MACH DIE MUSIK LEISER portrays a group of teenagers in Essen, an industrial town in the Ruhr region in the Western part of Germany. It's the summer of 1993. School's over for most of the adolescents, who are mainly played by non-actors. The individuals’ decisions on the future are not determined yet. Bored uncertainty, shy and somewhat helpless passivity dominate the sparse actions and day to day activities – modest quarrels with parents, attending a concert (hardcore stalwarts "Biohazard"), watching pictures in the nearby drive-in-theatre (Cameron’s "Terminator") or on video (Raimi’s "Evil Dead"), meeting with friends in coffeeshops, pubs, along footways and park benches. At first glance nothing specific or dramatic is going on. But as the movie evolves the viewer gets more acquainted with some of the characters’ in- and exterior changes during their rites de passage. 　　MACH DIE MUSIK LEISER is Arslan’s first feature film, his graduation movie from Berlin film school. It already has him following a style of contained observational accuracy. A style connecting documentary and fiction, resting upon the means of spatiotemporal representation, not upon dramatic suspense.

MACH DIE MUSIK LEISER portrays a group of teenagers in Essen, an industrial town in the Ruhr region in the Western part of Germany. It's the summer of 1993. School's over for most of the adolescents, who are mainly played by non-actors. The individuals’ decisions on the future are not determined yet. Bored uncertainty, shy and somewhat helpless passivity dominate the sparse actions and day to day activities – modest quarrels with parents, attending a concert (hardcore stalwarts "Biohazard"), watching pictures in the nearby drive-in-theatre (Cameron’s "Terminator") or on video (Raimi’s "Evil Dead"), meeting with friends in coffeeshops, pubs, along footways and park benches. At first glance nothing specific or dramatic is going on. But as the movie evolves the viewer gets more acquainted with some of the characters’ in- and exterior changes during their rites de passage. 　　MACH DIE MUSIK LEISER is Arslan’s first feature film, his graduation movie from Berlin film school. It already has him following a style of contained observational accuracy. A style connecting documentary and fiction, resting upon the means of spatiotemporal representation, not upon dramatic suspense.

姐姐与弟弟睡前喜欢天马行空地聊天，却总是被爸爸打断。于是，他们想出来一个主意。 　　本片为中国美术学院影视与动画艺术学院13级学生毕业作品。

该剧是献给纽约多元音乐的情书，围绕寻找自己真实的声音和使用它的勇气展开，讲述才华横溢的歌手贝丝·金在遭遇拒绝、爱情和复杂的家庭问题的同时，努力实现自己的梦想的故事。

《勁歌金曲》自1981年啟播，逾四十年來一直致力提供平台讓歌手發表音樂作品。隨後舉辦的《勁歌金曲頒獎典禮》，更是表揚及肯定一眾音樂人努力的成績表，在頒獎禮中獲獎，也被視為一份無比的榮譽。為跟觀眾一起重溫《勁歌》的輝煌歲月，節目召喚鄭丹瑞、蔡楓華、盧敏儀、樊亦敏、黃山怡等多代主持回到工作崗位，還會邀請譚詠麟、鍾鎮濤、區瑞強、吳雨、鄭國江，以歌手與幕後製作人的角度，引領大家回味《勁歌》的幕幕經典時刻。

总有一首歌，你曾轻轻跟着和，与回忆同行，一天都温暖如初。金色暖阳撒进深秋密林，闭上眼睛感受浓浓暖意。温暖之声，金秋回响，10月31日晚8点锁定腾讯视频，不会转瞬即逝的温暖，就在腾讯视频晚八点音乐会 ​​​

1979年，法国电子音乐家雅尔接到联合国教科文组织的通知，中国政府想邀请他前往北京举办专场音乐会。1981年10月雅尔和其妻子——当时在欧洲已享有盛誉的电影明星夏洛特·兰普林抵达中国，分别在北京和上海举办了电子音乐会，成为改革开放后第一个在中国举办大型演出的西方人。 　　当时随行的工作团队成员多达七十余人，演出设备直接从法国空运至中国，为了解决当时演出需要的电力问题，北京城的路灯停了两晚。他一共在北京表演两场，上海表演三场，现场聆听他演奏的观众超过21万人，经过电视台和电台的现场转播共有五亿人次收听他的这次中国巡演。 　　@www.aixiaoju.com

这是一台有公益性质、致敬殿堂级艺术家作品的、致敬广大妇女的音乐会，有着传承及弘扬中国文化、谱写生生不息的正能量、丰富群众文化生活的意义，希望通过此次晚会的舞台表演，传递给所有人“和年轻的朋友来相会”的美好氛围。引导广大观众特别是年轻观众拥护党的领导、珍惜幸福生活、矢志拼搏奋斗。

大桥裕之原作、动画电影《音乐》将于2020年1月在东京新宿武藏野馆等影院上映。本作讲述未曾接触过乐器的不良少年们，在组成乐队后开始的摇滚奇谭。由日本…

《音乐》是对俄狄浦斯神话的现代复述，讲述了一个男孩在希腊与他的继父母一起长大，并在 20 岁时无意中杀死了自己的父亲。 在因犯罪入狱服刑期间，他坠入爱河并与一个女人生了一个孩子，而这个女人原来是他的母亲。 故事发生在 20 年后的伦敦，这个男人现在和他的女儿住在一起，并 且开始失明。