剧情简介:一个绰号”土匪”的卡车司机跟别人打赌,说是他能在28小时内从德克萨斯州到乔治亚州的亚特兰大.为了赶时间,飞车,超速是免不了的,公路警察当然是不会坐视不理的,于是一路追赶拦截.一路上险象环生,可就是抓不住他. 　　简 评:虽然本片的故事简单和只能成为飞车场面的籍口,但片中的动作部分却拍出了漫画般的生动热闹,充分满足观众的感官层次要求,几位主角也演出了特色.

剧情简介:一个绰号”土匪”的卡车司机跟别人打赌,说是他能在28小时内从德克萨斯州到乔治亚州的亚特兰大.为了赶时间,飞车,超速是免不了的,公路警察当然是不会坐视不理的,于是一路追赶拦截.一路上险象环生,可就是抓不住他. 　　简 评:虽然本片的故事简单和只能成为飞车场面的籍口,但片中的动作部分却拍出了漫画般的生动热闹,充分满足观众的感官层次要求,几位主角也演出了特色.

"O Assalto ao Trem Pagador" is a classic of the Brazilian Cinema. Based on a true event, indeed one of the boldest heist in the Brazilian history, the film is very impressive even in the present days. The accuracy and realism of the scenes recall the Italian Movement Neo-Realism. The lack of human rights with the humble people of the slums that still prevails in the present days is magnificently presented in many scenes, specially in the last one, when the house of the wife of Tião Medonho is invaded by the police, reporters and photographers. This movie shows the other side of the wonderful city of Rio de Janeiro, and may be considered the "Cidade de Deus" of the 60's. The direction of Roberto Farias is very precise and sharp, touching in social wounds that have never healed. The cast has outstanding performances, highlighting Eliezer Gomes in the role of a powerful and natural leader, "the owner of the slum", Tião Medonho. I am not sure whether this rare movie has been distributed worldwide: I have just bought an used and very old VHS from a rental, since this classic has not been released on DVD in Brazil. My vote is eight.

"O Assalto ao Trem Pagador" is a classic of the Brazilian Cinema. Based on a true event, indeed one of the boldest heist in the Brazilian history, the film is very impressive even in the present days. The accuracy and realism of the scenes recall the Italian Movement Neo-Realism. The lack of human rights with the humble people of the slums that still prevails in the present days is magnificently presented in many scenes, specially in the last one, when the house of the wife of Tião Medonho is invaded by the police, reporters and photographers. This movie shows the other side of the wonderful city of Rio de Janeiro, and may be considered the "Cidade de Deus" of the 60's. The direction of Roberto Farias is very precise and sharp, touching in social wounds that have never healed. The cast has outstanding performances, highlighting Eliezer Gomes in the role of a powerful and natural leader, "the owner of the slum", Tião Medonho. I am not sure whether this rare movie has been distributed worldwide: I have just bought an used and very old VHS from a rental, since this classic has not been released on DVD in Brazil. My vote is eight.

雷敦伯格（安德烈·鲁斯特 Andreas Lust 饰）和女友艾丽卡（Franziska Weiss 饰）生活在风景如画的维也纳，表面上看来，他们和世间的大多数情侣一样恩爱缠绵，可实际上，雷敦伯格有着一段不为人知的过去。 　　原来，曾经的雷敦伯格是一名拥有极高智慧和强大野心的长跑运动员，与此同时，他还参与策划了一系列的银行抢劫案，是的，雷敦伯格抢劫银行绝不是为了区区钱财，而是为了满足自己追求刺激的欲望。如今，尽管雷敦伯格选择了和女友一起离群索居，但在内心里，他依旧十分渴望从前那种充满了刺激与变数的生活。是就此金盆洗手好好的享受生活，还是继续铤而走险获得短暂的快感？雷敦伯格徘徊在期间无法选择。

The epic adventures of the legendary Baran the Bandit following his release from prison. After serving 35 years, it is no surprise that the world has changed dramatically. Still, Baran can't help but be shocked to discover that his home village is now underwater thanks to the construction of a new dam. He then heads for Istanbul to get revenge upon his former best friend, the man who snitched on him and stole his lover Keje. Along the way, Baran teams up with Cumali, a tough young punk who finds the thief's old-fashioned ways rather quaint. When Cumali gets into deep trouble with a crime boss, Baran adds another vengeful task to his roster.

巴西，30年代，横行霸道、拦路抢劫的强盗四处肆虐，闹得人心惶惶。一天，一个村庄遭到一群匪徒的洗劫。为了捞取更多的钱财，匪徒在抢劫后还将村子里的女教师绑走，狮子大开口，向村民索要大笔的赎金。就在村民为赎金发愁时，匪徒中的一个对女教师产生了真挚的感情。女教师在他的帮助下顺利地逃了出去，而这个匪徒则丧命于同伙的乱枪之下。 　　《匪徒》为当时尚不为世人所知的巴西电影业通向世界打开了一扇窗口，以诗一般优美的旋律和摄影描绘了30年代巴西人民的风俗习惯，残暴的匪徒的暴行同渴望宁静生活的百姓间形成了鲜明对比，反映出穷困善良的人热爱生活、依恋土地的美好愿望。在1953年的戛纳国际电影节上，此片获得评委会大奖和音乐特别奖。

巴西，30年代，横行霸道、拦路抢劫的强盗四处肆虐，闹得人心惶惶。一天，一个村庄遭到一群匪徒的洗劫。为了捞取更多的钱财，匪徒在抢劫后还将村子里的女教师绑走，狮子大开口，向村民索要大笔的赎金。就在村民为赎金发愁时，匪徒中的一个对女教师产生了真挚的感情。女教师在他的帮助下顺利地逃了出去，而这个匪徒则丧命于同伙的乱枪之下。 　　《匪徒》为当时尚不为世人所知的巴西电影业通向世界打开了一扇窗口，以诗一般优美的旋律和摄影描绘了30年代巴西人民的风俗习惯，残暴的匪徒的暴行同渴望宁静生活的百姓间形成了鲜明对比，反映出穷困善良的人热爱生活、依恋土地的美好愿望。在1953年的戛纳国际电影节上，此片获得评委会大奖和音乐特别奖。

埃尔内斯托和卡洛被释放，从战俘营回家。农民卡洛在回农村前，邀请埃尔内斯托到农村家中作客，并看看自己的女儿罗塞塔。埃尔内斯托回到家乡，发现自己的家毁于战火，母亲去世，妹妹玛丽亚失踪。他无家可归，成为流浪汉。一天晚上，他发现自己的妹妹已当上了妓女。他们兄妹痛苦相认。不久，妹妹在同盘剥他的坏蛋争吵时，被坏蛋杀害，埃尔内斯托愤而杀死了坏蛋。埃尔内斯托认识了丽狄亚，丽狄亚是一个盗匪集团的头子。他被迫入伙，并逐渐成为丽狄亚的情夫和盗匪集团的头子，他们劫富济贫。有一次，埃尔内斯托同丽狄亚争吵后，丽狄亚告发了他。埃尔内斯托逃脱了，他想到农村去找卡洛，买了个准备送给罗塞塔的娃娃。途中，他被警察追捕，枪战后，他被击中，临死前，仍念念不忘罗塞塔