Jean-Luc Godard to receive Honorary Award 　　The 2015 Swiss Film Honorary Award will go to Jean-Luc Godard, one of cinema’s true visionaries and a virtuoso in the art of film editing, whose avant-garde work has inspired, and continues to inspire, generations of film makers the world over. Federal Councillor Alain Berset will present the legendary director with his “Quartz” trophy on 13 March during the official Swiss Film Award ceremony at the Bâtiment des Forces Motrices in Geneva. 　　The Federal Office of Culture will bestow the 2015 Swiss Film Honorary Award on Jean-Luc Godard, one of the founding fathers and leading lights of the French Nouvelle Vague. The award also comes with prize money of CHF 30,000. 　　Recognition of an outstanding contribution to cinema 　　Jean-Luc Godard burst on to the international stage in 1960 with his first full-length feature À bout de soufflé (“Breathless”). The film, which stars Jean-Paul Belmondo and Jean Seberg, came to be considered a seminal masterpiece of the emerging Nouvelle Vague movement. With his unconventional ideas, subversion of traditional narrative structures and view of the world as a contemporary and critical observer of society, Godard frequently challenged his audience. His longstanding fascination with the relationship between images and words comes to the fore in his most recent film Adieu au langage (“Goodbye to Language”), which premiered at Cannes in 2014 and which went on to win the Jury Prize. 　　Jean-Luc Godard has made over 40 films and video experiments. His work enjoys international acclaim and has influenced generations of film makers. He has also had a long and prolific career as a film critic, regularly analysing both his own work and the output of others in the French-language film magazine Cahiers du Cinéma. 　　Jean-Luc Godard was born into a Franco-Swiss family and has been a Swiss national since 1953. 　　Best regards to Jean-Luc Godard. 　　Immediately after shooting his documentary film about the construction of the Grande Dixence dam (Opération Béton, 1954) in Valais, Godard, being Swiss with dual citizenship, moves back to Paris. His passion for the seventh art continues; he devotes himself to film critiques and directing. He does this beyond the bounds of convention, thereby provoking interest and rejection in equal measure, which scarcely diminishes until 2014 with his Adieu au langage in 3D. 　　His films repeatedly refer to men and women who meet by chance out of their need to earn a living. In the course of this, they submit themselves to drudgery, all the while fettered – intended or unintended – to a corrupt state of affairs involving first and foremost dealings with dirty money. 　　His creative mind decrypts memories originating from incidents or randomly concerted coincidences; they serve as the basis for his social studies and are defined as such in his film Histoire(s) du cinéma (1989 – 1995). 　　He wants to leave Paris behind, as well as its past, shaped by political violence, while refusing star cult. He believes he can change his public image by gaining ground in the medium of video with Anne-Marie Miéville in Grenoble. Dissatisfied with the reactions (especially by TV channels), however, he returns to Switzerland around 1980, where the “comparator” of cameras and their functions moves into an atelier to live in seclusion as a poet – between photography on film reels and electronic pixels. 　　Freddy Buache 　　Award ceremony 　　The 18th Swiss Film Award ceremony will take place on 13 March 2015 at the Bâtiment des Forces Motrices, Geneva. This gala event, which officially recognises the work of the Swiss film industry, is co-produced by the Federal Office of Culture and its official partners, SRG SSR and the Association "Quartz" Genève Zürich, and is organised in collaboration with SWISS FILMS, the Swiss Film Academy and the Solothurn Film Festival. Federal Councillor Alain

Jean-Luc Godard to receive Honorary Award 　　The 2015 Swiss Film Honorary Award will go to Jean-Luc Godard, one of cinema’s true visionaries and a virtuoso in the art of film editing, whose avant-garde work has inspired, and continues to inspire, generations of film makers the world over. Federal Councillor Alain Berset will present the legendary director with his “Quartz” trophy on 13 March during the official Swiss Film Award ceremony at the Bâtiment des Forces Motrices in Geneva. 　　The Federal Office of Culture will bestow the 2015 Swiss Film Honorary Award on Jean-Luc Godard, one of the founding fathers and leading lights of the French Nouvelle Vague. The award also comes with prize money of CHF 30,000. 　　Recognition of an outstanding contribution to cinema 　　Jean-Luc Godard burst on to the international stage in 1960 with his first full-length feature À bout de soufflé (“Breathless”). The film, which stars Jean-Paul Belmondo and Jean Seberg, came to be considered a seminal masterpiece of the emerging Nouvelle Vague movement. With his unconventional ideas, subversion of traditional narrative structures and view of the world as a contemporary and critical observer of society, Godard frequently challenged his audience. His longstanding fascination with the relationship between images and words comes to the fore in his most recent film Adieu au langage (“Goodbye to Language”), which premiered at Cannes in 2014 and which went on to win the Jury Prize. 　　Jean-Luc Godard has made over 40 films and video experiments. His work enjoys international acclaim and has influenced generations of film makers. He has also had a long and prolific career as a film critic, regularly analysing both his own work and the output of others in the French-language film magazine Cahiers du Cinéma. 　　Jean-Luc Godard was born into a Franco-Swiss family and has been a Swiss national since 1953. 　　Best regards to Jean-Luc Godard. 　　Immediately after shooting his documentary film about the construction of the Grande Dixence dam (Opération Béton, 1954) in Valais, Godard, being Swiss with dual citizenship, moves back to Paris. His passion for the seventh art continues; he devotes himself to film critiques and directing. He does this beyond the bounds of convention, thereby provoking interest and rejection in equal measure, which scarcely diminishes until 2014 with his Adieu au langage in 3D. 　　His films repeatedly refer to men and women who meet by chance out of their need to earn a living. In the course of this, they submit themselves to drudgery, all the while fettered – intended or unintended – to a corrupt state of affairs involving first and foremost dealings with dirty money. 　　His creative mind decrypts memories originating from incidents or randomly concerted coincidences; they serve as the basis for his social studies and are defined as such in his film Histoire(s) du cinéma (1989 – 1995). 　　He wants to leave Paris behind, as well as its past, shaped by political violence, while refusing star cult. He believes he can change his public image by gaining ground in the medium of video with Anne-Marie Miéville in Grenoble. Dissatisfied with the reactions (especially by TV channels), however, he returns to Switzerland around 1980, where the “comparator” of cameras and their functions moves into an atelier to live in seclusion as a poet – between photography on film reels and electronic pixels. 　　Freddy Buache 　　Award ceremony 　　The 18th Swiss Film Award ceremony will take place on 13 March 2015 at the Bâtiment des Forces Motrices, Geneva. This gala event, which officially recognises the work of the Swiss film industry, is co-produced by the Federal Office of Culture and its official partners, SRG SSR and the Association "Quartz" Genève Zürich, and is organised in collaboration with SWISS FILMS, the Swiss Film Academy and the Solothurn Film Festival. Federal Councillor Alain

“法国电影新浪潮”的海浪退去后，彼时63岁的电影大师戈达尔身处瑞士的家中，开始反思自己在电影史上的位置，以及电影工业和电影艺术相互间的作用。他不愿提起过去，而是放眼当下和未来，模糊纪实与虚构的界限，将辽阔的冬日景观和昏暗的办公室并置，构建一个澎湃的内心世界；在他的轻声细语下，身临其境地徜徉在他深邃的思索中，文化守旧与艺术创新的差异随之浮现。影片多次手写大师姓名如罗西里尼、尼古拉斯·雷、卓别林等，不仅体现他在向影人致敬，亦诘问自己何去何从，以此为自己提前写下了一份墓志铭。

“法国电影新浪潮”的海浪退去后，彼时63岁的电影大师戈达尔身处瑞士的家中，开始反思自己在电影史上的位置，以及电影工业和电影艺术相互间的作用。他不愿提起过去，而是放眼当下和未来，模糊纪实与虚构的界限，将辽阔的冬日景观和昏暗的办公室并置，构建一个澎湃的内心世界；在他的轻声细语下，身临其境地徜徉在他深邃的思索中，文化守旧与艺术创新的差异随之浮现。影片多次手写大师姓名如罗西里尼、尼古拉斯·雷、卓别林等，不仅体现他在向影人致敬，亦诘问自己何去何从，以此为自己提前写下了一份墓志铭。

这部电影是让·吕克·戈达尔的档案自画像。通过他的文字、凝视和作品，讲述了戈达尔作为一个电影人的一生；一个总是对自己和他人艺术要求很高的人，最终会与艺术融为一体。

这部电影是让·吕克·戈达尔的档案自画像。通过他的文字、凝视和作品，讲述了戈达尔作为一个电影人的一生；一个总是对自己和他人艺术要求很高的人，最终会与艺术融为一体。

他的光影独行　他的永恒芒刺。 　　法国新浪潮大师让-吕克·戈达尔，2022年9月13日，选择于瑞士家中进行安乐死，享寿91岁。戈达尔一生拍摄140多部电影。他开创一切，更推翻一切。他的挑衅作风及潇洒情史也常占据媒体版面、掀起波澜。然而认识这样一个传奇巨人并不容易。戈达尔处于自己制造的孤独之中。他唯一与他人产生关系，仅在拍片之时。 　　本片以四大章节剖绘何谓“戈达尔电影”。从打破常规的经典首作《精疲力尽》，到耗费十年完成的浩瀚钜作《电影史》，层层揭开戈达尔的神秘面纱，引领观众深入一个超越艺术，也被艺术占据的血肉性灵。

法國新浪潮大師尚盧高達，是影史上最激進的革命份子。2022年9月13日，選擇於瑞士家中進行安樂死，享耆壽91歲。高達一生拍攝140多部電影。他開創一切，更推翻一切。他的挑釁作風及瀟灑情史也常佔據媒體版面、掀起波瀾。然而認識這樣一個傳奇巨人並不容易。高達處於自己製造的孤獨之中。他唯一與他人產生關係，僅在拍片之時。 　　本片以四大章節剖繪何謂「高達電影」。從打破常規的經典首作《斷了氣》，到耗費十年完成的浩瀚鉅作《電影史》，層層揭開高達的神秘面紗，引領觀眾深入一個超越藝術，也被藝術佔據的血肉性靈。