第一次佐藤首相訪米阻止闘争の中で起こった京大生の死の真相を探る。「権力との激突の際に、（キャメラは）決して警察権力と学生の間に横位置に居るべきではなかった」（小川）

《PUSH IT》展示了最算尝试做到最好，也永远无法获胜的幻灭感。Hedda想尽一切方法向Adam示好，但每次总以失败告终。Adam则拥有打破一切限制的胆量

After witnessing a random act of violence on the New York City subway, a young woman's daily commute becomes a minefield of dark anxieties both real and imagined.

此片是董氏基金会以防治忧郁症为主题所拍的短片。 　　这支短片长度共35分钟，彭于晏和气质美女张钧宁是一对情侣，Ben则患有忧郁症，三人之间有友情和爱情的纠葛。

此片是董氏基金会以防治忧郁症为主题所拍的短片。 　　这支短片长度共35分钟，彭于晏和气质美女张钧宁是一对情侣，Ben则患有忧郁症，三人之间有友情和爱情的纠葛。

War, fate, and a broken Walkman transcend time and space in this sci-fi love story.

根据百度小说作者离人望左岸的历史江湖类型的网络小说 《推棺》改编。 　　李秘（明道 饰）原本是朝廷精锐白袍军侍卫长，利益权谋之争的背景下，背负杀妻之仇的李秘，为寻得真相与真知，在南镇抚司简定雍的帮助下以卧底身份潜入神秘的江湖组织“推棺”，成为一名杀手，誓杀推棺组织老大王佐（于波 饰）。但进入推棺组织之后，李秘慢慢发现妻子的死似乎另有隐情，自己这么多年的努力，完全只是简定雍（王岗 饰）手中的一枚棋子，而简定雍操纵众人的目的，只是为了赢取高官禄，以及掩盖当年杀良冒功的真相。恍然大悟后，李秘与程昱（蒙恩 饰）事先谋划，假扮成身陷囹圄的王佐，在天牢里上演了一场瓮中捉“奸”的故事，一场正邪之间的较量之后，朗朗乾坤，终究是邪不压正。

根据百度小说作者离人望左岸的历史江湖类型的网络小说 《推棺》改编。 　　李秘（明道 饰）原本是朝廷精锐白袍军侍卫长，利益权谋之争的背景下，背负杀妻之仇的李秘，为寻得真相与真知，在南镇抚司简定雍的帮助下以卧底身份潜入神秘的江湖组织“推棺”，成为一名杀手，誓杀推棺组织老大王佐（于波 饰）。但进入推棺组织之后，李秘慢慢发现妻子的死似乎另有隐情，自己这么多年的努力，完全只是简定雍（王岗 饰）手中的一枚棋子，而简定雍操纵众人的目的，只是为了赢取高官禄，以及掩盖当年杀良冒功的真相。恍然大悟后，李秘与程昱（蒙恩 饰）事先谋划，假扮成身陷囹圄的王佐，在天牢里上演了一场瓮中捉“奸”的故事，一场正邪之间的较量之后，朗朗乾坤，终究是邪不压正。

Appunti su un fatto di cronaca (Notes on a news story) is a short documentary by director Luchino Visconti, released in 1953. Visconti had already found success with his two first neorealist feature films - Ossessione in 1943 and La Terra Trema in 1947. The film opens with text overlaid against the backdrop of a city. The text tells us about the murder of a 12-year-old girl, Annarella Bracci, in the Borgata Primavalle neighborhood of Rome in March 1950. We see a young girl standing against a building, as well as artistic angles of other buildings in the neighborhood. 　　The narration begins as well with a wider landscape shot of the neighborhood. We see boys playing cards. A wide shot of a beach. The camera hovers for some time on a wide shot of the beach and then turns to a close-up of two young men playing a tennis-like game. We return once again to the girl, and it seems the narrator is indicating that this girl is the girl featured in the news story at the beginning of the film. We then cut to the site of the girl's murder, where we see a memorial and flowers set up. 　　Some have called Appunti su un fatto di cronaca a pure attempt at neorealism, in that there is virtually no mediation between the camera's lens and the neighborhood people as Visconti captures them. There is some poetic sense of course with the style of the visuals, the camera angles, as well as the music that creeps in toward the beginning and the end of the film. Likewise, the narrator takes some license with flourishes that are quite poetic - "We resign ourselves to a handful of wildflowers and a painful catch in the voice".

该作品讲述了天命不凡，与生俱来拥有无穷力量的少女世珍,她受到人们的伤害从而开始拒绝命运，之后她与狩猎少年们变成搭档，大家一起解决神、鬼、妖怪等相关的各种奇异事件的故事。