Several professional actors and non-actor professionals portray a dynamic of human-nature relationship in one of the most active stratovolcano in the world, Mount Merapi. In the shadows of recent eruptions, these actors play a story that is written together with a volcanologist, sand miner, and a mystic–people who have a close bond with the mountain–potentially illustrating fiction and nonfiction situations that could and would have happened in Merapi. 　　源自：https://ffd.or.id/en/film/monisme/

Several professional actors and non-actor professionals portray a dynamic of human-nature relationship in one of the most active stratovolcano in the world, Mount Merapi. In the shadows of recent eruptions, these actors play a story that is written together with a volcanologist, sand miner, and a mystic–people who have a close bond with the mountain–potentially illustrating fiction and nonfiction situations that could and would have happened in Merapi. 　　源自：https://ffd.or.id/en/film/monisme/

在线频道CBS All Access的新剧《一元背后 One Dollar》（前名《$1》）由Jason Mosberg主创，神秘﹑惊悚题材的该剧背景在经济衰退下，美国的锈带小镇（锈带指美国东北部地区，过去此区有钢铁产业，但荒废后工厂余下锈迹大门而得名）中一张一元美金钞票会被不停转手，并牵涉到多个角色﹑命案及披露城镇里的秘密。该剧定于美国时间8月30日上线。 　　主演包括John Carroll Lynch﹑Nathaniel Martello-White﹑Chris Denham﹑Philip Ettinger﹑Kirrilee Berger﹑Gracie Lawrence﹑Joshua Bitton﹑Níkẹ Uche Kadri及Hamilton Clancy。

神秘﹑惊悚题材的该剧背景在经济衰退下，美国的锈带小镇（锈带指美国东北部地区，过去此区有钢铁产业，但荒废后工厂余下锈迹大门而得名）中一张一元美金…

克里斯托弗·沃尔兹和威廉·达福将主演西部惊悚片《一元换命》(Dead For A Dollar)，这也是沃尔兹在《被解救的姜戈》后首次出演西部片，他将再饰一名赏金猎人。 　　该片将由传奇电影人沃尔特·希尔(《十字街头》、《战士帮》《四十八小时》导演&多部《异形》编剧)执导、编剧，设定在1897年的美国新墨西哥州和墨西哥奇瓦瓦一带，讲述著名的赏金猎人Max Borlund被雇佣去寻找并带回圣达菲商人Nathan Price那政治态度激进的妻子Rachel Price。Max被告知：Rachel被一个名叫Elijah Jones的黑人逃兵绑架，在墨西哥押为了人质。当Max南下穿过美墨边境，他遇上了死对头——美国在外侨民、职业赌徒、不法分子Joe Cribbens(达福饰演)，数年前正是Max将Joe捉住并送进了监狱。而此后，Max深入墨西哥荒漠寻找Rachel和Elijah，却发现前者是自愿逃离她虐待成性的丈夫，而后者跟她相爱。这下Max进退两难：是把Rachel按照契约抓回美国，送回雇主身边，还是帮助Rachel获得自由，并且要对付追杀而来的雇佣bing和自己的长期敌人？

A famous docking: Algiers, the White City, in a radiant light. The picture darkens with a voice-over reading of the text of the surrender of the Dey of Algiers in 1830. About the Conquest confronts us with a page of the French national novel that was too hastily turned. Franssou Prenant audaciously gathers a community of complicit voices who read a succession of archives (reports, testimonies, memoirs, historical, geographical, and urbanistic considerations) in a matter-of- fact tone. Recounting the stages of France’s colonisation of Algeria between 1830 and 1848, they outline the ideological landscape of a staggering annihilation effort. The film could just as well have been entitled About Destruction. Franssou Prenant thus constructs a memorial with a technique common to History and cinema: montage. A montage of texts: the words of Victor Hugo, Ernest Renan, Tocqueville are interwoven with those of military men, senior officials, brigadiers, without any way of distinguishing the authors. Then, a montage of images through which yesterday’s acts of violence and dispossession echo in the present: in contrast to an account of murders, the film presents a desolate desert landscape or the frank and innocent smiles of teenagers. The promises of riches offered by colonized Algeria are accompanied by shots of an opulent, Haussmann-style Parisian city centre. We are plunged into a reflection on the nature of this extraordinary violence, through a pictorial meandering into contemporary Algeria, entwined with archival extracts heard in an interplay of convergence and divergence. The piling up of texts brings to light both the ethnocentric and racist imaginary and the cold logic of economic exploitation that dictated the colonization of Algeria and its irreversible consequences, from which Algerian society still suffers today. 　　源自：https://fidmarseille.org/en/film/de-la-conquete-about-the-conquest/

Michel Piccoli stars as an amorous dentist whose philandering seemingly knows no bounds. He is no sooner shooing such lovelies as Anna Karina and Elsa Martinelli out the back door than he is welcoming such "new blood" as Joanna Shimkus into his living room. When Shimkus demands a commitment, Piccoli runs home movies of his past girlfriends, insisting all the while that he has forgotten them and that Joanna is the only woman in his life. The very next day he's running his movies for still another woman, and the song continues. De L'Amour is based on an 1822 novel by Stendhal (who would have been visionary indeed if he'd included all those home movies!)

从心灵哲学的角度看，“平行论”是一种身心相互作用的二元论，它认为精神事件与物质事件发生在平行的存在过程中，两者以特定的方式相互作用着，当然这并不意味着其中一个可以诱导另一个去做和它同样的事。电影用同样的方式展示了两个世界，两座城市。它们看似独立存在，但实际上它们通过走廊、时空隧道和跨维度桥梁相互交流着。这两个相反的世界，乌托邦和反乌托邦，终将在一个“混血”的世界中统一。那不是两个世界单纯的加总，而是两个世界的某种融合。在那里，由两个相反世界融合诞生的新世界就有了一个新的身份。在意大利语中，“meccio”(混血)源于晚期拉丁语mixtīcius，意思是“混合”，由此很可能衍生出了法语里的成语métis，意为我们每个人融合多重身份，多重个性于一身的能力。影片的主人公是一个的“聚合”，是一个眼睛上长有拉链，脸颊上生长着玫瑰花瓣的女人，她看上去就像花。影片由她介绍给大家，也由她落幕，好像她的存在引导着和谐的融合之路——那也是一个“混血”的存在——似乎她的故事就是通往希望与满足世界的必经之路，这个过程充满可能性，起始的两条平行道路即象征了一种获得新融合身份、兼容发展和成就独特的可能性。

想要守护历史的年轻史官和为了成为国王而想要抹去历史的王世孙为了彼此的信念而斗争的故事。