東沙島是一個屬於男人之島，因為貝殼珊瑚風化成細砂，堆砌而成國土，一大群男人因而被禁錮在其中。它是一個人人要逃離之島，一個被遺落在南中國海螃蟹的螯，一個雞肋，食之無味，棄之可惜之島。我們常常自以為是，習慣了用某一種方式，來看、來聽、來理解事物；我也犯了相同錯誤，在拍攝這部片子之初。

東沙島是一個屬於男人之島，因為貝殼珊瑚風化成細砂，堆砌而成國土，一大群男人因而被禁錮在其中。它是一個人人要逃離之島，一個被遺落在南中國海螃蟹的螯，一個雞肋，食之無味，棄之可惜之島。我們常常自以為是，習慣了用某一種方式，來看、來聽、來理解事物；我也犯了相同錯誤，在拍攝這部片子之初。

生存是什麼？到底怎樣的生活才叫做活著？ 　　遺世又獨立的島嶼，人和環境共存在潮汐之間，彼此消長又互相扶持。端看一座島嶼的美麗與哀愁，反思當代島嶼的性別權力關係，怎麼活著才叫自由？怎麼樣面對生命的選擇是正確呢？

The movie stars Ayako Wakao. It depicts the emotional turmoil of a woman caught between two kinds of love: her familial love for her father and her romantic love for her partner. Co-starring are Takashi Shimura, Tsutomu Yamazaki, and others. Released in 1972.

一位男泌尿科醫生和他的牙醫丈夫深深相愛，但他們的關係在一段影片在社交媒體上爆紅後出現了意外的轉折。隨著焦點越來越明亮，名利的誘惑開始滲透進欲望之中。

Shot in stunning black and white, with scenes that could be outtakes from some surreal haute-couture photo shoot, Phantom Love might just be the most beautiful film of the year. Looks aren't everything, however, and this is no hollow aesthetic exercise. As we follow alienated protagonist Lulu (Marina Shoif) on an impromptu trip into the darkest reaches of her own psyche - seemingly undertaken as a distraction while an unsatisfactory lover labours away on top of her - writer/director Nina Menkes creates a dreamscape of epic imaginative reach. There are shades of Alain Resnais and David Lynch here, but this film's lush mysteries are all its own - and the road that Lulu travels makes Mulholland Drive look like a layby. 　　(source: http://www.edfilmfest.org.uk/films/phantom-love/)

A male urologist and his dentist husband used to be intimate. However, a video interview not only makes them famous but also examines whether they truly accept each other and their secret fetish.

一位男泌尿科醫生和他的牙醫丈夫深深相愛，但他們的關係在一段影片在社交媒體上爆紅後出現了意外的轉折。隨著焦點越來越明亮，名利的誘惑開始滲透進欲望之中。

欧锑锑娱乐第五部自製剧，当落入凡间的落魄月老与命带孤鸾的她相遇，这段姻缘会带给她们什麽考验？

Shot in stunning black and white, with scenes that could be outtakes from some surreal haute-couture photo shoot, Phantom Love might just be the most beautiful film of the year. Looks aren't everything, however, and this is no hollow aesthetic exercise. As we follow alienated protagonist Lulu (Marina Shoif) on an impromptu trip into the darkest reaches of her own psyche - seemingly undertaken as a distraction while an unsatisfactory lover labours away on top of her - writer/director Nina Menkes creates a dreamscape of epic imaginative reach. There are shades of Alain Resnais and David Lynch here, but this film's lush mysteries are all its own - and the road that Lulu travels makes Mulholland Drive look like a layby. 　　(source: http://www.edfilmfest.org.uk/films/phantom-love/)