夜总会招待员青绿还有另一个职业，就是网络直播BJ。青绿计划和外表出众的朋友红一起，用手机摄像头直播一个“三人行”的节目。然而，原定参与的紫竹因酒精借口缺席，于是青绿和红在街上遇到了一名梦想成为偶像的流浪女孩绿豆。 　　在一个炙热的星期五，他们四处寻找空房间，最终在郊区的一个旅馆找到一个房间，准备进行他们梦想中的直播。然而，突然接到紫竹打来的电话说要加入他们。青绿和红出门去接紫竹时，绿豆却神秘失踪。房间里只剩下满地的血迹。他们惊恐万分，尝试逃离，但发现所有出入口都被锁住，旅馆的房间里全是尸体。更糟糕的是，他们发现了一个伪装成老板的凶手，正残忍地杀害住客。惊恐失措的红和陷入困境的紫竹，以及逐渐失去理智的青绿，最终将这一切通过手机摄像头直播给成千上万的观众。

Struggling actor Simon witnesses a murder; he didn't see the killer, but that doesn't stop him from claiming that he did in order to get his name into the papers. Sure enough, the murderer targets him as his next victim. Our hero is temporarily rescued by Jeanne, a fellow aspiring actress who has always had a crush on him.

林晚晚穿成霸总文恶毒女配，一边被系统逼着羞辱男主助其黑化，一边得绞尽脑汁卡bug刷好感保命，谁料竟让本该恨她的男主动了真情。任务结束她靠系统假死脱身，经长期治疗刚准备相亲，那个从书中逆袭成大佬的偏执男主，竟带着孩子找上门，将她的现实生活彻底搅乱。

沈莹莹穿成年代文恶毒小媳妇，私奔时被疯批反派老公谢方竹活捉。为改悲惨命运，她化身戏精，连哄带骗成功洗白。曾扬言打断原身腿谢方竹，也在她的攻略下， 彻底沦为宠妻狂魔。改编自番茄小说《七零:为活命我强吻了最疯反派》

恶毒太后重生了，上辈子，她为了让自己的儿子上位， 勾结朝臣，逼宫皇帝，最终却功败垂成，被儿子杀死， 女儿补刀。姜明珠死的痛苦，死相更难看，但都不及心痛。 这辈子姜明珠不想再争了，只想摆烂躺平，当个悠闲太后

Michel Piccoli stars as an amorous dentist whose philandering seemingly knows no bounds. He is no sooner shooing such lovelies as Anna Karina and Elsa Martinelli out the back door than he is welcoming such "new blood" as Joanna Shimkus into his living room. When Shimkus demands a commitment, Piccoli runs home movies of his past girlfriends, insisting all the while that he has forgotten them and that Joanna is the only woman in his life. The very next day he's running his movies for still another woman, and the song continues. De L'Amour is based on an 1822 novel by Stendhal (who would have been visionary indeed if he'd included all those home movies!)

A famous docking: Algiers, the White City, in a radiant light. The picture darkens with a voice-over reading of the text of the surrender of the Dey of Algiers in 1830. About the Conquest confronts us with a page of the French national novel that was too hastily turned. Franssou Prenant audaciously gathers a community of complicit voices who read a succession of archives (reports, testimonies, memoirs, historical, geographical, and urbanistic considerations) in a matter-of- fact tone. Recounting the stages of France’s colonisation of Algeria between 1830 and 1848, they outline the ideological landscape of a staggering annihilation effort. The film could just as well have been entitled About Destruction. Franssou Prenant thus constructs a memorial with a technique common to History and cinema: montage. A montage of texts: the words of Victor Hugo, Ernest Renan, Tocqueville are interwoven with those of military men, senior officials, brigadiers, without any way of distinguishing the authors. Then, a montage of images through which yesterday’s acts of violence and dispossession echo in the present: in contrast to an account of murders, the film presents a desolate desert landscape or the frank and innocent smiles of teenagers. The promises of riches offered by colonized Algeria are accompanied by shots of an opulent, Haussmann-style Parisian city centre. We are plunged into a reflection on the nature of this extraordinary violence, through a pictorial meandering into contemporary Algeria, entwined with archival extracts heard in an interplay of convergence and divergence. The piling up of texts brings to light both the ethnocentric and racist imaginary and the cold logic of economic exploitation that dictated the colonization of Algeria and its irreversible consequences, from which Algerian society still suffers today. 　　源自：https://fidmarseille.org/en/film/de-la-conquete-about-the-conquest/

从心灵哲学的角度看，“平行论”是一种身心相互作用的二元论，它认为精神事件与物质事件发生在平行的存在过程中，两者以特定的方式相互作用着，当然这并不意味着其中一个可以诱导另一个去做和它同样的事。电影用同样的方式展示了两个世界，两座城市。它们看似独立存在，但实际上它们通过走廊、时空隧道和跨维度桥梁相互交流着。这两个相反的世界，乌托邦和反乌托邦，终将在一个“混血”的世界中统一。那不是两个世界单纯的加总，而是两个世界的某种融合。在那里，由两个相反世界融合诞生的新世界就有了一个新的身份。在意大利语中，“meccio”(混血)源于晚期拉丁语mixtīcius，意思是“混合”，由此很可能衍生出了法语里的成语métis，意为我们每个人融合多重身份，多重个性于一身的能力。影片的主人公是一个的“聚合”，是一个眼睛上长有拉链，脸颊上生长着玫瑰花瓣的女人，她看上去就像花。影片由她介绍给大家，也由她落幕，好像她的存在引导着和谐的融合之路——那也是一个“混血”的存在——似乎她的故事就是通往希望与满足世界的必经之路，这个过程充满可能性，起始的两条平行道路即象征了一种获得新融合身份、兼容发展和成就独特的可能性。

想要守护历史的年轻史官和为了成为国王而想要抹去历史的王世孙为了彼此的信念而斗争的故事。