八年前，金牌保洁沈清妍在铭盛集团任职期间，因拒绝职场性骚扰被开除。意外与醉酒的总裁苏明修发生关系，后怀孕回乡生下女儿沈糖糖。之后，苏明修一直对身清妍念念不忘，派人寻找沈清妍整整八年。恰巧苏家人去乡下做慈善活动，意外认出沈清妍母女。

当曾经背叛的“渣男”前夫和假闺蜜“小三”再次入侵生活，新时代二胎单亲妈妈钮祜禄·许开心斗志昂扬，奏响“反杀”战曲，守护儿女，夺回房子。 　　在保卫战中，与单亲二胎爸爸梅程奕相识相知，结成“养娃搭子”。2+2>4，四个娃的新时代“双二胎”家庭组合，整日鸡飞狗跳，天天啼笑皆非。从不言爱，却时时彼此守护，从不谈情，却事事都有回音。 　　最终，两个小家庭跨越血缘，融合为一个有爱的大家庭。

当曾经背叛自己的前夫和假闺蜜再次入侵生活，二胎单亲妈妈许开心斗志昂扬开启绝地反击模式，守护儿女，夺回房产，积极迎战上段婚姻带来的一地鸡毛，并在此过程中与二胎单亲奶爸梅程奕相识相知，结成“养娃搭子”，两人在生活给予的挑战中不断磨合，共同面对四个孩子引发的啼笑皆非。

《许餐厅》改编自全善英作家的同名网络小说。讲述了朝鲜时代人物许均（金珉锡饰演）进入400年后的现代，无意中开餐厅而发生的横冲直撞奇幻浪漫喜剧电视剧。

《许餐厅》改编自全善英作家创作的同名网络小说，是一部横冲直撞的奇幻浪漫喜剧电视剧。该剧讲述了朝鲜时代的许均（金珉锡 饰）穿越到400年后的现代，无意间开了一家餐厅后发生的一系列故事。

富春城许家大小姐许纯纯，芳龄十八，待字闺中。因父母早逝，继母对其十分苛待，一心想“高价”把许纯纯嫁给豪绅华家的纨绔公子华文武。为了避免被强嫁，许纯纯一直靠着售卖自制茶点的副业，积累“离家资金”。某日许纯纯去歌楼卖茶点，阴差阳错与富春首富周家公子周君玦结识。周君玦为揭开父亲早年去世之谜，与好友倪东陵追查证人胡庸来到歌楼，两人和胡庸大打出手，狡猾的胡庸还是逃走了。

富春城许家大小姐许纯纯，芳龄十八，待字闺中。因父母早逝，继母对其十分苛待，一心想“高价”把许纯纯嫁给豪绅华家的纨绔公子华文武。为了避免被强嫁，许纯纯一直靠着售卖自制茶点的副业，积累“离家资金”。某日许纯纯去歌楼卖茶点，阴差阳错与富春首富周家公子周君玦结识。周君玦为揭开父亲早年去世之谜，与好友倪东陵追查证人胡庸来到歌楼，两人和胡庸大打出手，狡猾的胡庸还是逃走了。

《许志波的小情人》，塑料管电影出品。

Nightmare Theatre 　　Nightmare Theatre 　　Nightmare Theatre was one of the more prominent late-night horror programs of the 1960s and 1970s. During its fourteen-year run, this show introduced several generations of television viewers to the horror films of yesteryear across the Pacific Northwest. Produced by Seattle-based KIRO-TV, and utilizing much of the same cast and crew as the similarly popular The J.P. Patches Show, Nightmare Theatre reached an audience that stretched as far north as Alaska, as far east as Idaho, and south into Oregon. Its residential horror host, The Count, has accrued a cult following over the years, much in the same vein as his make-up laden peers Maila Nurmi ("Vampira"), John Zacherle ("Zacherley"), and Cassandra Peterson ("Elvira"). 　　Contents 　　1 Early history 　　2 Opening Sequence 　　3 The End of Nightmare Theatre 　　4 Lost Footage 　　5 Joe Towey 　　6 References 　　7 External links and additional references 　　Early history 　　Late night horror programs had become immensely popular during the 1960s, so KIRO-TV decided to tap into a market virtually untouched by the Pacific Northwest stations at the time. Nightmare Theatre was conceptualized by Joe Towey, who not only functioned as the director of The J.P. Patches Show for its entire twenty-three years, but who also played a host of characters on the long-running children's program. (Just a few of his recurring characters include the klutzy handyman Mal Content, and J.P. Patches' evil twin brother, I.M. Rags.) 　　Nightmare Theatre debuted on September 25, 1964, with the 1958 low budget shocker The Screaming Skull. By April 1965, the program began playing double-bills which stretched into the early morning hours. The show proved popular among children and teenagers, but it found a ratings booster when it introduced its mascot a few years later. The Count (played by Towey) didn't actually appear in front of the camera until Halloween of 1968, but the character proved an instant success with viewers lucky enough to be able to tune in. Nightmare Theatre aired every Friday night on Channel 7 in the 11:30 pm time slot for most of its run, but was aired progressively later during the 1970s. KIRO-TV attempted to phase out the program on several occasions, but audience pressure forced them to revive it time and again. 　　Opening Sequence 　　For most of its run, the late-night program opened with a shot of a mist-shrouded castle (in actuality, a touched-up Addams Family Haunted House Aurora model kit), accompanied by sound effects borrowed from Walt Disney's Chilling, Thrilling Sounds of the Haunted House and music pilfered from Neal Hefti's score for the 1966 Roddy McDowall film Lord Love a Duck. Within its mouldering recesses, the camera settled onto a coffin, which opened to reveal a skeleton. A clever camera fade transformed the bones into The Count, a dime-store Dracula whose shtick was worse than his bite. (A fallible bloodsucker, any attempts to frighten his younger viewers would be undermined by such antics as slamming his fingers beneath his coffin lid.) Armed with a battery of bad puns and a mock Transylvanian accent, The Count would introduce double-features that usually consisted of low-budget horror and science-fiction fare, although occasionally it would be padded out by poverty-row thrillers from the 1930s and 1940s. During its leaner years, only a single film was aired, usually a tiring re-run which regular fans had already seen far too many times. KIRO-TV had one of the largest libraries of old films at its disposal, including all of the classic Universal monster movies, which they showed with some regularity. 　　The End of Nightmare Theatre 　　From 1971 to 1975, KIRO-TV and The Count found themselves facing competition from KTVW-TV and horror host Robert O. Smith aka Dr. ZinGRR. Broadcast on Channel 13, the station had less of a reach than Channel 7, but Smith's cadre of characters—The Dream Maker, Peter Gorre, the Masked Doily, Count Lickula, et al.--proved popular among horror fans in the Seattle area. Dr. ZinGRR retired only a year after The Count in 1976. 　　Although The Count hung up his cape in 1975 as far as Nightmare Theatre was concerned, the program continued for several more years without his presence. (Like his early-morning compatriot J.P. Patches, The Count had become a local celebrity and pop-culture icon.) His retirement—and the fact that horror cinema had lost favor with an audience now more interested in modern science fiction fare like Star Wars--spelled the inevitable death knell of Nightmare Theatre. Towey returned in full regalia for a one-off televised Halloween special in 1978, which also marked the official end of Nightmare Theatre. 　　Lost Footage 　　Because the live wraparound sequences for Nightmare Theatre was shot on half-inch videotape, the master cassettes were regularly recycled by the program's producers for economical reasons. Thus, very little of Towey's televised performances survive today, far less than what remains of The J.P. Patches Show. The only introduction from Nightmare Theatre known to exist—about two minutes worth of footage—has been saved for posterity on the J.P. Patches: Memories video and the J.P. Patches DVD Collection. A few audio clips have survived as well, recorded by young fans with portable tape recorders during its original run, which have recently surfaced on the Internet. 　　Joe Towey 　　After the show ended in 1978, Joe continued to make live appearances as The Count for such special events as parties and charity auctions in Washington State, usually alongside longtime friend and partner-in-crime Chris Wedes aka J.P. Patches. (Chris made at least one guest appearance on Nightmare Theatre, but he never directed the show as some sources erroneously claim.) Towey died in 1989 at the age of 55, having been in ill health for more than a year. During his thirty-year stay at KIRO-TV, Joe Towey received two Emmy Awards for his work as director on The J.P. Patches Show, and another for set designer on Nightmare Theatre. 　　References 　　J.P. Patches DVD Collection [City Dump Productions; 2005] 　　J.P. Patches: Memories VHS [City Dump Productions; 1991] 　　J.P. Patches: Northwest Icon by Chris Wedes (aka Julius Pierpont Patches) & Bryan Johnston [J.P. Patches Publishing; 2003] 　　Television Horror Movie Hosts by Elena M. Watson [McFarland and Company, Inc.; 1991] 　　Trashfiend: Disposable Horror Fare from the 1960s & 1970s by Scott A. Stine [Critical Vision; 2008]

富春城许家大小姐许纯纯，芳龄十八，待字闺中。因父母早逝，继母对其十分苛待，一心想“高价”把许纯纯嫁给豪绅华家的纨绔公子华文武。为了避免被强嫁，许纯纯一直靠着售卖自制茶点的副业，积累“离家资金”。某日许纯纯去歌楼卖茶点，阴差阳错与富春首富周家公子周君玦结识。周君玦为揭开父亲早年去世之谜，与好友倪东陵追查证人胡庸来到歌楼，两人和胡庸大打出手，狡猾的胡庸还是逃走了。