四名大学生在暑假进行社会实践，到偏远的村庄拍摄纪录片，调查民间鬼怪文化。 　　然而，随着调查的深入，怪事频频发生，他们渐渐发现事情远没想象的那么简单。

陈彼得是香港移民。他到了纽约后当了警察。他和助手占美在侦查一件走私杀人案。查案时他发现一个嫌疑犯竟是他失踪了廿年的父亲，为此他感到烦恼，他的女朋友又不听他的劝告卷进了查案的漩涡，他俩因此曾发生争执。

体育教练黛娜差点丧命于一场严重的车祸意外，清醒后的她发现自己全身瘫痪插满维生设备，不能言语的她只能透过电脑语音与外界沟通。被囚锢于失能肉体内的黛娜，深信病房内有个被称作「Nails」的邪灵亟欲吞噬她的灵魂，可是旁人对她的认知都嗤之以鼻，就连丈夫也认为一切只是黛娜的创伤症候群。孤立无援的黛娜必须竭尽所能地向众人证明邪灵「Nails」的存在，才能让自己保有一线生机……

安东和肯尼两兄弟，从小就是篮球队里的最佳拍档，兄弟俩所向无敌，一心梦想带领所属校队争取全美大学联赛（NCAA）的总冠军宝座，但是安东却在一次比赛时意外丧生！弟弟肯尼及全队队员深受打击、信心全失，战绩一路下滑，眼看称霸NCAA已无望！岂料，安东死不瞑目、“英”魂不散，意成了该队场上的第六人！习惯出风头的安东出尽各种阴招，让肯尼及队友们鬼斧神工的大爆几场冷门，极尽夸张之能事，结果却引起体育记者怀疑。而肯尼及队友们虽然对于战绩扶摇直上兴奋莫名，但是安东过分的插手却让队友们心生反感。

In 1994, a closeted teen struggles to part ways with his 4 high school drama friends at their final murder mystery party before they leave for college.

冰球是令加拿大举国疯狂的体育项目，电视上，多伦多与蒙特利尔两地的评论员唇枪舌剑，电视前，分处两地的警员马丁（Colm Feore 饰）与大卫（Patrick Huard 饰）却同样面对和子女沟通的障碍。一起发生在州界上的凶杀案让两人走到了一起，但法语区和英语区的差异为他们貌合神离的合作增加了不少佐料。以死者身上的纹身以及现场的直升机为线索，两人逐渐接近事情的真相，但那位纹身杀人狂的动作始终快他们一步，甚至在电视节目中直接向二人挑衅。在办案过程中，马丁和大卫求同存异增进了了解，幕后那位视出卖球队为叛国行为的狂热冰球爱好者也浮出了水面…… 　　本片获2007年加拿大吉尼奖最佳动作电影、最佳全片配乐奖，加拿大喜剧电影节最佳剧本奖。2008年朱特奖最佳国际动作电影、剪辑奖。

Lou和Henry是太平洋西北地区一个小警队中的姐弟侦探组合，他们必须面对各式各样的居民、严重缺乏的资源，以及二人彼此之间、二人与警局局长Big Hank之间非常复杂的关系，而Hank恰好是他们的父亲。

This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. 　　At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. 　　One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.

This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. 　　At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. 　　One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.

Charlie is released from prison and immediately swindled by a fake parson. A fellow ex-convict convinces Charlie to help burglarize a house, but Edna, the house's owner, catches them and calls the police. Charlie, however, manages to charm his way out of trouble .... at least for the moment.