与人生自主。将刚亲自执导的斯特劳斯歌剧信手移师到电影舞台，伊高扬把王尔德笔下莎乐美的悲剧，层层变奏出现代性别政治下女性复杂的心理写照。

凛虎操控着与前男友有深刻回忆的暴走族卡车，并在运输公司工作。廉太郎被派遣到地方的配送公司，但他始终无法融入现场。然而，有一次在延迟配送的危机中，凛虎拯救了廉太郎。这次事件使两人的关系逐渐拉近，但就在这时，突然消失的恋人祐司回到了凛虎身边……

小白角在危急时刻会变成传说中的神兽独角兽，而它拥有的另一个不可思议的力量是可以使自己身边的人获得幸福，这一点受到了天神的嫉妒，于是派西风将小白角送到一个指定的没有人烟的地方。可是善良的西风不忍心，便带着小白角开始了逃亡的路。这一次小白角遇到了一只蓝色的小妖怪，淘气的小妖怪总是利用自己的那点小法术欺负小白角，可是善良的小白角一点也不生气，它只有一个愿望，就是和小妖怪交朋友。可是小妖怪最后居然提出必须小白角把角送给它才可以交朋友，小白角开始拒绝了，不过到底还是给了小妖怪。后来他们被困在了洪水里，小妖怪把角还给小白角，小白角变成独角兽救了小妖怪，并且说他能变成独角兽是因为得到了小妖怪的友谊。这件事被天神发觉了，又派出晚风来捉小白角，西风又把小白角送到了另一个地方，临走前，小白角变出另一个角戴在了小妖怪头上。在河边小白角遇到了一只被遗弃的猫，这只小猫最大的愿望是变成一个巫女，小白角利用法术把它变成了一个漂亮的女孩，可是，女孩不但没有理解小白角， 小白角 反而有了一系列误会。直到女孩被一个变成王子的恶魔骗进他的城堡，小白角与恶魔进行了一番战斗后，失去了自己的角被打下悬崖。西……

關於玫瑰區go-go dancer的紀錄片: 　　What a wasted opportunity to actually make an interesting film about a complicated subject. There is very little exploration about what it really feels like to be a straight (or gay) man working in a gay sexual environment.The dancers keep talking about their art as if it has no erotic component. They may not all be prostitutes for hire, but they are indeed sex workers playing out fantasies and selling private sessions where more than dancing is offered. From the film one would get the impression that they mainly appeal to the women who go to the gay clubs and then end up hiring the "dancers" for private sessions. Even the shots in the club only show women in front of the stage and the "dancers" only playing to the women in the audience. This just isn't the reality of these clubs. It would be pretty hard to make a living doing private dances for straight women and couples. So what do they really feel about their gay admirers and clients? We learn very little. Instead we get filler. A gay activist who adds nothing to the study of straight dancers. A manager who tells us about the costumes for the drag acts but offers no insight into the dancers' lives and attitudes. 　　The pictures of Mexico City are generic. The phallic montage showing sausages roasting is ridiculous. 　　This is a totally simplistic film which should be of interest only to those who want to see a few pictures of pretty boys dancing. The rest of the movie is an insult to gay men.