Sherlock has his mind palace, Morse his music - every detective has an edge. For most, it's forensic science. This three-part series provides a rare and fascinating insight into the secret history of catching murderers, charting two centuries of the breakthroughs that have changed the course of justice. Surgeon and writer Gabriel Weston explores this rich history through some of the most absorbing, and often gruesome, stories in the forensic casebook - and looks ahead to how forensics will continue to solve the murders of the future. 　　The first episode looks at the difficulty of identifying the body in a murder case. The question of identity is a crucial start to the investigation. From charred bones to bodies completely dissolved in acid, with each horrific new case science has had to adapt to identify both the victim and the murderer. Investigating four breakthrough cases, Gabriel reveals the scientific innovations that tipped the scales of justice in favour of the detective - and caught the killers. 　　Firstly, Gabriel investigates the use of teeth and bite marks to identify a victim or murderer, starting with a problematic case at Harvard Medical School in 1849. Next, she traces the use of entomology (the study of insects) to pinpoint the time of death - a crucial piece of evidence that helped identify both the killer and his victims when a gruesome collection of unidentifiable body parts was discovered in a river in Moffat in 1935. 　　Gabriel meets Professor Sir Alec Jeffreys, the geneticist who pioneered the technique of DNA profiling. Initially used to establish paternity in an immigration dispute, the application of this revolutionary discovery to the field of criminal investigation was soon established. In 1986 it led to a world first - a person caught and convicted solely on the basis of DNA evidence. 　　Taking us right to the cutting edge of forensics, Gabriel then experiments with a new technique in development - molecular face fitting, which uses only a person's DNA to create an image of their face.

Sherlock has his mind palace, Morse his music - every detective has an edge. For most, it's forensic science. This three-part series provides a rare and fascinating insight into the secret history of catching murderers, charting two centuries of the breakthroughs that have changed the course of justice. Surgeon and writer Gabriel Weston explores this rich history through some of the most absorbing, and often gruesome, stories in the forensic casebook - and looks ahead to how forensics will continue to solve the murders of the future. 　　The first episode looks at the difficulty of identifying the body in a murder case. The question of identity is a crucial start to the investigation. From charred bones to bodies completely dissolved in acid, with each horrific new case science has had to adapt to identify both the victim and the murderer. Investigating four breakthrough cases, Gabriel reveals the scientific innovations that tipped the scales of justice in favour of the detective - and caught the killers. 　　Firstly, Gabriel investigates the use of teeth and bite marks to identify a victim or murderer, starting with a problematic case at Harvard Medical School in 1849. Next, she traces the use of entomology (the study of insects) to pinpoint the time of death - a crucial piece of evidence that helped identify both the killer and his victims when a gruesome collection of unidentifiable body parts was discovered in a river in Moffat in 1935. 　　Gabriel meets Professor Sir Alec Jeffreys, the geneticist who pioneered the technique of DNA profiling. Initially used to establish paternity in an immigration dispute, the application of this revolutionary discovery to the field of criminal investigation was soon established. In 1986 it led to a world first - a person caught and convicted solely on the basis of DNA evidence. 　　Taking us right to the cutting edge of forensics, Gabriel then experiments with a new technique in development - molecular face fitting, which uses only a person's DNA to create an image of their face.

结合了经典的侦探推理讲述方式和严谨的取证科学和历史，这部引人入胜的影片讲述了200多年来不可思议的科技创新。从重塑凶手面部的DNA技术，到能够揭示您所在地的毛发分析，本片将挖掘法医档案中最奇特案件，为您勾勒出了当今最前沿的科技的轮廓。

The Story of Women and Art is a television documentary series, consisting of three one-hour episodes, on the history of women artists in Europe from the Renaissance onwards, first broadcast in the United Kingdom on BBC Two in May 2014. The series is presented by Professor Amanda Vickery. 　　Artists featured include Sofonisba Anguissola, Anne Seymour Damer, Angelica Kauffman, and the 17th-century Dutch paper cutter Joanna Koerten. The programme was well received by some critics, but criticized by others. 　　阿曼达·维克瑞（Amanda Vickery）教授探索西方艺术中被隐藏的女性创造力的旅程：从位于文艺复兴时期的意大利和天主教统治下的西班牙的修道院，经历英国和法国的革命和启蒙的时期，直到20世纪早期位于新墨西哥州的沙漠景观，她将发掘有关那些极具天赋、意志坚韧、并克服了匝看起来不可逾越的障碍以期实现她们的艺术雄心的女性的卓越的故事。

The Story of Women and Art is a television documentary series, consisting of three one-hour episodes, on the history of women artists in Europe from the Renaissance onwards, first broadcast in the United Kingdom on BBC Two in May 2014. The series is presented by Professor Amanda Vickery. 　　Artists featured include Sofonisba Anguissola, Anne Seymour Damer, Angelica Kauffman, and the 17th-century Dutch paper cutter Joanna Koerten. The programme was well received by some critics, but criticized by others. 　　阿曼达·维克瑞（Amanda Vickery）教授探索西方艺术中被隐藏的女性创造力的旅程：从位于文艺复兴时期的意大利和天主教统治下的西班牙的修道院，经历英国和法国的革命和启蒙的时期，直到20世纪早期位于新墨西哥州的沙漠景观，她将发掘有关那些极具天赋、意志坚韧、并克服了匝看起来不可逾越的障碍以期实现她们的艺术雄心的女性的卓越的故事。

王伯（張石庵飾）住鐵皮屋，以拾荒為生，雖然朝不保夕，仍照顧智障的阿成（田啟文飾），他常遭附近頑童欺凌，戲稱他「傻仔」。阿成父親透過民政署託王伯照顧阿成，王伯雖然在內地有兒有孫，也一直寄錢回鄉照顧他們，卻幾十年未曾相見，身邊的阿成彷彿就是他孫子般。一日，王伯到銀行匯款，傻仔阿成卻自個兒走開了，王伯急得報警，民政署的職員也趕往幫忙，最後阿成被差人尋穫，翌日，阿成父親來接走兒子。不久，阿成傷痕累累地出現王伯家門前，手腳竟給上了鎖鏈… 　　演員 : 田啟文、張石庵 　　編劇：羅維明 　　導演 : 羅卓瑤 　　監製 : 羅孔忠

王伯（張石庵飾）住鐵皮屋，以拾荒為生，雖然朝不保夕，仍照顧智障的阿成（田啟文飾），他常遭附近頑童欺凌，戲稱他「傻仔」。阿成父親透過民政署託王伯照顧阿成，王伯雖然在內地有兒有孫，也一直寄錢回鄉照顧他們，卻幾十年未曾相見，身邊的阿成彷彿就是他孫子般。一日，王伯到銀行匯款，傻仔阿成卻自個兒走開了，王伯急得報警，民政署的職員也趕往幫忙，最後阿成被差人尋穫，翌日，阿成父親來接走兒子。不久，阿成傷痕累累地出現王伯家門前，手腳竟給上了鎖鏈… 　　演員 : 田啟文、張石庵 　　編劇：羅維明 　　導演 : 羅卓瑤 　　監製 : 羅孔忠

由巴西著名导演Walter Lima编导的《牡蛎与风的故事》是一部以魔幻现实主义手法讲述人性情感的剧情片，本片获得当年威尼斯电影节的CinemAvvenire奖，被巴西影评人学会评选为1990-1999年十佳电影之一。 　　A fantasy/mystery about the disappearance of a lighthouse owner and his daughter. This film takes a simple story and tells it in a layered and time-spliced fashion that is truly unique. A group of sailors arrive at an island. They are there to deliver supplies to the lighthouse and investigate why no radio contact for some time. The place is as deserted and eerie as that in L'Avventura and only yields it's secrets through a series of set pieces weaving timelines in the story together, delivering the events that lead to the current point in time. Characters from different times walk through the same scenes, commenting on each others actions as the drama unfolds on camera.